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one scene that I've never been able to understand


there's a scene a little over halfway through the movie in which Triplette meets with Mary and Bill to discuss the trio performing at the Walker rally. Just before this, we see that Mary and Tom have been having an affair. Anyway, when Triplette arrives at the door and says his name, Mary quickly leaves the room and eventually returns, and the whole time Triplette is giving her really odd looks, like he knows her from somewhere. She then quickly covers her face with cream, maybe to disguise herself? It seems to be implied that he's seen her before or maybe she just looks odd to him. I'd appreciate it if someone could explain this to me...
thanks

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I always interpreted this scene as triplette taking a look at the girl and somehow figuring out that she has a loose character. your interpretation is valid as well.

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I always saw that scene as a woman trying to take her thoughts elsewhre and remove herself from her current emotional state. They were fighting and then comes the knock on the door. They were celebrities and were looking out for their reputations. I'm sure they didn't want it to leak to the press that Bill, Mary and Tom were having internal problems and were maybe breaking up. Of course, that's exactly what was happening but... no need in everybody knowin' Gotta protect yourself.

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You're all wrong. He's absolutely smitten with her. It explains it in the paperback novel/screenplay that was published at the time of the film's release. To paraphrase Joan Tewskbury's description: Triplette stares at Mary and is very taken by her natural beauty.

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Yes, that was the impression I got: this straight-laced normal guy, a "square" in the parlance of the day, was totally "digging" on this hippie-rocker chick.

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His character has always come across as slightly sleazy to me; it's a great performance but I think he's one of the least likeable characters in the movie, and I always thought there was something a bit seedy about the way he looks. I'd also say that you a screenplay or novelisation does not give you a definitive answer to things in a movie, especially an Altman movie.

If I have to tell you again, we're gonna take it outside and I'm gonna show you what it's like!

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I'm not saying you're wrong about what was going on in that scene but...

You can't think that the plotline of a movie novelization will automatically coincide with what the screenwriter and director were trying to convey.

Those novelizations were cheesy attempts to make easy money -- written by "nobody" authors also looking to make easy money; at times they had to fabricate additional details to flesh out details or create character development that was only obvious on screen.

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I also agree after re-watching this scene over and over... I also think Triplette was totally astonished (and a little bewitched) by Mary's natural beauty. She just comes after bathroom after waking up (with no – or very few – make-up) and she already looks SO beautiful (i.e. the "natural beauty" Edward has mentioned above).

I would also add that this – her standing out – is obvious at the beginning at the airport just right after Del (Reese) picks-up John; she goes by with Bill and Del halts for a second (looking at her), and right after that apologizes to Triplette for wearing sunglasses.

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I think in a more tacky version of the movie those 'odd looks' as you call them would be intercut with shots of her cleavage. He was just checking her out, I don't think there's much more to it than that.

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My interpretation is that this is a way for Mary to show her disdain for both Triplette and Bill. First, she says that they are Democrats, and wouldn't appear in favor of the Hal Philip Walker. Second, she decides to show disrespect by buttering up her face. Where I do agree is that Triplette is probably always on the make, and eyes up Mary and in the last scene before the assasination, he also eyes the other ladies on the line on stage.

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I kind of focused on Triplette in my last viewing; he does that look a lot, and at other women, including LA Joan.

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Interesting question. Here's how I always read it. Triplette is a political advisor. Like a salesman or a politician, he reads situations immediately and adopts an attitude and a persona that will get him what he wants. Pure opportunist, pure chameleon: at various points in the film he presents himself as progressive, as a good ol' boy, as a bully, as sympathetic...whatever it takes. His response to Mary and Bill is initially puzzled (there's clearly more going here than meets the eye), then an increasingly shrewd, amused and curious attention paid to Mary as he realizes that in fact SHE will make the decision.

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This is Michael Murphy talking about the scene on the new Criterion blu-ray:

"I was standing with Bob, watching the rehearsal, and he had his hand on my shoulder to give me a cue. Now I'm watching this thing, and I leaned over and whispered in his ear, 'Bob, I should play this like I've got the hots for her!' Because [my character] was such a straight guy, and to see this kind of hippy-dippy weird chick, you know? And I whispered [that] to Bob, and he said, 'Just do it!' and pushed me onto the set."

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I don't know how any hetero male could keep from looking at Claudia Raines.

Nobody's looking for a puppeteer in today's wintry economic climate.

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Christina not Claudia. But, yes, she is an absolute stunner, and it always surprised me that her career just kind of fizzled out. She was gorgeous in The Sentinel too, a horror movie made two years later. Interestingly, Keith Carradine's father John Carradine was in that movie.

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