Does anyone else find the scenes that are obviously shot on the "downtown set" on backlot particularly annoying? Especially when in aired back-to-back with scenes shot on "regular" streets? The "downtown" backlot scenes stick out like a sore thumb to me because the come across as so fake, and kind of take me out of the show for a moment. Those scenes don't ruin it completely for me, but I do find them all too conspicuous for my overall liking.
The downtown/urban street scenes filmed on the backlot for daytime scenes do stick out (for night scenes the dark lighting helps obscure the studio nature of the sets somewhat). But I don't let it distract me--I just accept it as a matter of budget and maintaining full control of the set to get the scenes shot. The downtown backlot set was used quite a bit the first two seasons, but the later seasons do have more location shooting and sometimes they did venture to the real downtown LA for location shooting.
Another reason why the back lot sets really stick out is that one can binge watch Adam 12 these days (via DVD or streaming), unlike back in the show's first run when you had to wait a week (or the summer) for the show's next episode.
Ugh, I hate the studio lot scenes. As you say, after watching a car-tow scene, or a distance shot of the patrol car speeding down an actual LA street, the lot scenes are so.... fake. Especially the commercial district areas, where a call is to a liquor store or other business establishment. (Neighborhood street scenes aren't quite as obvious, for me, at least.) You can always tell a studio scene of a commercial area because the streets are never longer than about 50 yards before there's a turn or T-intersection. There's one set--I think it was in an episode about T.J., and he was chasing a guy who robbed someone, and Adam-12 was chasing him--where there is an inexplicable overhead arch on the narrow street. Looks so fake!
But I also agree that looking at these scenes with 21st-century eyes makes this so much more noticeable than it was "back in the day." And yes, if one only watched a single episode per week, these oddities wouldn't be nearly as obvious. For the time it was a well-done show.
Oh, believe me, I don't intend to criticize the production, just pointing out that with my modern eyes those scenes do stand out. It doesn't ruin the show for me because its really about the interaction between Reed and Malloy.
I agree...Malloy and Reed, their partnership and interactions with their fellow officers and the people they encounter are what made the show, regardless of whether or not they were on location or the Universal backlot.
I am amused whenever the backlot set with the arch is used; obviously a remnant from the classic horror era of Universal; I took the Universal City tour about ten years ago and remembered seeing that particular set so I actually get a kick when I see it used on Adam 12 (and probably Emergency).
You're right, Malloy & Reed were the heart & soul of the show. I'm not the hugest Jack Webb fan on the planet, but I do give him props for putting this show together. It served a much-needed purpose (portraying police officers as human beings, with a tough job to do) at a very bad time (public distrust in government, and anyone in uniform), and did a lot to increase the profile and respect of police officers everywhere. I think that Milner, especially, is responsible for the show being so successful.
The overhead arch is part of the "European" street set (which accounts for the narrowness) at the Universal backlot. That particular set can also be seen in the 1931 "Frankenstein"!
Anyone who has been on the Universal Studios tour (a lot) or has lived in LA can tell the difference between real city locations and the backlot. It also doesn't help when you see the Munsters house on the street they are driving down. I had forgotten about that arch and it was from the monster movies of the 30s.
I can always tell when they have turned the corner and were on a city street and then they are suddenly on a backlot residential street. I get the same thing in a way when watching Emergency. I know the real station, which is actually Station 127 (not 51) is in Long Beach, (I see them come out the driveway and turn left or right and then there is a shot from inside the cab and they are suddenly on Lankershim in Burbank heading towards Universal. I saw the same thing with Chips. But anyone, really, that does not live in LA or been on the tour isn't going to be that aware. It does not take anything away for me. It actually makes me nostalgic for the time I lived in LA. Seeing all the places I used to go. I find myself going...I know where that is...I've been there. I even saw a house that I shot some scenes at when I was working on an AFI student film. I keep looking to see if they were ever newar my Aunts house but they never are.
Although I moved to LA in 2005 I still come across some locations that haven't changed so much they are unrecognizable. I still have made it to Station "51" in Carson but keep meaning to.
In regards to Emergency!, you can also see the difference in the real station and the set when they pull out. The set at Universal wasn't as deep as the real equipment bay. On some scenes where they pull in or out you can see the bay is deeper, there are more doors along the right wall. The set, which they used for almost all the interiors, was just big enough for the engine to fit.
I just watched the season 2 episode Astro, the one where Wells is on copter patrol and assists Malloy and Reed in nabbing some robbers. Great use of locations in this one...when real locations are used instead of the studio backlot, the show really popped. Not a surprise as the show went on, locations were used more and more as it made such a difference.