The music...
Providing the music was Michel Legrand, an extremely unusual choice, since he was really only very well-known in America as a composer of easy-listening romantic music at the time. His music can be appreciated in one of two ways: (a) by listening to the extremely enjoyable album, full of big, majestic strokes and rousing themes; or (b) by watching the film and rolling around the floor laughing at how truly inappropriate the music frequently is. (Even the CD album's liner notes concede that "the music seems to exist in a world of its own, percolating with storytelling values that do not necessarily coincide with the gritty espionage on screen.")
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