maniquens scary??!!??
how the *beep* is a maniquen scary in a film like this?
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"It says '1632'. 'Zat a year , or somethin'?"- "Chunk"
Its not necessarily that mannequins are scary as a threat themselves.The idea of an old house set back in the woods from a tourist attraction is eerie, the mannequins filling every room, as if members of the family..it provides a nice backdrop to the stalk- n'- slash proceedings.Also, because so much of the film is obviously intended to be less- than- coherent,you never really know how much of the mannequin action is really happening, and how much exists only in the tortured brain of the protagonists.I think it works rather well, though a bit more actual slashing, and the necessary old school-slasher staple(bared chests) would've pushed the whole film up a notch for me.It's still great as it is.
Frankly, I think the film manages to make mannequins pretty friggin' scary.
I wouldn't have thought so, if you came up to me and said, "So there's this old house full of possessed mannequins, and they all sing at you, and fall on top of you. And that's the big scare!" It would sound ridiculous, of course.
But the director did a lot stylistically, and damn if those aren't some scary MFs.
The war is not meant to be won... it is meant to be continuous.
I think it's more scary that they were originally people before they died and were turned into mannequins.
sharehow the *beep* is a maniquen scary in a film like this?
Well, all the mannequins were very creepy because they seemed to have life and evil powers! Just because of that!
"Hate is baggage, life's too short to be pissed off all the time".