Nor I, you...
Did anybody else find it striking how De Niro's character is so concerned with the way people actually speak while all of the characters around him speak in the clunkiest most un-naturalistic dialogue imaginable?
Fitz was a superb novelist and Pinter was a wonderful playwright... neither of them wrote silver screen dialogue.
The whole romantic section of the plot was painfully short of chemistry in dialogue or acting, although to be fair I have never De Niro pull off a convincing romantic scene.