A Sexy, Painful Film With One Beautiful Scene


They don't show "The Sailor Who Fell From Grace With the Sea" much on TV (to my knowledge.) It is not much of a classic, though in many ways, it is compelling.

The title was a great one, if a bit too long for the marquees("The Sailor" was the shorthand way to put it up there.) For this film would be about a sailor(Kris Kristofferson, the country singer turned leading man who never looked more handsome and macho than in this movie), and he does fall from grace with the sea, and it is sad and tragic when he does.

The film had the selling point of very graphic, if loving and sensual, love scenes between Kristofferson and randy British beauty Sarah Miles. It was too bad, really. In the 70's, so often sex scenes in movies were rape scenes, or scenes of "sex object" womanizing. But Kris and Sarah were playing good people, kind people, sad people (she a young widow with a son, he a man who must go to sea alone for long stretches) who temporarily salve their pain and loneliness with joyous and intense sex.

What was too bad was that it was as if because the sex in "The Sailor" was so kind, lusty, and loving...the rest of the story had to be horrific, sadistic, excruciating. THAT was the story of Sarah's beautiful young pre-teen (and Oedipal) son and his adventures with a privileged group of Boy's School misfits led by a stone cold psychopath. This bully led his group on missions of animal cruelty(more implied than shown) which spun "The Sailor Who Fell From Grace With the Sea" right out of the reach of adult audiences who might have otherwise warmed to its sensuality. And the psychopathic attacks on innocent animals were, of course, the prelude to the hunting of human prey.

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I remember "The Sailor" as being too hard to enjoy -- the ending really hurts, and not in "warm" way -- but I also remember a wonderful, wonderful scene in the middle of the picture which will survive for me in this post:

It is a wordless montage sequence set to the plush, lush, and sad orchestrations of one Johnny Mandel -- one of those sixties/seventies movie music composers who knew how to touch the heart while maintaining a kind of jazz hipness.

The scene is scored to music called "Sea Dream," and is about how Kristofferson must go back out to sea with his merchant ship -- for weeks, as I recall -- while Miles waits for him. The wide-screen Panavision shots of the sea, the ship, the coastal village where Miles waits...and the palpable pain of these separated, lonely lovers...well, it is just one of those mergers of image, music, and acting that you always remember.

They showed "The Sailor" on cable TV about a year after it came out, and, in the pre-video age, I AUDIO-taped the music of that scene off of the TV(no picture) and committed it to memory. As for the rest of the movie...frankly, I tried to forget it. I always wanted a sequel where Lee Marvin led a mission of revenge to kill all those animal-torturing snotty boys.

Anyway, if you can ever see this movie...skip it. Except for that beautiful scene.

P.S. To publicize "The Sailor Who Fell From Grace With the Sea", Kris Kristofferson and Sarah Miles did a nude layout together in Playboy magazine, assuming "Joy of Sex" sexual positions that were pretty graphic for that magazine. Kristofferson said he was drunk while posing for them. Kristofferson was married at the time. His wife, singer Rita Coolidge, saw the "Playboy" layout...and divorced him.

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Thank you for those wonderful recollections. This is a remarkable film both for its beauty and eroticism as well as its overwhelming darkness. It was rare in 1976 to see an adult relationship portrayed so sensually, and even rarer to see a woman focusing on her own pleasure (while her child watched, nonetheless).

It seems like this played near me in 1976, but it vanished pretty quickly. It also aired on HBO, but that was before my family had HBO and I would just stare at the flickering images hoping for a glimpse of something illicit.

That "Sea Dream" score is beautiful and evocative. I also used to audiotape films from television before I had a VCR, and I had to be very quiet because the tape recorder wasn't hooked to the television – just picking up the sound from the speaker. I'd listen to complete movies before I went to bed.

It's pretty obvious this is based on a Japanese novel. I'd love to seek it out if a translated version is available.

Is it just a coincidence that at one point Kristofferson uses the line "Watch closely now," which was the title of a song from his high-profile film that year, "A Star is Born"?

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I agree about this film being painful but beauty was threaded all the way throughout it for me especially the final tragic scene. The cinematography of the film especially the shots on the shore and at sea were breathtaking combined with an interesting story that slowly went terrifying but Kris Krisstoffersen is who truly held the movie together more for his presence as the melancholic Jim than his acting chops. It was obvious from his first appearance onscreen that he was a man looking for more out of life and frustrated because he hadn't found it yet which is why I think he was so brusque to Jonathan and his mother to start. Sarah Miles' character and even Johnathan, in his own way, gave him a glimpse of what he was looking and needed just as much as his widowed love.

That's why his end in the film was so heartbreaking to me because for all his kindness he met such a brutal end. An end that made this movie even more disturbing after the cat dissection but also one that will be top of mind for me over the next few weeks.

'Cause I'm Black you think I did it?

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This film used to be shown on cable tv quite a bit around the turn of the seventies-into-the-eighties. I was about 10, and was very confused by the title, and while I never sat through the entire film, and I can't recall any specifics, I remember feeling "haunted" by some of what I'd seen while I left it run (it's not a film I'd have ever seemed out to watch as a ten y/o, of course). I'd love to see it again now and see my thoughts.

It certainly left an impression for a film I've never consciously sought to watch or watched in its entirety!

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Anyway, if you can ever see this movie...skip it. Except for that beautiful scene.


Bad advice. While that montage is good, it's the least of this film's virtues. The flick is disturbing, potent, beautiful and undeservedly obscure, on par with "Last Summer" (1969). For an explanation see this thread: https://moviechat.org/tt0075161/The-Sailor-Who-Fell-from-Grace-with-the-Sea/5ef4e73012496869d9c4e422/Disturbing-potent-beautiful-and-undeservedly-obscure

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I agree, that's poor advice. It's a beautiful movie, even though disturbing at times. Sarah Miles performance is fantastic.

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Thanks for bringing this up. I need to give it a rewatch soon!

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