One thing I don't see anyone discuss is the common trope in some of the older martial arts films that has a martial artist watch the brush strokes of a master calligrapher, then to "translate" them into movements, a fighting style.
The striking thing about Bruce Lee in this movie to some of his Chinese fans, in this movie especially, is how he did the opposite, smashing signs instead of reproducing them kinesthetically.
Like when the Japanese trash the Chinese martial arts school, they leave behind a stylishly written sign depicting the Chinese as the Sick Man of Asia. Lee takes the sign back to the Japanese dojo, defeats their fighters, and breaks not only this sign, but smashes all the signs on their trophy board. Later he's stopped by an Indian who points to a sign over a park's gate which reads: No dogs or Chinese allowed." Lee breaks the sign into pieces. In other words, the signs he leaves behind are anti-signs, acts of freedom from tradition and political oppression. After Lee kills Mr. Ho, he strings him up to a lamppost with a sign on his chest, marking him as an anti-warrior, returning him to the "sick man" culture Lee wants all Chinese to leave behind.
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