When Liza got the script to this movie, she sent it her mother in London. Judy was quoted as sayng "Liza, why do you want to play this crazy mixed up girl?" Liza gave a very touching performance in this movie, and her telephone scene rates as one of the best of movie moments. She was nominated for a Best Actress Oscar but lost to Maggie Smith for "The Prime of Miss Jean Brody". The song "Come Saturday Morning" was also nominated but lost to "Rainrops Keep Fallin On My Head".
When Liza got the script to this movie, she sent it her mother in London. Judy was quoted as sayng "Liza, why do you want to play this crazy mixed up girl?"
There is a lot of Pookie in that script that never made it to the screen. The scripted Pookie is a dangerously emotionally disturbed young woman, not the pathetic, heartbroken coed you see in the movie. Lots of editing and reinterpretation of the script occurred in the making of TSC. The characters undergo a substantial "transformation" (as one writer put it) from the novel to the script, and then again to the screen.
More pertinent perhaps: the feeling of each of these efforts is different. The novel says "I am putting all this behind me." The Sargent/Pakula script (April, 1968) says "I sure am glad I survived all that!" The movie says "I live with this every day..."
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Regarding her telephone scene. In real life Liza's mother(Judy Garland) had problems with drugs, alcohol suicide and other neurotic and problematic behavior. Liza had a good idea how emotionaly unbalanced persons sounded and behaved. I believe Liza channeled this experiences in her acting.