a cosmic charnel house
like any good (thought-provoking) film, "time after time" leaves you with questions.
i had 3 of them after seeing the movie again for the first time in about 20 years:
1. an obvious one: what would do if you had access to a time machine (responsible users only), and could go backwards or forwards in time at will? the implications are staggering, of course, which is why time travel continues to be a fascinating subject for writers and filmmakers to this day. the possibility of changing the past (and the present) or gaining knowledge of the future (and using it in the present).
2. if, as both john stevenson (warner) and wells (mcdowell) state at one point, killing and being killed are a permanent part of human nature - and, of course, even the non-violent wells resorts to buying a gun in the end - is there any real hope of people co-existing in peace, at any time in history?
3. and, on a lighter note: why does wells (a practical genius, for all intents and purposes) make the very commonsensical mistake of using "sherlock holmes" as an alias (not once, but twice) when he must surely be aware that the police would take him for a lunatic? holmes would've been a contemporary of wells, unless i'm mistaken. and even though wells might have aspirations to be a detective, it would seem like a boneheaded thing to do for such a smart man.
again, good film - even if it does have a few lapses into melodramatic coincidence and plot contrivance (not sure if that's the screenplay or the novel it's based upon).
gregory 062007