When I first saw "Network" in 1976, I had been working in television for four years, and recognized the corporate structure portrayed--news being responsible directly to corporate, for example--as being based on reality of network television of the time.
"Network" has remained a favorite of mine over the years. I have viewed it many times, and the laughter which it draws from me is something akin to "whistling in a graveyard": I had seen enough of the business in 1976 to know that none of the story was really beyond the realm of (then) future possibility...and time has proven me correct.
In recommending the film to coworkers even 36 years later, I always tell them, "Everything portrayed has actually happened, except the ending...and we don't know for sure that THAT hasn't actually happened!"
Most of it came later. "Reality TV" has become commonplace, for example. Oh, sure, we don't KNOW of any television producers dealing directly with terrorists and bank robbers, but it certainly wouldn't surprise me.
Television news has become show biz. I think the ratings race has been the cause of this. One only needed to watch a little bit of election night coverage to confirm this--the slickness, the flashiness, the prettiness...it was all there.
I worked at a Fox affiliate for a brief time in Fox's early years, and I recognized it as "UBS," with its countercultural, "few rules" programming. Consider the late 1980's: The other three networks had "Doogie Howser," "The Facts of Life," and "Mr. Belvedere," for example; they were good shows in their day. But look at what Fox was putting up against them: "Married With Children," "The Simpsons," and "21 Jump Street." That's a considerable contrast.
I recall Arsenio Hall's attempt to be a player in the late-night talk game (first on Fox, then in syndication), going up against--mainly--Johnny Carson. When Carson named Jay Leno as his successor, I remember Arsenio decrying it on the air, referring to him as "that punk-ass Leno."
But back to the 1970's: Heck, Walter Cronkite was acknowledged even by his competitors as "the most trusted man in America." NOBODY could touch him, though the other networks tried...with Huntley and Brinkley, John Chancellor, Frank Reynolds, and others. Cronkite himself was heard to say that local TV news was becoming too "flashy." It was only a matter of time before the networks followed suit.
Aside: Did you notice that Cronkite's daughter, Kathy, played Mary Ann Gifford--the "Patty Hearst"-type character--in "Network"?
Now...consider the idea of a network's corporate CEO dictating some aspect of programming, regardless of the prevailing "wisdom," as portrayed in "Network." William S. Paley was essentially the founder of CBS, and was the "godfather" of the network in the 1970's, when he insisted upon a show which network programming executives hated, and were certain would be a losing hour every week that it aired. It was called "The Waltons." It ran for nine years, and was in the top thirty shows in seven of those years. Paley was also known to order "toning down" news coverage of such things as Watergate.
Now--not all of this is necessarily BAD--some of it just "is what it is." It's a part of what made television what it is today, for better or worse. When it comes to journalism--broadcast, print, or other--total objectivity is impossible as long as humans are involved. But there is no doubt that television news has become more competitive, with not only Fox, but also CNN, MSNBC, and others wanting a piece of the audience. I think that it's also fair to say that the lines between news and entertainment are becoming more blurred with each passing year.
I hope that we never hear of someone being killed for lousy ratings. But "Network" posed the question 36 years ago, "Are we headed in that direction?"
It wouldn't surprise me a bit if TV producers dealt with terrorists and bank robbers. Most movie and TV stars are involved in criminal activity and are on drugs. Many of them have also taken another person's life - I AM TALKING MURDER! I HATE TV and am proud to say that mine has not been turned on in maybe a year.
You are a wealth of knowledge. I was not aware Walter Cronkite's daughter was in NETWORK.
I believe Dorothy Kilgalen was murdered. However, I don't think it was for bad ratings. She was just like Natalie Wood; knew too much and threatened to tell.
I believe Gavin Smith was murdered but not for lousy ratings.
psadek-496-994449 - You remind me of Jack Rebney, subject of the Winnebago Man documentary. He says he worked in the CBS newsroom around the 70s, if memory serves and remembers a time when the news was the news. It was dignified and simple. He got out, so he says, when he saw that change. An American channel like Fox News is really more of an opinion channel where people come on and give their opinions, usually in a sort of belligerent way like they're never that far from fighting the person disagreeing with them.
An American channel like Fox News is really more of an opinion channel where people come on and give their opinions, usually in a sort of belligerent way like they're never that far from fighting the person disagreeing with them.
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It's a shame that Susan and the other idiot have derailed the thread so much, could a Moderator please delete their posts as our ex broadcaster was making some valuable points and like to hear more.
A remake would be an interesting idea, but I think that a lot of the story would have to be rewritten to reflect the present day. When "Network" was made, the Fox Network didn't even exist, and CNN had the "all news" market to themselves. The internet wasn't around either. The Patty Hearst parallel could be updated to say, a Middle Eastern terrorist organization--and the network would have a "secret contact" from that organization.
A lot of what "Network" portrayed doesn't seem nearly as outrageous today, so the screenwriters would have to "up the ante" a bit.
Also, network news anchors are not nearly the "icons" that they were at that time, when Walter Cronkite set the bar. Dare I say it, when Walter retired, the standards started slipping.
I would enjoy seeing a remake, but only if it were updated. I wouldn't want it to be a "period piece."
Check Gabriel Sherman's book The Loudest Voice in the Room, in which is described Roger Ailes' famous morning meeting: "Sherman documents Ailes's tactical acuity as he battles with the press, business rivals, and countless real and perceived enemies inside and outside Fox. He takes us inside the morning meetings in which Ailes and other high level executives strategize the network's presentation of the news to advance Ailes's political agenda..."
It's already happening just as the old broadcaster predicted!
Psadek, if you where in the business you should know that CNN was founded in 1980. Four years after the release of Network and even longer than when Network was written. You never answered the first question posed to you in the thread either. Your credibility is weak at best. Regardless we do enjoy the movie for much of the same reasons. However I am surprised at no one touched upon Ned Beatty's speech or the entire conglomerate merger plot. The author of Network for this part of the movie too was spot on and way ahead of his time.
OK, point taken about timelines and CNN. What I was trying to indicate was an "era."
As for my "credibility," I really feel no need to defend it. If you feel the need to attack it, that's your problem.
What was the "first question" anyway? Specific examples of things I saw? I have no desire to publicly embarrass individuals with whom I worked over the years. Suffice it to say that a television newsroom can be just as corrupt--morally and ethically--as any other business.
No, I never worked for a network. I worked for local stations, and I met some very good people. Unfortunately, most of the really good ones left the business for their own reasons.
You're right about the conglomerate merger. One only need look at the history of, say, CBS, to see that after Bill Paley died, it became little more than a "property"--no longer the prestigious "fourth estate."
Understood. Just trying to be factual and also point out a large overriding theme of the movie that was highly visionary for that time period. My intent was not to attack, but claims should be substantiated. Cheers!