I'll give the stage version credit for various improvements, such as removing the extraneous Jewish Wedding Song and the bruising, unfunny "let's-beat-up-the-Chinese-guys" finale. Removing Millie's line to Jimmy ("I don't want to be your equal; I want to be a woman") is also a plus. Other improvements are the sensational "Forget About The Boy" number and the hilarious Act II scene in which Muzzy tries to pass herself off as a sweet young thing who's come to the Priscilla Hotel straight from the orphanage ("Did you walk?" an incredulous Mrs. Meers asks). Best of all, Mrs. Meers' cohorts have been dimensionalized and given names (Ching Ho & Bun Foo) - a HUGE improvement over the walking cliches (billed as Oriental #1 and Oriental #2) they were in the film.
However, in spite of all these virtues, the stage version simply can't compete with the film's charismatic star power (Julie Andrews, Mary Tyler Moore, Carol Channing and Beatrice Lillie) and sense of style (the film's color scheme, consisting primarily of blacks, whites, greys and reds, is far more arresting than what appeared on the Broadway stage). Millie & Jimmy meet far more charmingly in the film (at the Friendship Dance) than they do on stage (an encounter on the street); the meeting in the film also allows Jimmy to make a more engaging first impression. But the stage version's biggest blunder is to have Miss Dorothy dump Trevor for Ching Ho; it's far too abrupt and makes nonsense of the "Ah! Sweet Mystery Of Life" courtship the stage version has spent so much time developing. The audience has been led to believe Trevor is the "real thing" for Miss Dorothy, and suddenly Miss Dorothy is saying that Ching Ho is the "real thing" - which leaves the audience with an impression that Miss Dorothy will probably meet someone tomorrow who will be her NEW "real thing." As a result, the sweet & innocent Miss Dorothy of the film has been transformed into a capricious floozie; it's a story idea that should have been discarded after five minutes.
Obviously neither the film or the stage version is perfect, but - given a choice - I'll take the film.
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