MovieChat Forums > Picnic at Hanging Rock (1979) Discussion > The Film DOES Provide a Solution. (Spoil...

The Film DOES Provide a Solution. (Spoilers)


You won't get it spoonfed, but it's spelled out when Michael falls into a swoon. We hear the girls in ghostly voiceover repeating the key lines:

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Stopped at 12… never stopped before.

Everything begins and ends at exactly the right time…

Waiting a million years, just for us!

Look – way up there in the sky!

Now I know!…What do you know?

A surprising number of human beings are without purpose, although it is probable that they are performing some function unknown to themselves.

Everything begins and ends at exactly the right time and place.

AAARGH!!!
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Peter Weir clearly intends us to believe in a supernatural explanation involving the rock and a space-time warp. (Other explanations are systematically debunked). Another viewer (unfashionableobservations) takes it a stage further - "the taste of transcendence itself cost them their lives".

I also like suggestions that this is a metaphor for loss of youth or innocence.

Has anyone been able to compare this with The Haunting (1963)? The dynamics seem to have a lot in common.

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[deleted]

Don't forget that Michael also suddenly obtains a cut on his forehead that appears out of nowhere. It's identical in shape, size, and location to Irma's cut.

The war is not meant to be won... it is meant to be continuous.

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What is the significance of the cut?

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[deleted]

The removed chapter concerning the girls' disappearance was never hidden or lost. Joan agreed to remove it on advice by her publisher, but asked that it be published after her death, which it was. There are many threads about it on this board, so if anyone wants to read it, check them out. :)

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Having just seen the movie and not read the book, though now I intend my initial thought was the girls could have wandered into a cave and gotten lost and died. Irma was found because she happened to find a way out on the other side. But I also think there could be another, more supernatural explanation as the girls were in some kind of trance and Mrs McCraw was seen running up the path. But I think the movie doesn't have any one answer for what happened to the girls.

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[deleted]

If that were the case, the bloodhounds should have led the police to the cave. Miss McCraw vanished too, somewhat later than the girls. No trace of her either.

The film is ambiguous, but my opinion is that the filmmakers intend us to lean towards an unknown/unknowable supernatural explanation.



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I don't come from hell. I came from the forest.

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Here's a synopsis of the "missing final chapter". Bizarre, to say the least.

http://en.wikipedia.org/wiki/The_Secret_of_Hanging_Rock

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"Joan agreed to remove it on advice by her publisher, but asked that it be published after her death, which it was."

That's what her publisher said, yeah. And you believe him? Knowing that this publisher had a great commercial interest in people believing that this 'missing chapter' was actually written by Lindsay?

If you do believe him, why?

As far as I know, there is no material evidence whatsoever that Joan Lindsay wrote that 'eighteenth chapter' and retracted it from the to-be-published manuscript. It was only after Lindsay's death that the editor came up with this 'unpublished chapter' story. Lindsay has herself never discussed a 'missing chapter'. On the contrary, she has told her public time and again that PAHR was an open-ended story, was conceived of as an open-ended story, and that the mystery is better left unsolved.

I think it is quite possible that this 'eighteenth chapter' was written by someone else and that it was published for the evident commercial reasons - the movie made the book *very* popular. Publication took place conveniently soon after Lindsay's death, even though it was very much conflicting with her main idea about this novel - that it should NOT include a solution.

In my view, people have too easily bought the editor's story. There is no manuscript. There is no testament referencing the 'eighteenth chapter'. There is no written or signed letter by Lindsay in which she transfers any rights of that 'eighteenth chapter' to the publisher or to anyone else. I see no reason why anyone would believe the editor. Besides, the metaphysical solution of an 'aboriginal dreamtime' feels like a silly deus ex machina to me, unworthy of the fabulous novel that Lindsay DID write.

Michel Couzijn

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"Knowing that this publisher had a great commercial interest in people believing that this 'missing chapter' was actually written by Lindsay?"

"As far as I know, there is no material evidence whatsoever that Joan Lindsay wrote that 'eighteenth chapter'"

Hi Michael. I've read a few of your posts, which seem to be asserting the same thing, i.e. that you don't believe that chapter 18 was written by Joan Lindsay.

Don't you think though, that there would be some sort of legal repercussions if some random person came along, wrote another chapter to Joan Lindsay's book and then brazenly used her name as the author?

It would be like someone writing another Potter book or chapter and then using JK Rowling's name and saying she wrote it. I'm sure that would be illegal.



Look at this, it's a nighty. She would look sexy in that, you'd look like a moose!

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Don't you think though, that there would be some sort of legal repercussions...


Convince me...

Legal action needs a) someone with the resources and the interest to bring a lawsuit and b) some sort of proof. Both seem to be lacking. The publisher -as probable beneficiary- isn't interested in bringing a lawsuit. That seems to leave only Linday's estate. Is Linday's estate "managed" after her death, and does the managing organization have the resources to bring a lawsuit? And as to proof: if someone did fabricate the "missing chapter", it's virtually certain they did so on the publisher's instructions, and so the publisher would have the only "proof". But it's pretty uncommon to in a lawsuit volunteer the hidden information that would convict oneself.

(As to the idea that -rather than some private individual or organization- "the government" would bring such a suit: who exactly has been harmed, what influence on government actions do they currently have, and in general why should the government direct its resources this way rather than toward some other battle?)

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There are ways and means to check authorship. A computer can do a stylistic analysis.

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It's not "sci-fi", it's SF!

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Yes, the current technology of computerized stylistic analysis can straightforwardly identify authorship. But who's motivated to organize such an analysis and thinks it cost-effective to pay for the transcribing of the text and the computer time and expertise? And where can the payback for the legal costs be expected to come from?

(Just because something could be done doesn't necessarily mean it will be done:-)

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Well said, chuck.

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I agree, couz.

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You simply don't like the idea that a story with an ambiguousus ending has an "official" explanation. The popularity of the story relies heavily on its ambiguity, why shoot yourself in the foot by releasing a chapter that finally resolves the mystery? No reason besides it being the wish of the author who preferred the ending she originally wrote to be the actual explanation.

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That "missing chapter" was NOT written by the book's author. It was her intention that the mysteries not be answered - or answerable.

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I think you're right, foots.

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This is a great observation.

Of course, the cool thing about this movie is that every supposedly definite and clear piece of information in it turns out to be subjective and open to reinterpretation.

So while the list of voiceover snippets seems to point definitively to a supernatural explanation for the girls' disappearance, it's also perfectly possible to think of them as a montage representing the confusion in Michael's head--and by extension our heads. It's an aural equivalent to the visual images of swans and ants and flocks of birds (which themselves recall the ancient Roman practice of divining auguries from bird flocks in flight) that Michael sees and/or imagines.

I know Michael can't have heard those phrases, but in this alternate reading, the director is giving them to us just as Michael drifts into a fugue state. (That state can itself be explained away as heatstroke.) So the alternate interpretation of the scene would be that we are falling into confusion just as Michael is, overwhelmed by the quantity and disjunction of the various unexplained bits.

I've always preferred to treat this movie's mystery like that of L'Avventura, where any one of a dozen explanations is possible, and the mixture of all of them is most satisfying--ranging from the mundane (they fell into a crevasse and died) to the fantastic (space aliens and whisked them away) to the metaphoric (the 3 who vanished were the ones least content to live in a restricted provincial Victorian realm, and so they escaped it).

If one favors the space aliens explanation (which I don't, because it's clumsy and clichéd), then Edith really did see a red cloud, and the watches were stopped by the magnetism of an invisible spaceship, or something of that sort. That doesn't explain why Miranda seemed to sense that she was going away, or, conversely, why she talked of Sarah visiting her family someday. It makes no sense out of why Irma, Michael, and Edith were not "taken," though Irma and Michael both appear to have been "called." It doesn't answer the question of why the Rock appears to have supernatural qualities of its own (anthropomorphic shapes, paths that are sometimes easy and sometimes difficult to walk, and a plateau that makes people sleepy, among other things). If there's a supernatural explanation for the disappearance, I favor something Aboriginal and elemental about the place, which the British colonials miss (and which forms the core of Weir's The Last Wave).


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This is a pretty good explanation in that it nearly gets to the actual 'meaning' of why the girls go missing. The problem is that too many people are trying to find an explanation rather than a symbolic reading. Consider this:

We Australians (that is white Australia) has always felt a sense of unease about our continued occupation of the land and its original people. The 'britishness' of early colonial times just did not fit in with the ancient landscape that must have seemed entirely alien to a European. The country is very tough - it is drought prone, floods easily, hosts deadly bushfires, contains the majority of the world's most deadly creatures - but is also stunningly beautiful and 'epic' in its vastness and emptiness. A human feels very tiny and vulnerable in the Australian bush as it seems so very isolated. Trying to civilise the place could be considered a crime against the natural order of the continent and so - for redemption - colonial Australia has to give a sacrifice to the land, usually a child or (in this case) young girls.

One only has to look at the many cases of this in Australian literature - Matt Cameron's Ruby Moon, Paul Kelly's One Night the Moon and the morbid interest in true stories such as Azaria Chamberlain.

Just a theory but it takes away the need for actual explanation - rather this event is, and always will be, an inevitible one in Australian Literature.

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"We" (white) Australians have always felt a sense of unease about our 'continued occupation' of the land and its original people"

We? Who's "We", mate. I feel fine about the 'continuted occupation'. I was born there, I live there. Period. Just like the "original people".

There is no continued occupation. We're all Australians. Like it or not. Get over it.

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Well firstly Australians say 'full stop' not 'period' like the Americans.

Certainly we are now in a state where we can all call ourselves 'Australian' but this term did not come easily, nor does it have an everlasting tenure. It is something that must always be reviewed and checked because there are so many different experiences for people and so many different 'Australias'. Simplifying it into one gestalt is something we do at our peril. It allows us to alienate groups.

I am not sure that it is easy for people who have suffered, been abused, robbed, raped to 'get over it'. Accepting our past is perhaps the first step.

By the way, I am not an inner urban latte drinking blah blah. I work on the fringe in direct contact with this conflicted world. I know whereof I speak and I am aware of the emotion and feeling that is carried.

Although, thankyou for joining in the debate, feel free to reply but please be civil.

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Being someone who is tired of hearing how "White Australians" are forever to blame for the ills of the "native" community, I was "civil" as can be expected.

It's also really not your place to thank me for posting on a public board.

And if there are "so many different Australias", what exactly was the point in calling me out on using the word "period" instead of "full stop"? I am Australian - I say "period". Get over it.

Just like other people should get over blaming "White Australians" for everything. If you're Aboriginal, and you can't get a job, and the billions of dollars that the government hand out every year to the relatively tiny number of Aboriginals is not enough to get you to pick yourself up, get an education and do something with your life, it's time to stop blaming other people.

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As a total objective outside, I can say without prejudice that in this conversation, Leighroy seems like an intelligent, sensitive individual making very fair points. MovieFanaticGild, you come off as an ignorant twat. You remind me of the Republican caricatures we have here in the U.S..

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You remind me of the Republican caricatures we have here in the U.S.


exactly what I was thinking

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The film does not provide a solution - but the book does, by way of clues. Only two of these clues are mentioned in the film, which is not much to go on.

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Now I understand why you chose the name 'psycho'. It fits.

"If I don't suit chu, you kin cut mah thoat!"

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I am not sure that it is easy for people who have suffered, been abused, robbed, raped to 'get over it'. Accepting our past is perhaps the first step.

Of course, but neither those individuals nor the ones who inflicted the suffering are still here to be compensated or punished, so that point is really irrelevant to the continued occupation by modern Australians.

I find it rather contrary that you think simplifying the concept of "Australian" somehow alienates groups. I think classing modern groups of people based on the history of their ancestors (continued occupants and original occupants) is what alienates people and continues the alienation and discrimination of the past.

Why do you think that the classing of modern white Australians as 'Australian' doesn't have an everlasting tenure? The concept of land ownership isn't based on who got there first, but merely who inhabits the land at any given moment.

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Im Indian, i dont know what White Australian feel guilty about. Had they not colonised Australia the aborgines would have all died by now of all kinds of diseases

even monkeys fall from trees

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[deleted]

In the case of the British colonizing India, it was 50:50. Both nations gained.

We had a huge culture, and lots of wealth, and we did not need the British to improve us

But we had no strength to fight invaders, and we have always been conquered by someone or the other. The British robbed us, but if they had not come, the Mughals would have robbed and destroyed us. The British got money, we Indian's got security.

There is no shame in saying that we are a conquered people, half the world consists of passive people like us, and i think the world would be a better place if everyone were to be passive and productive



Darkness lies an inch ahead

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<<Im Indian, i dont know what White Australian feel guilty about. Had they not colonised Australia the aborgines would have all died by now of all kinds of diseases >>
Ok, lets assume that the White Australian saved the aborigines. How did the aborigines survive for millions of years before they came?
<<The British robbed us, but if they had not come, the Mughals would have robbed and destroyed us. The British got money, we Indian's got security. >>
The Mughals were living in India and ruling most of India and were not invading India from outside and robbing. The were a part of India. India didnt get security, India got people like you who are incapable of understanding history and are still ashamed of their ancestry.
<<There is no shame in saying that we are a conquered people, half the world consists of passive people like us, and i think the world would be a better place if everyone were to be passive and productive >>
Whoa, I dont even know where to begin on this one. Your vision of world is inhabited by a bunch of hardworking passive donkeys. How is that a better place?

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The Mughals were living in India and ruling most of India and were not invading India from outside and robbing. The were a part of India.


That is the single most stupid statement I have heard since I passed out of school in 1984.

The Mughals were Invaders. They were not part of India and lived in India like colonizers.

The Mughals raped and destroyed India from inside, if it makes you feel any better about it

I'll say that they whichever religion we belong too, we are people of a conquered race, and we got freedom only because we were eventually conquered by the best amongst the worst. Don't fool yourself, if the Chinese were ruling us they would have shot Bhagat Singh in 5 minutes and locked Mahatma Gandhiji for 5 years. And maybe your child can explain to you what your predicament would have been, had the Mughals still been ruling us.


Darkness lies an inch ahead

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I'll say that they whichever religion we belong too, we are people of a conquered race, and we got freedom only because we were eventually conquered by the best amongst the worst. Don't fool yourself, if the Chinese were ruling us they would have shot Bhagat Singh in 5 minutes and locked Mahatma Gandhiji for 5 years.

To think that a bunch of English dudes showed up in India, courtesy the Queen of England, with a handful of christian missionaries to save the natives..This is the end of 2015, and we still have hear these arguments? Mock trials, fake sedition charges, Jallianwala Bagh massarce of the unarmed civilians..one can go on and on. And please, nobody got freedom because they were
conquered by the best amongst the worst
Given half chance more, they would have stayed on and sucked them dry. Just like American's sitting in all kinds of places with oil and defence interests, presumably under the illusion of giving them freedom. Who's kidding here?

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Wow! Lost for words here. So you think it's cool to be a conquered people, and that the world should be the same. Way cool man. What a sucky vision of the world?

No wonder some indians have a built in chip on their shoulder.

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Muggy Sphere, I am glad that my ancestors were not vicious, bloodthirsty, conquering people who created misery for their peaceful neighbours. Yes, Its not cool to be a conquered people, and today we Indians should work to make a better India, as we have a lot of positives, instead of wallowing in shame and false pride

The millions of Indians who live below the poverty line are not bothered with abstract notions of pride ( Chankyas post before me wrote something like that - which he later deleted, ) These poor Indians are more bothered about necessities and improvement in their standard of live, and in this context, all I'll say is that if the Mughals were ruling us, we would have been miserable today

And if we Indians are ( in General - in the West ) employers and not employees, why would we have a chip on our shoulder ?

Darkness lies an inch ahead

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"Had they not colonised Australia the aborgines would have all died by now of all kinds of diseases"

Do you have any evidence for that assertion?

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[deleted]

They arent illegal immigrants.
Especially the ones from continental Europe.

Whats moronic is the anglo ones claiming they are more Australian than others.

Eat the Neocons.

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[deleted]

I also like suggestions that this is a metaphor for loss of youth or innocence.


I think that's the most plausible interpretation specially giving the writer's other works (not SF or fantasy). Read my detailed post about the films meaning here: http://www.imdb.com/title/tt0073540/board/nest/205940044?d=205940044#205940044

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Fire is my Champion

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After watching the new tv version of this story one can safely conclude that it´s a metaphor for escaping society and its limitations. More literal interpretations than that seem a bit silly.

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