A Very Cool Flick
Maybe it's a personal thing, but I've always thought DS is terribly underrated. You may take offense at the subject matter, or the plodding, artsy production, or the pretentiousness of its ideas (2001-ASO-derived); but visually and psychologically it's absorbing as hell, in a sick sort of way. Donald Cammell is a Nic Roeg affiliate who never quite found his niche, but that connection gave him access to Julie Christie, who works the role for all it's worth. And a great deal of Jerry Fielding's score is as creepy and majestic as anything by Jerry Goldsmith.
The problem with DS for today's moviegoers is what less imaginative viewers would call "datedness." Stylistically, it's so inescapably 70s. But you have to hand it to the filmmakers that they didn't labor the special effects -- they're purely kinetic and mechanical; you shouldn't miss the CGI because none is needed; the robots are actor-substitutes. It's a sexual-psychological drama, not a sci-fi extravaganza. And very human.
"L'audace, l'audace. Toujours l'audace."