The real-life story of the mysterious Kaspar Hauser put to film by Werner Herzog

This was Herzog’s follow-up to his acclaimed “Aguirre, the Wrath of God” from two years prior. While I think Herzog’s forthcoming “Fitzcarraldo” is great, I found this a little disappointing. For one thing, Bruno S. was 42 years-old during shooting whereas the real-life Hauser was only 16 when he was found. I guess that’s why Herzog changed his birthdate from 1812 to 1810 for the movie. Since it was common in cinema at the time to cast way older actors as teenagers (which is still done occasionally today), I suppose this can be forgiven.

Besides, Werner realized after writing the script that it would be challenging to find an actor to play such an extreme role convincingly. However, when he saw Bruno S. in a documentary and learned of his difficult childhood, the son of an abusive prostitute and spending many years in institutions, even being the subject of Nazi experiments on mentally-disabled kids, he decided to cast him because of his extraordinary mental circumstances.

A couple of other issues are that Hauser’s cell in his youth was reported to be 4 feet by 7 and not high enough for him to stand upright, which are of much bigger dimensions in the movie. Plus, the flick supports the idea that Hauser’s captor is one-and-the-same as the person who supposedly attacks him with a knife after he acquires fame, which doesn’t jibe with the known possibility that Hauser was addicted to the attention he got for being “special” and committed the stab wounds himself in order to work up interest when his popularity started to wane. Since we don’t know the facts, this element should’ve at least been kept ambiguous in the film.

While you can’t beat the authentic locations, I found the proceedings a little boring with a highlight here or there. This wasn’t helped by the one-dimensional portrayal of the title character but, then, how else would such a peculiar individual be depicted? So, I guess it comes down to how interested you are in the subject matter. At the very least, the movie gives you a decent visual of what actually happened 200 years ago in Bavaria.

A more compelling ’70’s Euro-flick that takes place in a comparable setting and has a similar ‘feel’ is “Mysteries” from 1978, based on Knut Hamsun’s 1892 novel. For entertaining exploitation in the same general milieu, see Klaus Kinski’s “Jack the Ripper” from 1976.

It runs 1 hour, 49 minutes, and was shot in Dinkelsbühl, which is an hour’s drive southwest of Nuremberg in Bavaria, Germany.