MovieChat Forums > The Thomas Crown Affair (1968) Discussion > Theme song and background score

Theme song and background score


The Windmills of Your Mind is my favorite song of the sixties and it was of course, this film which launched it. I remember watching this flick for the first time in 1990 on vacation. (I had a huge Faye Dunaway crush when I was 13.) I was mesmerized by the theme song. The diction is perfect. You can make out every word Noel Harrison sings and unlike how I feel about most poetry, the lyrics really make sense and stick with you. But the melody is really where it's at. Talk about sticking with you! It's one of t hose tunes you can't get out of your head if you wanted to. Good thing it's well-composed. When you watch the opening credits accompanied by the above mentioned theme music you're also watching a split screen montage of scenes and characters from the film. Truly captivating. When the credits and song end, you pan down an isolated motel corridor and first see Irwim Loy. The music switches to a very subtle but memorable 60's style jazz. The perfect instrumental to accompany this first mysterious scene. You hear different versions of this jazz throughout the film, both lighthearted and somber. Michael LeGrand truly was a music legend. I ususally don't notice movie music believe it or not, but Thomas Crown Affair is my all-time exception. Say what you will about the characters, plot, split screens (all of which I love by the way) but I just don't think anyone can argue that the music was poor. It was just excellent!

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I'm watching it right now and that song jumped right out at me... I thought it might be Donovan singing, but of course, I'm wrong. Lovely song, though! :-)



And now for something completely different...

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I was thinking the same about about the wonderful music throughout the entire movie. It was on again last night on TCM and couldn't stop watching it. Heck, I recorded "Fashion Rocks" and was mesmorized all over again with this 1969 movie!! Still a classic and very cool!!

"I'll get you my pretty...and your little dog too!"

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Well, by your screen name I figured you had an affinity for the mid-late 60's!

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No...I have an affinity for the 40's and 70's....just liked and happened to look like marlo thomas when I was younger!! But I have to admit, I think the movies from the 60's and 70's were muvch more character driven than today's blockbuster type movies!!! Oh yeah, i also wanted to live in NYC with groovy clothes, be an aspiring actress, and always have money materialize for that perfect;t appointed apt in Manhattan. Sounds like a sitcom to me...or JL's or Jen Aniston...Kelly Ripa...I could go on and on!! LOL

What we've got here is...failure to communicate

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My favorite decade for movies, TV and pop culture in general is the 70's. But lately i have been delving into 60's films and TV and there are some gems there too. The original Thomas Crown Affair is on the top of that list.

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The whole soundtrack is worth seeking out. Great Coctail party music. esp: "Doubting Thomas" and "The Chess Game."

"What rotten sins I've got working for me. I suppose it's the wages." -Bedazzled (1967)

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CAn you provide a hyperlink to buy the soundtrack? Thanks, Memphian.

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Here it is at allmusic.com. There are several rereleases.

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:kxfpxqtjldae

"What rotten sins I've got working for me. I suppose it's the wages." -Bedazzled (1967)

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Thank you very much Memphian - I think I'm going to buy it. I agree it would make a great cocktail party background score.

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You've made a wise choice. Enjoy.

"What rotten sins I've got working for me. I suppose it's the wages." -Bedazzled (1967)

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Michael LeGrand truly was a music legend


It's Michel Legrand, Darling, and he is very much alive ! ;)

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Beautiful and haunting soundtrack. I saw this movie as a teenager when it first ran in theatres (more than once). I was mesmerized, especially by the music. Got the album and played that thing day and night. (I had very patient parents.)

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I agree.
Fantastic score

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The soundtrack, filming technique, location shots around Boston, and overall style of the movie feel like 1968. Take it from someone who was there.

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