"Topaz" is a very problematic late Hitchcock film.
I can tell you this: I think it has a much bigger life today than it did on its very brief release in late 1969 (as a Christmas attraction in big cities) and early 1970.) It pretty much sank without a trace back then, but now gets plenty of circulation on cable TV and in DVD rentals, where curious Hitchcock buffs watch it to "complete their set."
Hitchcock had just worked with the very big Paul Newman and Julie Andrews on "Torn Curtain" when he went looking to cast "Topaz." But he had a problem: the lead is clearly French; the usual American/British stars wouldn't work. (It's amazing that Sean Connery was considered at all.)
Hitchcock angled to find some "New Wave" actors who worked with Godard and Truffaut, and he found two rather major ones: Michel Piccoli and Phillipe Noiret. But those two fine fellows don't even turn up in "Topaz" until its final act in Paris.
Karin Dor (Juanita de Cordoba) Hitchcock cast out of "You Only Live Twice."
Roscoe Lee Browne was his best casting, and I'd agree it would have been a treat to see him as Andre, surrounded by those other actors.
The story on Frederick Stafford is that he was Hitchcock's "Male Tippi Hedren," an attempt by Hitchcock to create a new male star out of an unknown.
The handsome, square-jawed Stafford was meant to remind us of Cary Grant or Sean Connery, but ended up looking like an older, disipated John Gavin (Sam in "Psycho.")
Probably the most famous player to emerge from "Topaz" was John Vernon, a solid character guy with a booming voice who would go on to fame in "Dirty Harry" , "Outlaw Josey Wales," and, above all, as Dean Wormer in "Animal House."
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