It was pretty awful. The trick is finding out who wants to kill Hannan and it unfolds like a thousand other mysteries, clue by clue, but the motive is absurd and then there are the plot holes you can drive a truck through as how she knew how to move into his apartment and why he never checked who actually let the place to her and how come a third generation would yield only five guys from five guys, and why was she such a successful murderer in the first place, and so on. The parallels to Hitchcock are so superficial, not in the least that there is always a Jesuit sub-text to his films, and even though DiPalma's pictures lack any sort of intellectual rigor they are better copies than this. There is nothing Hitchcockian about this picture except maybe an excellent Rosza score.
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