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Solid Paul Newman Film with a Great Finale


SPOILERS

In 1980, Steve McQueen died. One doubts there was much connection, but McQueen's chief rival star of the sixties -- Paul Newman -- rather coincidentally came back after a few years in the wilderness, with three major movies in a row, and solid hits, too.

1980: Fort Apache, the Bronx
1981: Absence of Malice
1982: The Verdict

"The Verdict" was the Big One, but "Absence of Malice" is a superior lead-in,
with Paul Newman exuding major star power (like Cary Grant, he was a classic example of a male star who looked better the older he got), Sally Field ALMOST justifying her recent "Norma Rae" Oscar as his co-star, and a capable supporting cast making Sydney Pollack's film a smooth and involving take on an important topic.

But let's jump to the end, and the Best Part: the finale.

The finale of "Absence of Malice" is what I call "an action sequence that's all words." Usually, such scenes take place in a courtroom (like Tom Cruise duelling with Jack Nicholson in "A Few Good Men.")

This one takes place in a conference room, but still involves a few lawyers:
United States Attorneys investigating organized crime (and Paul Newman's alleged invovlement in a mob hit via his mobster Uncle); newspaper attorneys protecting Freedom of the Press (and Sally Field's libelous reportage of Newman's alleged mob ties and ultimately tragic reportage of a fringe figure's abortion); and a local Florida District Attorney (suckered by Newman into a triggering a "sting" against everybody else in the room.)

Paul Newman does great star work in this big scene. He sits quietly in the corner of the frame,watching everybody else argue and fight it out. He is almost inhumanly handsome in his gray hair and blue suit, with his trim body and blue eyes. His pose is relaxed, watchful, intelligent. And eventually, he DOES say a few important things to the others in the room.

But the STAR of this finale isn't Newman. Or Sally Field.

Its'....Wilford Brimley!

Brimley now seems content to advertise oatmeal, insurance, and diabetes medications, but he was a revelation in "Absence of Malice," the classic example of a Character Guy who, for one scene only, takes over a movie and thoroughly entertains the audience in the process.

Brimley is playing a Top U.S. Attorney who is all country cracker-barrel charm, steel-trap mind, and razor-sharp wit. He's convened this meeting to round up everybody, find out the truth, lay down the law...and clean a few clocks.

Director Pollack and his editor skillfully cut together this scene so that we see everybody reacting to everybody else as Brimley cajoles his way through the scene. Brimley demands that everybody tell what they know, or a sheriff with "a pocketful of sub-peenies" will hand them out and start sending people to jail. When someone suggests that this mob investigation has been subject to "a few leaks," Brimley bellows back: "A FEW? The last time somebody had this many leaks, Noah went out and built himself a BOAT!"

One by one, Brimley knocks out the folks in the room who have done wrong or are trying to protect it: Field, Field's lawyer, the D.A....and ultimately the true villain in the room, Brimley's unscrupulous assistant federal attorney, Bob Balaban (who turns the schitck of constantly playing with rubber bands on his fingers into a mark of preening arrogance).

Eventually, Brimley goes a little one-on-one with the star, Newman. Realizing how Newman's sting brought everybody into this room, Brimley opines: "You're pretty smart. But I'd be careful. I'm pretty smart myself." Damn straight!

Newman's rejoinder is crucial: "Everybody in this room is smart. Everybody in this room is just doing their job. But (the woman who killed herself when Field revealed her abortion) is dead. Who do I see about that?"

Brimley, momentarily cowed, admits, "Nobody. I'm sorry. I wish there was."

And then its back for the final clock-cleaning:

Brimley orders various people out of the room, but saves two: the local D.A. whom he quietly advises to resign, and the smarmy Balaban, with whom a great final dialogue ensues:

Balaban: (About the D.A.) Too bad about him.
Brimley: Yeah. He was a nice guy. He just forgot about the rules. (Pause) Tell me, just what did you expect to do after government service?
Balaban: I'm not resigning.
Brimley: The President didn't hire YOU. I did. You've got thirty days.

In theaters, this exchange met with applause and cheers.

In real life, you don't always get Wilford Brimley coming in, sizing up good and bad, and doling out just punishments backed by " a pockeful of sub-peenies," just like that.

But it would be nice.

And this near-final scene in "Absence of Malice" (along with a few sad and gripping earlier ones focussed on Newman's friendship with the woman who had the abortion and kills herself) make it a worthwhile movie to see.

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Absolute, 4-square agreement with the above. Rank this scene with the darkened boardroom in Network, when Ned Beatty lays down the law to Howard Beale. Brimley's character walks in and demonstrates, in minutes, that all of those characters who thought they were so clever throughout were about to understand the meaning of "the Big Leagues."
This movie also has one of the most excruciatingly sad moments of anything I've ever seen, when Melinda Dillon's character tiptoes through the early-morning dew trying to collect every newspaper from the yards of her neighborhood. I don't think anything has affected me like that, until the the recent scene in Little Miss Sunshine when the brother realizes the truth about his flying aspirations.

"What we have here...is a failure to communicate."
"Leave the gun...take the canoli"

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the scene with Dillon picking up the papers...she'd pick up every paper in Miami if she could...breaks my heart every time



'We all dream of being a child again - even the worst of us. Perhaps the worst most of all...'

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I absolutely agree with your statements about Wilford Brimley. I had actually seen Brimley in several shows before this film, but I never noticed him until his grand finale in "Absence of Malice". I was mesmerized by his acting in this scene, & anytime this movie shows up on TV, I always try to catch the last 15 minutes. After this magnificent performance, I started noticing him in other films ("Cocoon", "The Natural", "Tender Mercies") & I'm always riveted by his acting. Even though he's only on for a few minutes at the end of "Absence of Malice", I think he should have at least been nominated for a Supporting Actor Academy Award! As far as I can tell, he's never won or even been nominated for an Oscar. There's definitely something wrong with that!

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[deleted]

Great post from ecarle.

Let me add one line that to me was a key issue in the whole film.

At the end Sarah (the blonde reporter) is interviewing Megan and says, "That's true, isn't it?"

To which Megan replies, "No. But it's accurate."

Truth and accuracy are not always the same thing. Very Zen.

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I really enjoyed this movie the whole way through. Paul is just great in it and works so well with Sally Field. And yes, Wilford Brimley surprised me with this great role.

"I know you're in there, Fagerstrom!"-Conan O'Brien

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The movie is phony and doesn't have any real emotion or drama. It's just a star vehicle for Newman (who is squeakly clean -- right -- he doesn't even knock up Melinda Dillon, lest he be "bad") and TV actress Sally Field, who has to be the most niave reporter in the wrold.

It's just Stanley Pollack schlock. It's not a movie, it's speeches and a second-rate whodunnit.

P.S Since when is the Miami D.A. appointed by the President? Miami is a sovereign entity, not a division of the federal government.

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The District Of South Florida is a federal jurisdiction. The State Attorney for the District is a Presidential appointee. His seat is in Miami.

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"The Verdict was the Big One, but Absence of Malice is a superior lead-in"

Have to agree 100%! Both are excellent films but Newman's work in Absence of Malice probably tops his performance in The Verdict believe it or not.

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So glad to see the Brimley love. He really helped make this a classic.

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ecarle - I just saw this movie again, and love your review. Inhumanly handsome is precisely the right two words to describe Paul Newman. I couldn't take my eyes off him in that scene. Wilford Brimley was a marvel in action. There is nothing like a plain-talking, sharp as a tack guy putting the amateurs in their place. If you haven't seen it already, Mr. Brimley gave a spoof type performance in Seinfeld playing the Postmaster General. From Kramer's reactions, I bet he saw Absence of Malice.

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"The Verdict was the Big One, but Absence of Malice is a superior lead-in"

Have to agree 100%! Both are excellent films but Newman's work in Absence of Malice probably tops his performance in The Verdict believe it or not.

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Well, they are both great in different ways, but The Verdict got Paul Newman a Time magazine cover (pretty much about the aging Newman's comeback and a likely Oscar for Newman) so...it was a bigger deal. A lot of people thought Newman had a lock on Best Actor for The Verdict -- if it didn't go to Dustin Hoffman for Tootsie (but he was a recent winner) and then...it went to Ben Kingsley for Gandhi!

Newman finally won in 1986 for revisting his "Hustler" character in The Color of Money. That was a good perf, but Absence of Malice and The Verdict are better movies.

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Wilford Brimley was a marvel in action. There is nothing like a plain-talking, sharp as a tack guy putting the amateurs in their place. If you haven't seen it already, Mr. Brimley gave a spoof type performance in Seinfeld playing the Postmaster General. From Kramer's reactions, I bet he saw Absence of Malice.

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Yes, I'll bet he did. Brimley brought his amiable menace to that Seinfeld, which also referenced a speech by villain Max Vond Sydow to Robert Redford in Three Days of the Condor: "It will happen this way: a car will pull alongside you ,and someone you trust, an old friend maybe, will open the door..."

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