Right level of creep
Creepy films are like microbrews in that they have to be excellent to be worthwhile. Klute is just that sort of creepy film: the tour through the Manhattan underworld, the rummaging through the Jane Doe Polaroids at the police station. I especially like the credit sequence: the eery xylophone or vibrophone and the stark lettering against the Nixon era tape recorder; just the right amount of creep.
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