MovieChat Forums > Fat City (1972) Discussion > That moment at the end?

That moment at the end?


There is a moment at the very end of this film that mystifies me, and none of the reviews I've read have commented on it. Billy (Stacy Keach) and Ernie (Jeff Bridges) are having a cup of coffee together and discussing how terrible it would be to be the old man behind the counter. Then Billy looks out into the cafe. Suddenly everything freezes and the sound goes quiet. We zoom in on Billy's eyes and then we cut to his point of view as he scans from one table full of black men gambling to another. Then motion resumes and the sound comes back on. Ernie says he has to go, Billy begs him to stay, Ernie agrees, and the film ends with Billy staring into space with a funny little smile that fades into a sad, vacant expression.

The moment I just described seems pregnant with meaning -- it comes at the end and stands out from the rest of the film like a sore thumb. But what is the meaning? I can't suss it out for the life of me.

Any thoughts?

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I imagine everyone who watches the film has that same question. Placed as it is, within seconds of the end of the film, I think it's there to give the viewer a chance to sort of "see" things from Tully's perspective. The conversation that he and Ernie are having prior to that moment could play a part in it too. They're talking about the old guy who served them coffee, and Ernie says something like, "maybe he's happy", and in that freeze-framed moment, maybe Tully is looking at all those people, and wondering if they're happy. Or perhaps he's putting his own life in context, wondering if he's happy, and how his life has led him to where he's at?

Or, maybe Tully just took too many blows to the head, and his brain just isn't working too well! ;)

Any other opinions?

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i don't think what he's looking at (the guys gambling) is of much importance. my interpretation is it's one of those "moments of clarity" drunk people have...maybe not about their life but even just the situation or their surroundings. people who've done some drinking in their time may know what i'm talking about.

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I've done some drinking in my time. A bad liver creates a bad diposition, but an honest perspective. John Huston was an alcoholic. The Irony lies in his comment "lets talk a while" - at least I think that was the irony. They sit there and dont talk - brilliant. It's sad, you don't have to see whats coming next. Everyone's a loser.

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I agree with teejay. I believe what he had was a moment of clarity. He and Jeff Bridges had just talked about the circumstances of the old man who served them. Being in a reflective mood, he looked around the room and reflected on his own situation and circumstances. It put a chill in him as he realized just how alone and hopeless he was. He was thirty years old and his life was basically over. He was spiraling down into the alcoholic abyss that would become the rest of his life, living form bottle to bottle.

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I'll have to watch it again with all of your thoughts in mind. I need to pay closer attention to the crowd he is watching.
To be honest, it took me by surprise and I wasn't taking him seriously and got the feeling Jeff Bridges wasn't either. He was being so cold, I was almost expecting him to say something racist. I don't know what to think yet. It came on early this morning on one of the 'The Movie Channel' stations so it will probably be on again this week.

It's a great movie. I am a huge boxing fan but I enjoyed the movie on a much deeper level than the actual surface boxing plot.

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well jeff's character was pretty cold in general. i don't think he ever really appreciated stacy keach's character.

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I think he just realized that he was alone. he was without anyone, and the people he was looking at had their own little group of friends. That's why he asked Ernie to stay with him.

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John Huston said in a televised interview once that time "just stands still" but didn't elaborate himself. He just smiled and thought it was a nice touch. I would say it has something to do with Stacy Keach being punch drunk, and a little bit drunk. We've all seen the world go weird through having a drink!

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Yeah that makes sense to me being that directly after the awkward pause he begs jeffs character to stay with him so he wouldnt be alone.

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I took it as early signs of brain damage. He's momentarily confused, this scares him and he asks Jeff Bridges character to stick around because he doesn't want to be alone.

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Tully turns around to see all the old buzzards, lost in their routine, trapped in a small town, lifers. Folks who never have and never will amount to a whole lot in Tully's eyes; he who is obsessed with greatness. He has a moment of clarity when he realizes he's become one of those lifers. He begs Jeff Bridges to hang around because he's a young buck with his life ahead of him and Tully needs that because it reminds him of what he could have been.

Voyeuristisc Altman-esque surreal post modern naturalistic mistakist cinema

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I agree with the theory that the freeze frame near the end of Fat City was Billy Tully exhibiting signs of brain damage.

Great Boxing Film

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To me it just represents one of those life moments we have when we realize that our lives are our own, what we make of them or didnt make of them is of little consequence, our lives are our lives. Man, when Tully asks him to stay and talk, and then they didnt say anything to each other-whoo man-that just completely blew me away-conversation at that point would have been meaningless, it was just one of those moments where being in the company of someone you knew was enough.

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Thats Exactly as i read it i , this momment of the movie had the bigest impact on me
i think he's just realised that his dreams have flown out the window and hell end up as a hasbeen like the old boys at the table.

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Its been a couple of years since I saw this movie, so I don't remember the lines exactly, but the way I saw it--and it made perfect sense to me: the two were sitting there watching that decrepit old cook/server bringing 'em coffee and Tully says something like, "Man, how'd you like to wake up every morning and be that guy?" They both chuckled, and then Tully looks around the room and it hits him with full force...he 'is' that guy. He's there already. I remember him sucking in some air when he realized it and then--freeze frame, and clarity. When he comes out of his shock, he asks the younger guy to stay a bit longer to alleviate his newfound loneliness, and then gives a wan smile, seeming to indicate he's now accepted his fate in life. It's a riveting scene and a visceral moment.

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Favorite scene for me was when after the fight the Mexican boxer walks out alone in suit, in the shadows, into the night of his life.

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Mine too. I especially liked the pride he showed in dressing sharply.

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Like many boxers who've taken too many punches, Tully has neural damage. We get foreshadowing of this when, after dispatching Lucero, he staggers uncertainly to his corner: out on his feet, he has to be told he has won. Later Huston uses Tully's affective disorder to underscore the used-up boxer's fate. Tully has gone ten rounds with Life and lost, and punch-drunk and embittered he has learned indeed what "all my blood and sweat are worth"; the brilliant final shot at the lunch counter invites us to consider whether Ernie's end will be any better. Great stuff from a master film artist, working in both the twilight of his career and the last era in which Hollywood held up a mirror to America. Hard to believe that Rambo and the 20-screen craptoplex were just around the corner.

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two posters got it right... it's brain damage.

i've talked to boxers and they told me that these kind of things happen, time stands still. a friend of mine once said he suffered from "literal brain freeze" from time to time.

it's kind of like a druggie getting an "acid flashback" only it's from boxing. getting your brains beat in again and again will do things like that.

i think keach realizes that he wont ever box again because if he does, he's a goner, mentally. i dont think the men he looked at had anything to do with the scene. he could have looked at a table of old ladies and the same thing'd happened.

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I like how many interpretations this single shot has come up with, a sign of good cinematography. Personally, it's my favorite scene in the movie.

When I first saw that shot, I thought of it as him looking at all the old guys at the poker tables and having a moment of hopelessness in confronting the idea of getting older without much personal prospect.

Just as he's leaving, Ernie is asked to stay a while longer. Then they sit in morose silence as the theme song, "Help Me Make It Through The Night," kicks in, appropriately enough.

Good stuff.

"Why on earth are we here?"
"To help each other through this thing, whatever it is."

Kurt Vonnegut, Jr. & one of his sons, respectively.

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Just saw it last night...

One of the tables is all young guys, and one is all old guys. His eyes pan from one to the other. As it pertains to the conversation they're having, he must be thinking about getting old and maybe that its all the same, life goes on, something like that.

Great movie. Ultra-subtle, thus not for everyone, but definitely worth seeing for those who are into nuanced acting.

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I don't believe the shot is meant to represent brain damage. For one thing, Tully is pretty drunk, so it seems vague to imply that he has brain damage(apart from being drunk, that is).

Other posters are more spot on; Tully is having a little epiphany, that he has already become the old man behind the counter, the losers sitting at the table gambling money they don't have. To top it all off, he's alone. So he begs Ernie to stay and sit with him.

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Really interesting thread here and this was why I came to look at this message board, so I'm glad to see it.

Some very persuasive arguments. I think that the epiphany idea is probably in the right direction. He had a moment of clarity, looked around, found himself in a cafe in the middle of the night, people gambling around him, got scared and felt sick about his life and asked the Jeff Bridges character to sit with him for a while because of that fright. I don't think it was brain damage. Let's remember, he hadn't fought for two years aside from that one fight shown in the film.

I too loved Keach's line asking Bridges to stay and talk with him, followed by Keach's stare, which did communicate more than he could have ever said with words. It's about Keach getting a window into his own character for one brief moment, hating what he sees there and spending the rest of the scene (and the film) digesting that.

Brilliant movie.

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