Oscar nom for Fred Astaire?


Did anyone else find it surprising that Fred Astaire was Oscar-nominated for such a small role?



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No. His role wasn't that small, and he was excellent in it. He was favored to win, too, but lost in an upset to Robert DeNiro for The Godfather Part II, despite the fact that three people from that film were competing for the award.

I remember seeing Fred's face when DeNiro's name was announced. He was clearly disappointed. No offense to DeNiro, a superb actor, but Fred had earned that Oscar. The Towering Inferno wasn't his best performance -- that was in 1959's On the Beach -- but many if not most Oscars are given for reasons other than who was strictly "better" among the nominees. Fred deserved the Oscar on the merits, I believe, but certainly he should have won when his entire career is considered -- a sentiment that more often than not plays a key role in determining an Oscar winner.

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Thank you for that very intelligent and insightful analysis.

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My goodness -- those are very kind and generous remarks, and I thank you, rme!

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I agree with you completely, Hobnob. Roles of supporting actors and actresses do not have to consume a lot of minutes to be judged outstanding and worthy of the award. I remember reading that Steve McQueen, after watching Fred's performance as the film was being made, commented that it was a particularly oustanding performance. McQueen knew it as soon as he saw it. The film had a lot of stars, but none shown brighter than Fred for the minutes he was on and the role he played.

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Interesting about McQueen's comments, manage. I never heard that. TTI was also Fred's only Oscar nomination, though he'd gotten an honorary one in 1949. He should have been nominated for On the Beach (a lot of people think he was) but 1959 was a tough year. But at least he had a competitive nomination for one film. Many actors never get that much.

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he was up for a Golden Globe for On the Beach,,but Inferno is his only Oscar Nom...he won the Globe for it,,,he and Jennifer Jones both should of won for their roles

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'I believe, but certainly he should have won when his entire career is considered'
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That is fraud, then. The Oscar should go to the best of that year. I thought people hated when the Oscar is given for sentimental reasons, so why should he be granted it?

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I thought people hated when the Oscar is given for sentimental reasons, so why should he be granted it?
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Probably because he did a dance in it. That would be considered superb and great acting by many.

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I remember seeing Fred's face when DeNiro's name was announced. He was clearly disappointed.


With all due respect, that's not how I remember it. I wanted Astaire to win, as it was one of the few roles I had seen (I was 13 at the time). I remember that once DeNiro's name was announced, Astaire was literally the first one to clap for him (all those split screens of all the nominees made it possible to see them all).

It always stuck with me all these years because I thought it was so incredibly gracious.

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Well, no offense taken or intended, but I was 22 when the Oscar ceremony was held, and I very clearly remember that he had an obvious look of disappointment on his face.

Note I said "disappointed" -- not livid, not angry, not resentful, not scowling, not grudging -- and yes, he certainly did applaud DeNiro...as did all the other nominees. In fact, all Oscar losers in any year applaud the winner.

Whether Fred was the exact first to applaud DeNiro I cannot say, but we're talking about a difference of perhaps one second. No question, he was gracious about it all, typical of his classiness (although there have been many other Oscar losers who were equally gracious in defeat). But clearly he was disappointed not to have won, especially since he was considered a virtual certainty for the award.

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https://www.youtube.com/watch?v=txRzUMYOUk8

Since just about EVERYTHING is on YouTube, I found this! We can see how well our memories jibe with what actually occurred!

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Thanks for the link -- yes indeed, nowadays everything is on YouTube.

I watched the clip a few times and, sorry, he clearly looked disappointed. He did seem to be the first of the losing nominees to applaud (of course, only two others were present, Michael V. Gazzo and the always egocentric and ungracious Lee Strassberg), but it was indeed a matter of only a second or so, and he wasn't leading the applause or smiling broadly or taking great pleasure at DeNiro's win. And in the last moments of the clip you can see him saying something to the person next to him, and the expression on his face is plainly one of disappointment; he looks resigned, he virtually stops clapping, his mouth twists up, and he's very obviously anything but happy.

Again, I never said he was angry or ungracious or anything nasty, but the look of disappointment is plain -- and completely understandable. The idea that he was the first to applaud purely out of graciousness is debatable, but in any case that's the expected reaction. But his dismay at not winning an award everyone expected him to get is palpable. His expression, especially in the last couple of seconds of the clip, is anything but one of equanimity or a carefree "Oh, well" attitude. He's not happy, and there's nothing wrong with his feeling that way.

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Jennifer Jones should also have been nominated. She was nominated for the Golden Globe award.

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Fred captured the role of the charming con man, as written in one of the two books on which the film was based, "The Glass Inferno", perfectly.

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No, I don't find it surprising in the slightest, given the success of the film and his status at that time but it's not a deserved nomination. He brought some twinkly charm to the role but made little impression on me. I'm more surprised, though, that he lost. De Niro, whose nomination that year was his first, got very little precursor recognition and had two co-stars in his category, which must have cost him some votes.

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It's as if the voters had decided that their "sentiment" award that year was going to be Ingrid Bergman for "Murder On The Orient Express" even though she only has one big scene in the whole film when Poirot interviews her. It should have been the other way around especially since Bergman already had an Oscar in her career.

Astaire's role in Inferno is, it has to be acknowledged, a variation on his role as Robert Wagner's father in "It Takes A Thief" (irony given Wagner's presence in the film!) and which he would also do again on "Battlestar Galactica" as Dirk Benedict's father. But it was the kind of role he could play wonderfully with his great sense of style.

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It was a great day for the Oscars when Robert DeNiro (who deserved the Oscar) beat Fred Astaire. It reminds me of when Juliette Binoche beat Lauren Bacall.

Deserved wins such as these restore credibility to the Oscars that they still mean something.

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Since disaster movies were all the rage in the early 70's, Oscar noms usually went to the veteran actors looking to make a late comeback like Helen Hayes in Airport and Shelley Winters in The Poseidon Adventure. Astaire was great in INFERNO and deserved his nom! I also thought he deserved to be nominated for his supporting turn in ON THE BEACH, and loved his sole survivor character in the 1981 horror film GHOST STORY (proving that he had dramatic range which was somewhat overshadowed by his dancing talent during his younger years!

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In the 70s a lot of quite small or smallish were given Oscar Nods.
I mean Ingird Bergman in Murder on The Orient Express has most of her lines in one scene.

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I was surprised, but not due to the smalness of the role, but because of the utter commonness of the performance (the lame role doesn't help, either). It was obviously a sentimental nod to one of the screen's greatest icons, nothing more.

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http://mulhollandcinelog.wordpress.com/

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>>> I was surprised, but not due to the smalness of the role, but because of the utter commonness of the performance (the lame role doesn't help, either). It was obviously a sentimental nod to one of the screen's greatest icons, nothing more.

Agree.


If a private venture fails it's closed down. If a government venture fails it's expanded. M Friedman

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Did anyone else find it surprising that Fred Astaire was Oscar-nominated for such a small role?


No. Fred Astaire playing this type of character was quite a stretch for him, which is what an Oscar nomination is all about; it's about actors doing a surprisingly good job at a role that they don't normally play or you wouldn't think they'd be suited for. I'm still kind of amazed at how well he did it. This was a role I could've seen someone like Burgess Meredith easily nailing, not someone like Astaire, who was always about playing suave, debonaire types.

Also, Astaire was getting on in years and if you know the Oscars, they will typically start handing nominations out to older actors as a last ditch effort to give them something before they die, especially if they have a long history of being snubbed.

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I actually think that his performance was great in this movie. When you look at a lot of the work he did earlier in his career, he was known for singing and dancing and being in those very happy musical movies. I've never really seen any more of his work, but The Towering Inferno is an exception and I feel like this serious performance really shows that he was an excellent performer. I think one of the deepest scenes is when he and Lisolette are sitting at the table in The Promenade Room while everyone is trapped and he confesses to her that he's a phony and she doesn't care. That scene stands out to me the most.

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I thought Fred was very good in his role, but an Oscar nomination, much less a win? I don't think so. And to beat De Niro in Godfather: II, there's just no way it could've been accomplished. Fred was good, but not that good when we're talking about De Niro.



He won. Get over it.

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I haven't seen The Godfather: Part II, so I can't comment on DeNiro's performance. I know that most -if not all- of his dialogue was in Italian. So, that might have impressed the voters somewhat.

As for Astaire, I think his nomination had a lot to do with the Academy trying to make up for his not being recognized earlier in his career with any competitive awards. (He'd won at least one Honorary Academy Award before, possibly two.)

Oftentimes, the Oscar goes to someone who's been snubbed in nominations or lost out while being nominated for a superior performance in a previous year. (James Stewart always felt that the 1940 Best Actor Oscar should've gone to his longtime best friend Henry Fonda -for The Grapes of Wrath- rather than himself for The Philadelphia Story. Stewart always maintained that he'd won that year because he'd lost the previous year for Mr. Smith Goes to Washington.)

For the record, I think that the actress who SHOULD have won Best Supporting Actress in 1974 was Lauren Bacall in Murder on the Orient Express. I thought her performance as Mrs. Hubbard was brilliant and far outshone Ingrid Bergman's.

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