I had never thought of it, but find it pretty odd that 3 or Marty's very early films had a Female main character or in "New York New York" basically 2 Main characters one male and one female, and then for the last 30+ years he has had all men as main characters. I actually have no complaints, but am wondering if any fans of this film wish he would return to different subject matter that may have a female lead??
Check out my recent blog post at my blog listed below in which I rank and give thoughts on the Master Marty Scorsese's complete filmography!
Well, I do have complaints, actually. Martin is a superb filmmaker, but he seems to have blinders on when it comes to the types of films he makes these days. I'm not seeing a lot of growth, just a lot of bombast.
Thankfully, "Alice Doesn't Live Here Anymore" and "Boxcar Bertha" were made at time when he was still receptive to strong female leads. I credit Ellen Burstyn for opening his mind on this one.
This is still his best film, working from a wonderful screenplay. No shooting? No bloodshed? No problem. In fact, it's on my list of the Top 5 Greatest Films of all time.
Marty has become such an "event" filmmaker that he seems to have lost track of character development in pursuit of ... well, whatever he's pursuing these days. This film is proof that he indeed knew how to develop strong characters without the overkill of violence at one point in his career.
Yes, Ellen Burstyn was my main attraction to this film as well, as she is to every film she's in. It really doesn't seem like a Scorsese picture, does it? At least certainly not like the movies he does now. But in the '70s, he was all over the map thematically and taking more chances than he does now. I think he also had fewer expectations placed on him.
The reason Scorsese hasn't focued on framle characters is because he had no intenetion of making Alice. Ellen Burstyn was looking for recommendations for new and exciting directors. Coppola recommended she watch Mean Streets. She had a meeting with Scorsese and asked him what he knew about women. He said not much but I'd like to learn. It was very much a collaborative effort all the way through filming in terms of the content. The studio insisted on a happy cinematic ending and that was the compromise they made - Kris would say he'd go with her to Monterey. That came out of some improv sessions the actors did. Originally Alice was going to leave without him.
So really it's not about Scorsese losing interest, he never really had any. He was taking more chances back then as young filmmakers do and doing different genres. He was presented with this challenge and took it on. But it was not all him on the finished product by any means. Get the dvd and watch the intereviews and limited commentary and you'll get an idea of what really happened.