-501's post kind of sounds like it's coming outta trollsville, or perhaps from the land of Not Paying Close Attention.
"A Ventura trying to knock a much larger Grandville off the road?" Sure. The Grand Ville may be longer, wider, and have a 1000-pound advantage, but the Ventura, although we called it a "compact" car in the '70s, ain't no Mini. It's larger than today's "mid-size" sedans and weighs 3000+ pounds-- so, yes, it WILL have a considerable impact on the bigger car when it slams against it. Hmm, I don't suppose the PIT maneuver had been invented by 1973... imagine the Grand Ville losing control and rolling a few times-- now that would have been spectacular.
What "awkward time gap"? Apparently this refers to the hit at 1:02:42. No, the Grand Ville doesn't instantly veer toward the guardrail; it takes maybe half a second. Given that we're talking about a 4000-pound car moving forward at 70 mph or so, I think that's probably in line with the laws of physics. And it may be that the driver (the character, not the stuntman) got a little shaken by that hit and just lost it for a moment-- in his big heavy sedan with far-less-than-sports-car handling-- and swerved the wrong way. Whatever, when I watch (like right now) it doesn't look unbelievable at all. There's one thing that always seemed odd to me, though: Why is the gunman now just watching and not even trying to shoot at the Ventura again?
The bus: Well, I think it DOES slow down a bit when the Grand Ville pulls right in front of it and makes itself at home. (Honk, honk!)
As for the bus driver not seeing the guy with the shotgun: The bus may have a "big windshield", but the back window of the 'Ville is nowhere near as big, and as the (black) car interior looks pretty dark even from the INSIDE, it would look even darker to the bus driver, being that his eyes were adjusted to the outdoor light. Plus the back window is probably full of reflections from the sky, obscuring his view even more. (It's surprisingly hard to see very much through the windows of a moving car from the outside in daylight-- try it sometime.) Maybe he does notice the end of the sawed-off shotgun poking a LITTLE bit out of the Grand Ville's open window... and maybe he doesn't realize what it is, since HE hasn't been watching the movie up until now. Maybe he's also trying to keep an eye out for other dangers ahead-- a wise course of action for anyone who's on the Taconic State Parkway (I hope I never have to drive on that road again!) with a busload of passengers. Anyway, when the gunman leans out and aims, the bus driver does react.
As for not slowing down: We only see the bus for about one second after the shots are fired, and, no, it doesn't seem to slow down drastically-- but, y'know what, given the angle at which the shotgun's aimed, the bus might be safer NOT backing off too far! In any case, by the time the Ventura gets back on the road, the Grand Ville is racing away from the bus and the brake lights on the bus are flickering quickly. So I don't see anything weird there.
The hood blowing off: Well, in the close shot of the gunman just before that, it's true that he's aiming as if the Ventura has pulled up almost next to his car... although the shot is so quick, it's awfully hard to tell without pausing the DVD. But in the next shot, as we look back at all three vehicles, the Ventura is actually back a good deal further, next to the middle of the bus-- look at the shadows. The shooter is aiming at the front of the Ventura, at roughly a 45-degree angle, and from his vantage point the center of its hood (where the latch would be) is almost in line with the driver's side of its windshield (presumably his target). So, "shooting shotgun shells at the SIDE of a hood"? Nope. It all lines up. Pause it and see.
"The decapitating car crash is tired stuff too." That so? I suppose there had already been lots of movies where they did that... right??
Yeah, living IS easy with eyes closed-- and you know what the next line is! Heh heh, I couldn't resist, you put it right there...
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