"The Sterile Cuckoo" is a 1969 movie based (untightly) on a 1965 novel of the same title by John Nichols. The movie was shot in and around the campus of Hamilton College in Clinton, NY, which Nichols attended, and where, presumably, much of the inspiration for this very tender, very honest, and very idiosyncratic love story was garnered.
The story centers on a terribly lonely yet charmingly obnoxious young woman named Pookie Adams (Liza Minnelli in her most ominous role) who relentlessly pursues a stolid, shy entomology student named Jerry Payne (Wendell Burton). An intransigent misanthrope, she labels everyone at her school a "creep" or a "weirdo". She only wants to be with Jerry, who warms to her, as everyone who sees this movie does... except those who don't. She wins the intimacy with him she so ardently seeks, and it is consumated in a classic and hilarious scene in a lakeside cabin. From this point onward, Pookie's deeply wounded soul is revealed to Jerry in ever more troubling ways. She confabulates a pregnancy (which "went away"), accuses Jerry of homosexual tendencies for spending vacation time skiing with his roommate, gets drunk at a party and verbally savages her female classmates, etc. Her desperation becomes overwhelming for Jerry, who-- though he loves her-- needs to take care of business as a student. He asks for a "time out". Devastated, Pookie disappears. Jerry later finds Pookie-- by now inconsolable and confused-- and puts her on a bus toward her home, in some of the most heartbreaking scenes ever put to film. And that's the end.
I call this an "ominous" role for Minnelli because so much of the material invented for the movie came true for her in real life. The book contains nothing about Pookie's mother being dead, or Pookie accusing her lover of being gay, nor about pregnancies that never happened... yet Judy Garland died within months of this movie being completed, Liza has been married to more than one homosexual male, and through it all, she has remained childless. It is as if she created her own vision of the role of a "sterile cuckoo" (she was a big fan of the book, and pursued the part in the incipient movie for nearly three years) and then was fated to act out the role in real life. I sometimes think she consecrated this movie with a huge sacrifice: after her well-deserved Academy Award nomination, she was left with nothing but Pookie's private life. Like Nichols, in ensuing years she seems to have wished the movie would simply go away. Though I am no fan of Liza Minnelli, I think this is a great movie (my personal favorite, in fact) which includes the finest work by any actress, anytime, ever.
I don't see how you can watch and love thsi movie and not be a fan (or at the very least a BIG admirer) of Liza Minnelli's. There's some kind of stigma attached to being a Liza fan that I just don't get. My older brother loved her in "Arthur" but still puts her down at every opportunity. Amazing. Pookie's utter lack of self-confidence (as in the sequence at the pub where Jerry sees someone he knows and says hello, and then Pookie has to find someone quick to say hi to, to show Jerry she's "sociable") is so painful and recognizable and awkward, it is both funny and heartbreaking. She seems to revel in her melancholia: after the bus drops her off and pulls away, how she stiffens up immediately; or at the mailboxes, where she just stands still, humming that song. She's addicted to her own heartache, and this is many ways seems to mirror Liza's real life personality (smiling through her tears, and all that). Apparently this was a tough role for Liza to shake off, as shades of Pookie show up in other Liza performances (particularly "Cabaret"). One early movie of hers, "Tell Me That You Love Me, Junie Moon", which followed "The Sterile Cuckoo" the following year, is another incredible piece of acting. I say, for those who don't know that much about Minnelli, give her talent a chance before judging her on her Hollywood tabloid tragedies, her failed marriages or her gay-cult following. The magic is in her talent, and she is one hell of a fine actress.
Hey-- don't get me wrong-- when I wrote that I'm no "Liza fan" I certainly didn't mean to disparage her as an actress! In that sense, I am a "fan"! But the vast preponderance of her work has been in the lime-lighty heavily-sequined-and-glitzy song-and-dance showbiz-showtune vein, and-- as they used to say-- that's just not my bag, man! In a way, I think it's tragic that Liza's Tonys and Emmys have usurped her time and energies which could have been devoted to her absolutely marvelous talent as a dramatic actress. We should have seen more of her on the Big Screen, in just the sort of challenging dramatic role she nailed in "The Sterile Cuckoo."
I LOVE Liza. She'll always be tops in my book... "But still and always Pookie; forever telling her stories to strangers."
Well said...and very amusing! :D You know, I just finished watching "The Sterile Cuckoo" again tonight, because of these posts I got the urge, and it never fails to amaze me. When they whisper, I lean forward trying to catch every little thing. When she says:
"You're gonna send me back home, aren't you? You're gonna send me back to that mailman AREN'T YOU? ...twice I've seen you from the window..."
Yup... and those happen to be the last lines of dialogue in the movie. The first line is "Hi! Need a MODEL?!?"
I quoted the final sentence from the novel above, "But still and always Pookie..." The first sentence from the book is:
"SEVERAL years ago, during the spring semester of my junior year in college, as an alternative to either deserting or marrying a girl, I signed a suicide pact with her."
If you can stop reading at that point, you're made of stone. You can read about the first ten pages of the novel on Amazon:
I'm not quite as fond of the book, mostly because the character of Pookie is harder, tougher, and the way she disappears at the station is a little cold. I love knowing that Liza was very much into the book however, and carried the hardback around with her like a Bible.
One thing about this movie that might really interest you, Lindsay: in some scenes, Liza very strongly resembles her father, while in others, she looks almost exactly like her mother! Now, this is absolutely impossible, because no two people could be more divergent in physiognomy than Judy Garland and Vincente Minnelli-- but I swear it's TRUE! Watch the movie, and see what you think.
BTW, outside the USA, "The Sterile Cuckoo" was released under the title "Pookie".
I wouldn't really consider this to be a plot film, per se. It is more a charaacter study of this sad, kooky and terribly insecure girl named Pookie Adams and how she managers to manuever through her own particular orbit and the people she affects along the way, one young man in particular (Wendell Burton).