The Killer (major spoiler)
This is a good twin/bad twin story. Holland assumes Niles' identity after pushing him down the well when attempting to the hang the cat.
shareThis is a good twin/bad twin story. Holland assumes Niles' identity after pushing him down the well when attempting to the hang the cat.
shareTwo scenes revealed that Holland was alive and Niles had died. One is the old neighbor lady scared to death by the rat that Holland pulled out. She sees it is Holland who visits her and calls him Holland. The second is in the apple cellar when Niles and Holland are having an argument over who killed the baby. Holland asks Niles who are you and he answers, "I'm Niles Perry" but Holland answers, "are you sure?" Niles was always stating that Holland was the bad one and in the end, Holland was right. He is the bad one having killed his father, crippled his mother, caused his grandmother to commit suicide, murdered his cousin Russell, drowned the baby, scared the neighbor to death, and killed his younger twin.
-- If Ewan McGregor were a lollipop I'd be a diabetic strumpet --
The entire central conceit of the story is that it was Holland who had died and Niles who was 'possessed' by the evil spirit (or shared insanity) of the other. Niles, (if it is indeed him anymore) is simply emulating his brother's behavior as he understood it, and he understood it quite well. By the time the cellar scene takes place the 'big reveal' has occurred and we realize that at least ONE of them isn't who he says he is. It's dissociation at its most virulent. In the novel the ending revelation of just whom we've been watching (the narrator)is much more blatant - but not until the last few lines of the novel.
"No fate but what we make." -Terminator II
I disagree.
I never saw this as a ghost story.
The Changeling is the central theme here. Holland saw a golden opportunity at the well and decided to hide behind the mask of goodness to continue his murderous ways. The novel pretty much spells it out at the end that Holland is sick of the charade. Compare this novel's ending to the end of Harvest Home for instance. The shocker comes on the last page.
Niles being possessed isn't a twist ending either. It's just dreary. Also it isn't very logical. In other words why would he suddenly be tired of being called that Niles at the end? He would have simply told everyone he was Holland from the time of the incident at the well and they would have believed him, but that wouldn't have made for an interesting story.
It's why the story holds up. There are many different interpretations of it, from the supernatural to the psychological, and Tryon gives evidence of all of them in equal measure. I'm still not positive that anyone's interpretation is the right one (or the only one) that can be applied here.
The cover of the book said it was 'a mesmerizing ghost story', which was, way back in 1971, why I first picked it up. Little did I realize what an impact it would have on me from then on, or that I'd still be analyzing it some forty years later.
Early in 1975 I met a pair of identicals who were an exact match for the descriptions of Niles and Holland and I was witness to the eerie abilities and symbiotic synergies of twins. Later I saw twin-telepathy at work in another pair of identicals that simply defied explanation (though for them it was just business as usual.)
"Nyang-dang-ga-dang-drumm-drumm-dang-ga-dang-." -Holland William Perry (maybe...)
Well, I give up with you guys. I read the book, a first edition, when it originally came out and it didn't say anything about it being a ghost story. Jacket blurbs are irrelevant anyhow.
I vehemently disagree with you and the other forum member's conclusions about the ending.
Visiting "Holland's" grave at the end of act 2 was for the slower members of the audience. It's obvious that he is missing or dead from the opening scene of the movie when the family calls only one twin to lunch. This is why "Niles" refuses to say Holland is dead at the headstone. He IS Holland and knows for a fact that he isn't dead. Reread the book knowing that Holland is the narrator and everything falls neatly into place. Reading it the other way around and you have to shoehorn everything.
I have stated my point of view for those who think the movie fails, so that they may understand that it is indeed a good movie due to the clever plot twists and not a ridiculous story of a little boy who becomes a murderer because he misses his evil brother who only committed one murder before dying. That makes no sense on any level except from the possession point of view of which there are no plot points to support this assertion. You may cite the game as proof, but the game is simply a red-herring to move the plot forward and keep everyone's eyes off of the real killer.
Again, I don't expect you guys to believe this. You all seem to think Niles just went crazy and that is just boring and pointless, also there are no plot points to support this. That is more attuned to a slasher movie. Holland's character was established early on as the crazy one. He killed the father, there's no argument there correct? He tried to drown the cat, but it's Niles who goes on a serial murder spree later? It doesn't add up.
I'm done here.
Just enjoy the film - and draw your own conclusions. The observations I've given are different interpretations, (both supernaturally and psychologically plausible) and they're not meant (nor have they ever been intended) to sway anyone's enjoyment. Perhaps I'm making the story more complex, but its very capacity for such complexity continues to hold my interest this far along. I agree that the movie doesn't fail in any way, however you interpret the central idea. The fact that you so vehemently insist that Holland has survived is another indication of Tryon's success in telling a multi-layered story. My 'version' doesn't detract at all from my own personal enjoyment of that success, nor should it detract from anyone else's.
"No fate but what we make." -Terminator II
"He killed the father, there's no argument there correct? "
Not necessarily. Niles assumes that Holland killed his father, but it is not 100% clear to the viewer of the movie. We see the Father coming down the stairs into the cellar, we see Niles looking up at him as he comes down. We see the legs of the other twin (Holland) up near the trap door. The trap door slams, hits father on the head, he falls down the cellar stairs to his death. We never actually see Holland slam the door, perhaps it fell on its own. Perhaps Holland hit it accidentally. None of this matters to Niles. He has taken his brother's "badness" and inflated it to the point where he believes Holland could kill his own father. Holland's evil is seen through the eyes of Niles, who, with his particular psychosis, cannot really be trusted.
We're led to believe that Holland wanted the peregrine ring - enough to commit the amoral act of killing their father to get it. Whether or not the act was intentional is left up to the reader (viewer) but Holland's personality pattern is definitely set according to Niles by then, who says that Holland 'will never get to heaven'.
"No fate but what we make." -Terminator II
That is true, but it is only through what Niles knows or thinks he knows about Holland that the reader/viewer knows Holland. Everything is seen from Niles's possibly warped conception of reality. The whole "Holland wanted the ring" could have been something that was conceived entirely in Niles's imagination, perhaps as some kind of depraved excuse for Holland's alleged act of murder.
shareIt's a good theory but you're ignoring a crucial line at the end of the novel.
"I could not conjure him up, as he had me."
Yes, Holland is narrating the story, but he is not Niles the entire time. Holland died at the beginning in the well, and by playing The Great Game, Niles is able to bring him back. By the end of the novel, the connection has grown so strong between the two boys that they essentially switch places. Niles sees the angel in his grandmother and is able to go to heaven, while Holland returns to Earth in Niles' body.
must revisit this movie. and love the ewan McGregor comment. yes I'm to lazy to use caps. my fingers are bothering me and i'm sharing the loveseat with my not so small dog phoenix.
shareI can't believe I just noticed your post.
Anyway, I'm in complete agreement.
[deleted]
****film and novel spoilers******
I have seen the movie and read the novel (both are superb), and I have never been confused. Holland fell into the well and died. Niles, grief-stricken by his brother's passing, mentally brought him back by playing the "game". In the process, he took on Holland's evil personality at times to compensate for the deficit. The "conversation" in the barn ("are you sure?") was simply Niles talking to himself after becoming confused as to which identity he was portraying at the time. At the end of the novel, the narrator, who is clearly Niles, insists that his name is Holland, because he had irreversibly gone too far with the "game".
The idea that it was Niles who had died, to me, is easily dismissed. It makes for some nice conversation, but I think Thomas Tryon is laughing from beyond at the whole concept. Does anyone really think that a family would put the wrong name on a child's gravestone because they were too dim to physically distinguish between twins that they had raised and known since birth? There is always a small, distinguishing physical feature (e.g., a freckle, a birthmark, etc) that relatives latch onto early on so that they know who is who. Ada was an especially alert and insightful person and would never have been deceived by Holland imitating Niles if that had truly been the case.
He who conquers himself is mightier than he who conquers a city.
I disagree.
shareMcerion's opinion is strangely similar to that of another poster on this board years ago. He used terms like "red herring" and claimed that "magic had nothing to do with it". However, the poster's name was, and I kid you not, "Udvarnoky". Mysteriously, he would never answer inquiries about his relationship to the actors. Folks, we could very well be hearing the opinion of Mr. Martin Udvarnoky himself! Mind you, just because someone stars in a film does not mean that they comprehend the plot better than anyone else.
He who conquers himself is mightier than he who conquers a city.
I just seen the movie and I thought it was boring to death. The main character's actions just made me feel annoyed. I just couldn't care less about him. The movie is so slow and previsible that I felt like forwarding it. Afer I finished, I felt like reading some of the reviews to understand why people are reviewing it so well, so I ended up in this board and I can't believe that people can't see what is so obvious.
Holland is alive? HOW? I saw again the scene of the boy's death in the well, and is crystal clear that it's Holland falling there. Niles is not even close when he falls, and he cries for Holland as he goes to the well and sees him in the bottom.
I do NOT like horror gore movies, and I did NOT read the novel. But I think that any movie that, for being "good", demands the viewer to know something about it from the original material, is as bad as it can be.
Jwalsh67 said everything I could get from the movie in a single paragraph, and I simply can't add or remove anything from it.
AZINDN says that the neighbor lady "recognizing" Holland is a reveal that Holland is alive. It seems clear to me that the lady is as crazy as Niles. And it should be clear to everyone, as she still thinks the father of the boys is alive.
Mcerion just said "I disagree" in a total lack of arguments.
Holland IS DEAD, and there is no way you can say otherwise by seeing the movie. Any confusion about it comes from Niles sick mind.
I really don't care if you like the movie or not. The impressions about a movie (or a book, or a music) are individual and no one can argue about that. What baffles me is that people cannot see what the movie is showing and keep trying to imagine a supernatural story, or ghost story where there is absolutely no indication of it in the whole movie. I really wish there would be a single spec of superatural that could make me think "Hey, maybe the boy was not crazy. Maybe the ghost of Holland is really around there", but unfortunately there is not. If there was, maybe I wouldn't be feeling like I passed 1 hour and 40 minutes seeing something that I could guess in the first five minutes of the movie.
Usually I can do the same thing - guess the plot and ending after about five minutes of film. Perhaps it was my tender age when I first read the novelization of "The Other", (15) but I was actually surprised by the 'big reveal' (sort of destroyed by the way the book was printed at the time with the giveaway on a right page so you saw it as you turned from the previous one.) I watched the film when it came out, fully knowledgeable about the twist and seeing how Tryon would hide it. Others at the time were surprised as well. Different time, different audience, I guess.
I would think that the intervening years would have made such a 'surprise' impossible to pull on me again, but I was actually surprised in the "The Sixth Sense" with THAT major reveal. Perhaps it was simply involvement in the story (or being distracted by the intense performance of Cole) that disengaged my usual skill at guessing too quickly.
"The Other" is NOT a 'horror gore' movie, ("ER" had more gore in any one episode than the film has throughout) nor is "The Sixth Sense". I have never thought of "Gore-no" as anything but cheap thrills with blood and guts thrown at the viewer instead of any thoughtfulness or psychology. The more I've studied "The Other" the more impressed I've become with Tryon's skill at muddying up the possible reasons behind Niles' activities. Remember that MPD used to be called 'possession'. Though many insist that there are no supernatural aspects to "The Other" they are missing a major part of an alternate explanation - one that Tryon is only too happy to provide along with the psychological one.
"No fate but what we make." -Terminator II
I personally don't think Tryon had ANY intention of suggesting that there was more to the plot than what I described in an earlier post. However, that does not detract at all from the film's intrigue (nor the book's). The whole mystique of the "game"--the way it was "passed down" from Ada and the power it had over Niles during his time of crisis--made for a most satisfying subtle horror story. Movies like "The Exorcist" and "Rosemary's Baby" were outstanding thrillers, but "The Other" actually SCARED me.
He who conquers himself is mightier than he who conquers a city.
I argued this to death in several earlier threads, posted by others, which were deleted for some reason. You can believe what you like.
A poster stated that the parents would know the twins apart. It's a long standing story telling trope that twins can't be told apart.
The book is told in flashback. That is it is from the narrator's memory. He is telling the story and can tell it in any way that makes his actions look the most favorable. The movie avoids the flashback telling and goes for a linear plot. This is where I think a lot of the confusion comes in with the screenplay.
Read the book. The ENDING, which is where twist endings occur, states that Niles is tired of being called his name. This is spelled out on the last page. It is clear that Holland has been pretending to Niles. He is an adult now and is tired of playing the childhood games.
You want to think that Niles simply became Holland for his deep love of his brother and that the game made him assume his psychopathic behavior. But if as one person posted that Holland never killed his father, or that we're not even sure of that, then that nonsensical, as that implies that Niles was the evil one all along and resurrected Holland to what end?
The changeling theme runs throughout the book and the movie. The changeling is a symbol of the evil Holland replacing the good boy Niles and taking his place.
SPOILER ALERT!!
For starters, Mcerion, are you Martin Udvarnoky? I have a strong suspicion that you are. You may have been cast in the movie, but that does not make you the be-all-and-end-all of Thomas Tryon's intent for the story's plot.
I DID read the book. The big twist at the end was the fact that it was one of the twins (you say Holland, I say Niles) telling the entire story--not some bystanding narrator.
Let's meet 100 years from now in the Afterlife with Thomas Tryon and find out what his real intentions for "The Other" were. Until then, we can agree to disagree.
He who conquers himself is mightier than he who conquers a city.
I had the impression that the good twin was alive and the bad one fell in a the well while trying to kill a cat. It is Niles who is bodily alive because other people call him Niles (except for the crazy neighbor). But at the VERY END when Ada tries to burn Niles and herself, Niles escapes and becomes (in his own head) Holland. Still the same body. So at that point Holland has totally taken over.
That's how I interpreted. I've read the book and seen the movie but it was a long time ago.
The energy of this is such that here, 32 years after the film, we're still debating that central plot point.
Having read the book (which is one of my favorites) when it came OUT and having seen the film also when IT came out, (ditto) my own opinion hasn't changed about 'who' survives...but the continuing mystery is good for the debate.
I enjoy the story with any explanation: spiritual, psychological or physiological.
"No fate but what we make." -Terminator II
Debates like this are silly. Anyone can propose anything if there isn't 100% proof against it, and all it does is distract attention from the essence of the intended plot. It's one thing if the author clearly leaves an unanswered question open for multiple explanations (e.g., who killed the assassins in the Godfather II?), but let's face it, Tryon had NO intention of suggesting that Niles was the twin who died. No, I didn't ask him personally about it, so I guess I'm supposed to assume that ANY interpretation is possible. This is akin to the debate on the 'Rosemary's Baby' board where some geniuses insist that all events were merely the result of Rosemary's delusional thinking due to her pregnancy.
Heck, let's go the distance; BOTH twins fell into the well and died, and Ada helped everyone else in the family play the Great Game to believe that at least Niles was still alive. The subsequent deaths were actually the doings of Mr. Angelini in omitted scenes. He planted the pitchfork in the hay (he's in charge of the farm tools, right?), pushed Mom down the stairs (neither of the boys would have been strong enough to do that), and kidnapped the baby (we clearly see him with the wine barrel ahead of time, no?).
Need I say more?
He who conquers himself is mightier than he who conquers a city.
Here's something no one has mentioned on this thread, and I think it's important.
At the lake, Niles tells Holland that when he dies, he'll be looking for the angel. He's basically repeating what Ada said to him in the church. The church has a stained glass window of an angel that they flash to from time to time. At the end, when Niles in confessing all the things Holland has done, he states that Holland will never go to heaven. As he confesses, Ada realizes this dude is totally beyond help, so she makes the decision to 86 him.
Okay, now watch really carefully...when Ada opens the trap door in the barn, Niles looks up in hope because he knows he's about to die, so he looks for the angel. It flashes to the stained glass window from the church, then back to Ada. The scene actually dissolves from the angel's face, right on top of Ada's. Ada dumps the gasoline/kerosene down the stairs, and they cut to Niles, who now begins to grimace. At this point, Niles is gone. Holland is now completely taken over because Niles has seen the angel and is prepared for death. Remember what Ada said her grandmother taught her...'let the angel take you away to paradise.' This is the moment of exit Niles/enter Holland. Ada then opens her arms in a swan dive, and her hanging night gown gives her the appearance of an angel. Niles *now Holland* screams NO!!! Fire breaks out. Gee what could a basement full of fire represent here? Also, DING DING DING...we cut to the BROKEN LOCK. The LOCK HAS BEEN BROKEN. Holland is free! Cut to crazy "Niles now Holland" looking at them bulldoze the barn. The end.
Forget what they say, look how the final scene is shot. It tells you all you need to know. Angel is replaced by Ada, Niles sees angel, smiles, exits, Holland enters, sees danger, frowns evilly, shouts No Don't!, angel falls, cut to broken lock, cut to Holland now in control.
...of all the arts, for us the cinema is the most important. - Vladimir Lenin
Now THAT is a clever comment that does not deviate from the true plot! Thank you, Obi! I did not put that together until now, but it makes perfect sense. "Holland" was the only one who knew that the cellar door padlock had been cut and that he could thereby escape the fire. Niles only knew that Uncle George had padlocked the door and that he would NOT be able to escape via that route. If Niles really wanted to escape, he would have tried to run up the stairs past Ada. But, like you said, he was awaiting the Angel of the Brighter Day to take him to Heaven. His full transformation to Holland made him want to beat it on out of there! Thanks, again, for the insightful comment!
He who conquers himself is mightier than he who conquers a city.
Having just watched the movie I have a completely different take than the posts I've read. I saw this on TV when I was a kid and couldn't finish watching it and this is the first time I watched the whole thing through.
Anyway, I came away thinking Niles was always the evil one, but in his mind he pretended all his evil deeds away by pretending it was actually Holland that did them.
From the first scene I wondered if there was only one of them since you never seen the two of them together where anyone could see them together.
The one that seemed to want the ring was Niles. He went so far as cutting his dead brother's finger off to get it and carrying the severed finger around with him. But in his mind it's Holland that tells him he can have the ring and to snip off his finger to get it. Which goes back to "Holland" killing their father to have the ring. How do we know it's Holland? What if Niles did it and pretended it was Holland, much like he did when he pushed his mother down the stairs to get the ring away from her and pretended Holland did it. And maybe Holland was trying to rescue the cat when he fell.
The one confusing scene is the old lady neighbor who calls Niles "Holland" when she starts spanking him. She's there next door neighbor so she'd know very well that Holland was dead. How could she live next door and not know one of the twins wasn't dead. Since there's a headstone in the cemetery there'd have been a funeral.
I think that may be where the game comes in. When Niles did bad things he would pretend he was Holland. Much like he pretended to be the bird and imagined a pitchfork going into the bird, but the bird was actually the cousin he hated falling on the pitchfork trap he left for him.
Anyway, I think it's a very good movie. I've never read the book. Is my interpretation right. I have no idea. I think the way the movie didn't really clearly come out and say it leaves it open to a lot of interpretation, but for me I think Niles was always the evil twin and couldn't accept the bad things he did so he pretended he was Holland when he did them. It's almost like the harmless games where twins will pretend to be each other but Niles took it to psychotic proportions to the point he no longer knew when he was pretending to be Holland. Until his psyche split in two with one side being Niles and the other being Holland.
You may recall that Old Lady Rowe tells "Holland" that she'll tell their father on him - when their father has been dead for longer than the younger Perry. She's a bit 'confused'.
Although Niles is clearly disturbed, Holland had his accident while trying to drown a cat, so he wasn't exactly an innocent. Niles is just continuing to 'do' Holland as he saw him, and that does lead to the possibility that Holland did covet that ring enough to do what he's accused of.
You may remember the twins' last conversation, Holland invisible, where he asks Niles, "Who are you?" - and he's not really sure anymore.
There's enough evidence in the tale of it being psychosis (which, at the time of the novel's being written was believed to occur in much higher percentage in twins, since disproven) or possession by a malevolent spirit. The novel was advertised as a 'the summer's best ghost story' on its cover in 1971.
No fate but what we make. -Terminator II
I'm agnostic on these issue, but it just occurred to me that the "Are you sure?" comment could have been Holland's spirit taunting Niles, kind of like saying "ha ha, now the body is mine at last!" It doesn't necessarily negate the "possession from beyond the grave " theory.
share