Set tutors are usually paid no more than school teachers. The job is difficult because you are also required to be the child's legal advocate in terms of their treatment on set, hours worked, breaks, nutrition, etc. Far from a burden to the film/TV producer, the teacher/tutor/advocate is a great asset, keeping the producer out of trouble, if they do their job right, by coordinating set time with the child actor in ways that do not conflict with the law. There is little merit to the notion that having child actors in the cast is enough of a logistical hassle that children are under-represented. Other factors are involved that create that representational deficit.
Love is like breathing. You have to take some in and let it out to live.
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