MovieChat Forums > Solyaris (1972) Discussion > Raining inside the house

Raining inside the house


What's the deal? What's it mean?

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It means the ocean can't reproduce things perfectly. It's just making a mistake.
In that scene the pond is also frozen over but it is not winter.
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But there's more to it than that, isn't there? Why did Tarkovsky choose the image of raining inside the house to convey the fact that the Ocean is making a mistake? I think there's some symbolism to the rain indoors, and it recalls the rainstorm that Kelvin experiences outside in the first scene of the film. E.g., home is supposed to be a place of shelter (literally, from the rain, and metaphorically, from the sorrows of life). But Kelvin for some reason is unwilling (in the first scene) or unable (in the last scene) to utilize this shelter.

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You are right that the rain scene mirrors the one at the beginning of the movie. It bookends the movie nicely. The early scene got imprinted in Kelvin's memory and the ocean downloaded it from there and recreated the virtual reality house+lake. But as we know already the ocean is always screwing up some detail hence the rain is falling indoors and not outside.

This is a complex enough scene. Kelvin gets a second chance to tell Dad how much he loved him - which he never got a chance to do in real life. But he becomes painfully aware that the dad in front of him is not his real dad. Nevertheless he gives in to the need to reconnect emotionally w his dad anyway. So there is enough going on there w\o the symbolism overload.

-- Mothershytter... Son of an ass!!

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Thanks for the explanation. LOL symbolism overload. You're probably right.

It's a fantastic scene in any case, whatever it means.

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I think the rain is just a device to make the viewer realize that there's something wrong, that this is not Earth.

But if you're into that, the symbolism of the scene can be over-extended. At the beginning of the film, it is raining outside, in tone with the space exploration theme, which implies large scale, open space, outward movement. At the end, it is raining inside, in tone with the inner, personal journey the film turned out to be.

But I have to say I don't like the ending, it deviates (as most of the film, actually) from the book (which I love), and doesn't make that much sense.
After the electroencephalogram, the ocean stops reviving the guests... only to substitute them for a more elaborate version? After Harey's death and Kris's speech, we're suddenly thrown back where we started, with him struggling with his demons, only Harey being replaced by his father. There's no gradation, no character development, the ending seems just like an unnecessary twist.


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The dad's not Kelvin's real dad. Is Kelvin the real Kelvin?

I thought that whole last scene was the Ocean endlessly replaying Kelvin's memories with its own puppet creations.

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I should warn you -- he's a Fourierist.

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Yes, It is real kevin on the island because we can see him curiously looking at each and every detail that has been formed on the planet.

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I found it interesting that by kneeling next to his dad and kissing his hand, he does the exact same gesture that he made before with Hari.

My view on this is that he realizes that his dad and Hari are on and the same being, that the ocean is the one alive in both of them. Perhaps this is trying to show that Chris also loves the ocean itself, for what it is, not as an imitation/illusion, but as a living being.

In its term, the ocean expressed his love for him by re-creating his house, his father and the woods around his house, and even somehow managed to get him there. Or maybe just as the ocean created for Chris that which he loved (his wife), the same way the ocean created for itself... that which it had itself grown to love (Chris).

Either way, a very beautiful message!

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by raduneo;

"Perhaps this is trying to show that Chris also loves the ocean itself, for what it is, not as an imitation/illusion, but as a living being."

My view is that Kelvin loves what the Solaris planet is doing because it is bringing back the experience of lost loved ones.

"In its term, the ocean expressed his love for him by re-creating his house, his father and the woods around his house, and even somehow managed to get him there. Or maybe just as the ocean created for Chris that which he loved (his wife), the same way the ocean created for itself... that which it had itself grown to love (Chris)."

I wonder if Kelvin cares that the Solaris planet is creating replicas of his wife and father.
For Kelvin it seems that the emotions are real with a replica as they were with the flesh and blood originals.

The rain imo is just the trigger to show Kelvin that the house, land and father are a creation of the planet.
But again in the end, Kelvin does not seem to care.

- In religious terms the planet has godlike power. It is bringing back loved ones as if it can reveal some science fiction heaven.
And Kelvin has a very strong, positive response to that.

It may be Tarkovsky saying, some human beings at least want to reunite with loved ones who are gone (have died).
That would fit with some of Tarkovsky's religious views.

BB ;-)

it is just in my opinion - imo - 🌈

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I do not think there is much in the way of "traditional" symbolism in that scene. The movie spends a good deal of time showing earth in all it's "wet" glory, this is Solaris' attempt to recreate it after Kris sent his "encephlogram", but it gets everything inside out. It's also a visual cue that something isn't quite right and it sets up the final helicopter shot.

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It appears in several of Tarkovsky's films.

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It's not "sci-fi", it's SF!

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Just a little more thought on this issue. As someone pointed out, rain is a common image in Tarkovski's films. When asked about it, he said that above all else, rain was something that was very common in the area of the world he grew up in and he just liked it aesthetically. Basically, he said it was "just part of life in his part of Russia, so why shouldn't it appear in his films?".

I don't mean at all to diminish the symbolic meaning of rain in this case or the many, many levels that it resonates on. Rather, I just wanted to mention that Tarkovski really loved rain. I absolutely LOVE the rainstorm scene at the beginning of the film.

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The Solaris Ocean reconstructs beings from what it can scan from your mind (including dreams). Since your dreams can have incongruous images (like rain inside the house), so can the Solaris reconstruction. We saw the same thing when Hari was reconstructed with no zipper or buttons on her clothes.

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To add on top of the other answers, it is also interesting to note that Kris' father doesn't seem to mind at all about rain falling onto him, just like at the beginning of the film where Kris doesn't mind. The ocean must have deduced from scanning Kris' brain that it was a normal thing for water drops to fall onto humans every now and then, and for humans not to mind when that happens, so the ocean recreated that on Solaris but it got it wrong.

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Just watched this, and during the film started noticing a symbolism with wetness. Characters always get wet at the peak of their turmoil. Kelvin showers his burns after abolishing the first re-embodied Hari from his life. Hari is swathed in condensation before and after drinking the liquid oxygen.

You'll also see people sweat profusely when they're trying to grapple with understanding (another flavour of mental turmoil). This is most noticeable with Burton in the inquiry, and Kelvin, and indeed all space station personnel, after Kelvin arrives.

More subtley, there's a scene later in which Kelvin and Hari are looking into the mirror together. Kelvin has just defended his wife from Satorius' ontological attack, and is perhaps feeling vindicated in his acceptance of her, yet Hari herself is trying to come to terms with her own existence's validation. Here, only Hari's side of the mirror is coated in water droplets. Perhaps this is akin to her initially not being able to sleep - she also has not yet learnt to sweat, as Earthlings do during such emotional-intellectual conflicts; thus her wrestling with coherence and identity can be shown, even at this symbolic level, only through a second object. Perhaps I'm giving too much credit to Tarkovsky's eye for detail, perhaps not.

The fever hallucinations with Kelvin's childhood-version of his mother seems to be the only conciliatory instance of wetness. Here, at the risk of getting too psyc into it, Kelvin perhaps resolves a deep childhood trauma within himself pertaining to his mother, which later manifested (more than once in his life) as his attachment to Hari.

I'm not entirely sure about the ending scene. It could be that having cleared up his maternal relations, he then is confronted with his father issues, made all the more immersive (unintended pun) and palpable due to the recent transmission of Kelvin's encephalogram.

Of course, Solaris as an ocean planet might be considered either something like the primordial spring of all psychological conflict, or, at the other end of causation, an amorphous culmination of humankind's psychological distress.

...IMO

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Don't act like you've never experienced the "pots and pans" scenario.

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Sorry for answering the question 9 years after you asked it, but the answer (in my opinion) is that Kelvin is not actually down on Solaris, he’s in his room on the station.

Remember when he accidentally set himself on fire when he put Hari on the rocket? After that, he goes back to his room and puts his head under the shower, which he doesn’t turn off or on. It’s just running.

At the end, when he’s looking through the window of his father’s house in his mind, in reality he’s staring into the shower in his room.

This is also what’s happening when the apparition of his mother washes his arm in the bowl of water, not long before the end.

Before the end sequence begins, as Kelvin is being dragged down the corridor, he asks what really happened to Gibarian.

In my opinion, it’s likely that Gibarian’s brain waves were also broadcast to Solaris by Sartorius, and Gibarian’s mind was invaded by Solaris, causing him to hallucinate, and as he was experiencing one of these hallucinations, he went into the freezer compartment and froze to death.

But re Kelvin, he sees water in his father’s house because he is in his room hallucinating while staring into the shower.

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