It was the Duchess of Richmond's Ball. The Duke of Wellington was at the Ball, and was given a messag that Napoleon's army had crossed the border & the officers were all sent to prepare to march.
Elizabeth Longford described it as "the most famous ball in history".[1] "The ball was certainly a brilliant affair",[2] at which "with the exception of three generals, every officer high in Wellington's army was there to be seen".[3]
The ball inspired a number of writers and artists in the nineteenth century.[31] Sir Walter Scott mentioned it in passing in Paul's Letters to his Kinsfolk.[32] It was described by William Makepeace Thackeray in Vanity Fair and by Lord Byron in Childe Harold's Pilgrimage. Byron emphasises the contrast between the glamour of the ball and the horror of battle, concentrating on the emotional partings,
Thackeray's dramatic use of the ball in Vanity Fair inspired, in turn, a number of screen depictions. One notable example comes from the 1935 RKO production Becky Sharp, the first full-length Technicolor film released after perfection of the full-color three-strip method,[34][35] which makes the Duchess of Richmond's Ball the first historical set-piece ever staged in a full-colour feature film.[36] Critics of the day were not kind to the picture itself, but the sequence in which the officers hurry to leave the ball — the red of their coats suddenly and emotionally filling the frame — was widely praised as showing great promise for the dramatic use of colour on-screen.[37]
https://en.wikipedia.org/wiki/Duchess_of_Richmond%27s_ball
The Duchess of Richmond had little pleasure in the ending of her ball. One of her sons, Lord Henry Adam Lennox (1797-1812) joined the navy and drowned age 14. Three of her sons were officers in Wellington's army & were at Waterloo. Her 15-year-old son lost sight in one eye in a horse riding accident in the battle.
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