MovieChat Forums > Mannix (1967) Discussion > A too often used, ridiculous ending that...

A too often used, ridiculous ending that ruined too many episodes


Mannix is face to face with the one revealed to be the main villain. The Villain is pointing his/her gun at Mannix, obviously planning to kill him....but not just yet. Mannix starts to tell how he's figured out exactly what the Villain and his cohorts did and how they did it, with an obvious self-congratulatory look on his face for figuring the whole thing out. The villain, with an equally self-congratulatory look of pride in his/her planning the whole thing, admits to every step of the plot as Mannix presents it, adding, of course, that Mannix will not live to tell about it. And then, of course, Mannix manages to catch The Villain off guard, or the police arrive, etc.

I HATED these endings. Hated them. Stupid. I was embarrassed to be caught watching them. And there were so many of them, way too many, that I can't rate the show highly overall.

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Mannix was an hour-long drama with extremely tight editing. It was famous for having the feel of a mini-movie, packed into 50 minutes of running time. As a result there were concessions made to the resolution of plot. Joe telling the villain how he figured things out often did not have the feeling of reality, but that only took a short period of time at the end of each episode, and it was required in order to resolve the story for the viewer, so that the series could spend more time on other things. It was an artistic device, a concession to the time constraints. If you are letting the way the series wraps the plot up in this way get in the way, then the real value of series is way, way over your head anyway.

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No, plenty of other series managed to wrap things up much better, and besides, what was even worse than the resolution was the actors' (both Connors and the villain's) cocky, smart-alecky style in telling it all. I'm sorry, but if you don't see how the time constraints are no excuse for these kind of things, I'm afraid you don't have a real understanding of what makes a show good. Just compare and contrast Mannix with say, Kojak, or Hawaii Five-O. Both of these shows also were only an hour in length, and had to pack a lot into that hour, and yet they avoided the Mannix-type ending, and their shows were of a far better quality overall. And to say that the way a show handles its resolutions is of little relevance to its overall value, which you seem to be saying, is....well, I better not say. Or are you saying that ratings, not quality, is all that counts? Sorry, but I can't agree on that.

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Oh, let's, please, keep this going. I'm enjoying this. I'll provide a list of reasons why, but promise to save the best to last.

First, I love the highly educated, argumentative style. I said something was over your head, so you responded with the same, exact style, i.e., "no, it's over YOUR head". (Love it!) The web really does remind one of a big grade-school playground, at times. Unfortunately there is no classroom to walk back into, alas.

Second, the series you listed were not known for having as many camera set-ups as Mannix. Thus, they had more time for plot-related wordiness in the middle of episodes. The extraordinary number of set-ups used by Mannix is documented (see the PBS series: Pioneers of Television, 2011). Mannix wove plot twists with action and more aspects of character development than those other series. (Weaving plot, action and character development was a wonderful contribution of Mannix, in fact.) I have no doubt that those other series packed "a lot" in there for you to follow, however.

Third, bringing in "ratings" as a desperate attempt to seem intelligent sadly backfired. Mannix tended to be lower rated than the series you mentioned. And HF0 ran longer in terms of number of seasons than the other two series. So, you picked the perfect two series to not support your own argument.

Fourth, Mannix's production qualities are legendary -- it is the last production of Desilu, which, in essence bankrupted itself by pouring so much money into its last three series: Star Trek, Mission: Impossible, and Mannix.

But, here is my favorite point. Your post starts out this way:

what was even worse than the resolution was the actors' (both Connors and the villain's) cocky, smart-alecky style


How many threads do you see on the IMDb, or elsewhere for that matter, with the word "stink" right in the title? Perhaps "stink" conveys a certain level of erudition in your environs, but it does not in mine. Methinks "stink" is, perhaps, more of a cocky, smart-alecky kind of word.

My heart is warmed that it requires a certain level of intelligence -- and desire for self-knowledge -- to appreciate Mannix!

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Let's go back to your first reply:

"Mannix was an hour-long drama with extremely tight editing."

So, does this mean that HOW this tight editing is accomplished doesn't matter?

"It was famous for having the feel of a mini-movie, packed into 50 minutes of running time."

Which could be a major part of the problem, trying to pack in too much. A better show will work with material that flows smoothly with the time alotted.

"As a result there were concessions made to the resolution of plot. Joe telling the villain how he figured things out often did not have the feeling of reality..."

So, you're admitting that that was not very good.

", but that only took a short period of time at the end of each episode"

The resolution of a story is one of the most important aspects of it, regardless of how long it takes.

", and it was required in order to resolve the story for the viewer, so that the series could spend more time on other things."

Why, please tell me? Why was it "required"? How was it the only way to resolve the story? One of the first things I learned long ago from studying literature was that a writer should "show, not tell". Those endings were classic examples of how NOT to resolve, as they are telling in the extreme.

"It was an artistic device, a concession to the time constraints."

It was a concession to time restraints, but an artistic one it was NOT.

Some episodes of Mannix were good. Many were so-so. And many, particularly the ones with the kind of endings I mentioned, stunk. That's my spontaneous opinion.

I frequently watched Mannix 1) because often it was the only dramatic show in the time slot, and 2) because sometimes the episodes were good. But to find the good ones you had to go through a lot of bad ones.

Had Mannix just spontaneously used words like "stunk", it would not have bothered me at all. But the cocky style of the resolutions (and the utter predictability of many of them) made me embarrassed to be watching. And no, the number of camera set-ups does not excuse it.





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So, you took at least one literature class? Impressive!

Tell me, did you take a class in film also?

Well, for the sake of those who did not -- and those who cannot somehow figure this out on their own -- a book is not constrained by time or space. A book can be as long as the author wishes and it can be read at the pace of the reader. This permits the smallest of details to take up practically infinite time to explain. Film, on the other hand, has these moving pictures on some kind of screen, and those moving pictures are so powerful that all sorts of meaning can be conveyed with no words at all. But, at the same time, this rather powerful media does have this time and space constraint, especially for TV programs. Meaning must fit in just so many frames, each and every episode, constrained by time and space. As a result, producers must pick and choose which of the rich elements at their disposal that they wish to emphasize. Other elements are given less emphasis, depending upon what is most important for them to convey. It is a trade-off. As with all art, the media tends to require concessions must be made to the art form -- if more is done in one area, less is sometimes done in another.

Of course Mannix was not perfect. What an absurd and simple-minded notion to suggest anything is. My favorite books, movies, plays, and TV shows are all incredibly easy to pick apart and criticize for their limitations, inconsistencies and weaknesses. But that does not diminish their value to me, because they reach places that lesser works do not. Any work of art is incredibly easy to criticize -- including YOUR favorite works of art. This is what makes posts like yours not only asinine, but also mean.

If you listed YOUR favorite works (TV series, books, movies, etc...), I could so easily construct a post that points to one thing that "stinks" about it enough to rule it out for me. Any simpleton can do this, because art, by its very definition, is never perfect.

I know of quite a few flaws in Mannix, actually. That said, the endings are not even "typically" the way you describe them -- Mannix did not have "typical" endings, unlike so many TV series that followed a set structure. Regardless, I love the series -- and so admire what the producers did pull off for those of us who are capable of the level of appreciation for which Mannix gave its audience credit. It remains rare, in that regard. It was rich in symbolism, sometimes (but not always) at the expense of plot detail.

Normally, I'd leave the kind of post you made alone. But, it has occurred to me lately that your kind of post is not being seen for what it is quite so much anymore in this twitter-based world. Instead, people look at this sort of thread title, do not bother to consider what is behind the source, and are influenced by it.

That makes me beyond sad.

So, Mannix is, indeed, my favorite TV series. I do think it is under-rated, especially these recent years, and under-valued. There is probably a connection between people that make posts like yours and the public not much being concerned with class anymore -- the heart of that series was about portraying a tough character with a lot of class and we don't seem to care about qualities of character so much anymore. Instead, we tend to see the noisy, often anonymous, guy who pulls the word "stinks" out of his posterior and uses the web as a place to try to feel important. Only this time, one of your kind did that in regards to my favorite TV series.

And no, I do not wish to continue this "discussion." That, in my previous post, was sarcasm -- much like the first line of this post. You may have encountered some discussion of sarcasm in one of your advanced literature classes, if you showed up to class that day (more sarcasm, just FYI).

I do not know what is inside a person's head when they feel they can anonymously post such crap -- dung, feces, fertilizer, guano, manure, meadow muffin, poop -- whatever name you want to call it, hey, I'm groping for words here, just trying to be polite by communicating in a way that makes you feel comfortable.

You had the first words with this thread -- and you can have the last. This thread belongs to you.

Maybe there are a few people out there who will read my replies and be inspired to stand up to the kind of insipid posts as you have made herein, or, even better, not be influenced so easily by people with minds not quite strong enough to realize they do not have much of anything to say and yet seem desperate enough to say something -- anything -- in the hopes the dullness they, deep down, know is the dominant characteristic of their minds is just, somehow, some way, everyone else misunderstanding them.

Your subject line really did speak for itself. But, it was somehow worth it to expose you anyway.

Post away. The supermarkets sell plenty of air freshener.


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I did not write my original post deviously planning to insult fans of Mannix. I simply HAD to write it after watching "To Draw The Lightning", a fifth season episode which originally aired February 23, 1972, because while it may not be typical of all or even most episodes of Mannix, it was typical of too many of them, and it is a type of ending so obviously awful that I simply could not express this opinion without strong language. I just hope future writers avoid resolutions like this at all costs, if they really want to be taken as seriously good writers.

(paraphrasing) "But it's my favorite show. Don't say something so mean about anyone's favorite show. You know how that hurts".

Yes, and I'm sorry if it does, but it is important to be able to point out the bad as well as the good in television, and no show should be exempt from this for fear of hurting anyone's feelings. If you want people to only say nice things about the shows you like and not point out the bad, even when the bad needs to be called out strongly, maybe you don't have the stomach for the internet, or should I say, the kitchen, as the saying goes.

I frequently found Mannix something of a "guilty pleasure". It certainly had its "hooks"---a sense of continuous action, a lot of good looking female guest stars, and occasionally even an episode which I found satisfying as a story after it was all over, and could actually say I was glad I watched it and felt fulfilled. But all too frequently, something of the opposite was the case. The bad endings I mentioned were the worst examples, but another problem was mystery episodes where the identity of the guilty party was just too obvious to anyone who had watched too much television not to have picked up the all-too-typical pattern: it's always the guest who has not yet been suspected and who seems like just a nice guy who was added to the cast just to be an extra face.

The better episodes of Mannix were not the whodunits, but the ones where the villains were pretty much identified early on. There you sometimes got some decent character development and suspense.

Please note that I said certain episodes stunk. Yes, in my opinion, a number of episodes did. You can probably say that about most TV series. I did not ever say or mean to imply that Mannix as a whole stunk. (Or that it should have been perfect). But while the percentage of episodes I would characterize that way was in the minority, I have to say that in this case that number was just too high, more than with most other long-running dramatic series. More often, the episodes were just mediocre. And yet there were enough good episodes that I never totally gave up on the show.

I simply cannot use the fact that film has time constraints that books do not as an excuse for bad writing and bad scripts and bad plot devices. I can't imagine that any serious student of film (and yes, I did study film as well) would ever accept such an excuse. Appealing to the particular desired audience (say, children) may be seen as excusing weaknesses in such things. But not time constraints, not for something so obviously bad as the ending of "To Draw The Lightning" or (to name just one more I had just seen again) "Death In A Minor Key" in Season Two (which could have been a better episode had it been handled differently). For programs aimed at adults, good scripts and good writing that flows well within the time alotted is the most important thing, and the story's resolution or climax (even when not obvious) is a major, not minor, part of that.

You say the heart of Mannix was that it was about portraying a tough character with a lot of class. Yes, but this describes practically all of the dramatic series of the '50s, '60s, and '70s, though things start breaking down after that. Mannix plays a man you can trust, and I'll give the show credit for that. But I can't let that excuse the bad scripts that too often show (and also the bad direction---a good director could have called at times for a little more subtlety).

I felt, from your earlier post, that you may be confusing an expert strategy for bringing in viewers, something I'll admit Mannix did have (the hooks of action and beautiful women mentioned above, just to name a few examples), with actual quality. Gilligan's Island also had an expert strategy for bringing in viewers, myself included, but I would never say it had an overall quality in its scripts. (Maybe apples and oranges, but I'd say Mannix is a better show than Gilligan, though not all will agree). A most extreme example, though, is Jerry Springer's show, which certainly had an expert strategy, helped along by Jerry's look of exasperation, but I have no qualms whatsoever in saying that that show stunk big time, and I don't mean just some of the episodes. I don't care if that hurts anyone's feelings, it needed to be said. That show made Mannix look like War and Peace. Anyway, this strategy for attracting viewers is what I was really referring to when I mentioned "ratings" before, and I never implied that a show could not be of good quality AND have good ratings, as you seemed to think I did.

Okay, enough. I'm sorry that your feelings were hurt, and I do understand why it hurts, but if you're saying that because of this no one should criticize a show in strong terms, I can't agree with that. I stand by what I said about the particular episodes. I know how I felt after viewing them, and I had to express it. If everything has to be sugarcoated such, we don't really have free expression at all.

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Oh, you are just too much. Let me see if I can get your core argument down, oh, allow me to learn from your wisdom so that I may apply it to my own life experience:

I did not write my replies planning to insult you. But the tone and content of your arguments are so awful that I just HAVE to reply, because while it may not be typical of all or even most threads in the IMDb, it was typical of too many of them, and it is a type of post so obviously awful that I simply could not express my opinion without exercising appropriate self-control by just letting your post go (which is my logical equivalent to your use of strong language). I just hope future posters avoid posts like this at all costs, if they really want to be taken as seriously good posters!

Oh, I particularly LOVE this: "I just hope future writers avoid resolutions like this at all costs, if they really want to be taken as seriously good writers." I LOVE it!

And, I particularly love it combined with the comparisons to "Gilligan's Island" and Jerry Springer, along with the ultimate -- invocation of "free expression" at the end, which is the fallback of those with nothing of any real substance to say, but who need to defend their right to say it.

Talk about Jerry Springer -- we are getting a better picture of what you are all about, all the time.

"To Draw the Lightening" was not one of my favorite episodes. But, "Death in a Minor Key" is a classic -- a perfect example of an episode generally overlooked for its contribution, especially in the context of the times. If you are focused on the way the ending is resolved, you are seriously -- seriously -- some combination of intellectually and artistically challenged. That episode was absolutely masterful in the way it pulled the viewer in so that they would be sympathetic with -- and so have the chance to understand better -- prejudice right in the face of their own prejudice -- in 1969! The writers made the viewers sympathetic with Joe's prejudice -- his prejudice of the South's prejudice! And, in so doing, it opened up the possibility of understanding how we are all prejudiced, in some way. The episode was brilliantly constructed -- a classic mis-direction which was the hallmark of Mannix.

This episode came from a series that was on the ropes that very year for the inclusion of Gail Fisher in the first place -- Mike Connors and Bruce Geller went against the network's objections when she was added to the show, which was almost canceled in the previous season. Incidentally, that is the first episode where Peggy calls her boss by his first name -- another barrier significant in 1969 and also one that ultimately became important to the series. (This episode is actually loaded with symbolism that would make this post way too long.) You are making your level of understanding perfectly apparent by bringing this episode up as an example -- in a way, you could not have picked a more perfect episode to illustrate the level at which you are capable of seeing things. The plot was not the point of that episode, and if you are concerned with the way it was wrapped up so quickly at the end, then there isn't much more we need to know about you.

If you are lumping practically all dramatic series of the 50s, 60s, and 70s together in terms of properties of leading characters, then that is another piece of evidence of your depth -- oh, along with your pointing out of "beautiful women" drawing you in.

And, I've engaged in numerous, numerous posts elsewhere on the Web, and encountered your type before. I just don't tend to post on the IMBb. I have also encountered some very nice people on the Web -- people who possess, grace, intelligence and depth. But, the self-righteous, largely vacant people who post first, think second (if they are capable of thinking at all), and invoke their right of "free expression" third are creating so much noise that people with substance are largely being driven away. I have perceived this as a trend in recent years. Small wonder.

The whole point of my responding to your post at all is that free expression is not the same as worthwhile, responsible expression. True freedom requires responsibility. And yet, those who point that out are often pushed back with the sentiment that freedom implies a certain level of separation from responsibility. You have a right to say ugly and even irresponsible or thoughtless things -- things without real substance, things that just label something as "bad" and never really say WHY. And the rest of us have the right to point out that certain things are just that -- ugly and irresponsible. Which is the greater love of freedom of expression?

Good people are leaving the "freedom" of the web and people like you remain -- full of the sensational and superficial, combined with the self-righteousness to be that way.

At the same time, the quality of what is put out there on television degrades. And we wonder why. How do writers of these series even have a chance if they think they need to appeal largely to the noisy and superficial out there -- to those like you who want "better writing" to focus on plot resolution and not the substance of an episode like "Death in a Minor Key."

You really needn't say more.

But, I'm sure you will anyway.

You just can't help yourself.





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"You really needn't say more.

But, I'm sure you will anyway.

You just can't help yourself."

That last statement's ironic, considering. But obviously those last three lines were meant to psychologically manipulate me into not answering. And your "LOVE ITs" are obviously just another method of using the old "that's so stupid I don't need to answer it" dodge.

And ability to paraphrase does not a good argument make.

Go to any television critic, or any professor of literature or film, and show them clips of the endings of "To Draw The Lightning" and "Death In A Minor Key". See what they think about the quality of the endings. Ask them if they disagree with my assessment, whether or not they agree with how I expressed it. Show them clips of the entire episodes as well. Ask them if they think the endings are irrelevant to the quality of the episodes as a whole. Ask them if they think that the attention to social issues and symbolism in "Death In A Minor Key" makes up for the bad ending, or renders it irrelevant. Ask them if they really agree that resolution in general is irrelevant to a show's quality merely because other parts are good.

Please note that I said above that "Death In A Minor Key" could have been a much better episode, for most of the reasons you mention. I do congratulate Geller and Connors for their part in getting the network to add Gail Fisher as costar. But all of this does not excuse the terrible ending, with Mannix and Edmund Gilbert engaging in a battle of self-congratulation.

Which is all our disagreement is really about. You think that a bad ending should just be overlooked in judging an episode as a whole. I do not. (And I posted quite clearly above why the particular type of ending I criticized was bad).

"How do writers of these series even have a chance if they think they need to appeal largely to the noisy and superficial out there -- to those like you who want 'better writing' to focus on plot resolution and not the substance of an episode like 'Death in a Minor Key.'"

No, I'd like them to focus on both substance and resolution, and not just assume that if only one of those is good, the other doesn't matter and can be, to use the least offensive term, just terrible. All elements of a show should come together to form a quality whole. For the record, I agree that the quality of television has degraded, one reason being that too many today confuse sophistication with quality. If we could get over our disagreements, perhaps we'd find ourselves on the same side regarding the current situation.

And that's what our disagreement really amounts to, a disagreement about the importance of resolution to a story's whole. You think good substance excuses bad resolution, and I disagree. But it goes beyond that, because you seem to be taking attacks on your favorite show as a personal attack on you. I posted that I felt certain endings of your favorite show were very bad (yes, "stunk", IMHO), and that this severely compromised the quality of those episodes, and, to some extent, the quality of the show overall. I attacked a TV show. Your reaction has been as if I had attacked you personally, and you have responded with what look increasingly like personal attacks on me. This seems to indicate that you have developed a kind of symbiosis with your favorite show, whereby any criticism of it is criticism of you. If so, you really need to get over this. A show is just that, a show, and like any work of art must expect criticism, whether positive or negative. If you must take any criticism of your favorite show as an attack on you personally, you probably need to talk to someone, and yes, I'll add that to the comparative check list as something you might somehow see as a personal attack. But look at the number of such statements you've made in the last few posts. All over a show!

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So, now YOU decide what makes for good arguments as well as good endings of television episodes?

And, apparently, you also both have a degree in a mental health field and have the ability to make a proper mental health diagnosis from posts?

Wow, the world sure has a lot to learn from YOU!

Just as a FYI -- this does NOT tend to make for good arguments:

"Go to any television critic, or any professor of literature or film, and show them clips of the endings..."

You see, that word, "any," is highly problematic. It is not in touch with reality to think that your opinion aligns with all members of any group, any more than it is to think that all members of any group will have the same opinion.

In the very first place, if you believe there is universal consensus in ANY group of people as broad as the ones you mentioned, you really are quite delusional -- and I'm NOT simply saying that because you chose to slander me at the end of your post.

Earlier, I pointed out that film is not literature, so your assumption that "Death in a Minor Key" could have a better ending requires that something else go out of the episode (the plot resolution is very compact in terms of time) -- it still had to fit -- not only the running time, but also the constraints of being shot in just over a week's time. Oh, and, it also had to fit a number of other constraints regarding its content.

And yet, over forty years later, you decide that one single aspect of the episode "stinks," ultimately using it as a test case to label the entire series with the word "stinks." And this, in turn, takes away from all of the good the series did -- not just for diversity but in a number of other areas.

You bet -- I believe that matters. Or don't you take personal responsibility for what you post on the Web?

For good or for bad, people get their information from the Web. When people use it irresponsibly, then people's opinions can be changed for the wrong reasons.

That's kind of a BAD thing.

If you do not believe that what we watch on film and television matters, then why do you post here at all? Why would you even make a post like you did in the first place?

Gee, I think that just served to prove my point that people without substance or who do not really care about what they post about are out there spewing mis-leading and mean things just for the sake of feeling some small sense of importance.

THAT matters to me. The content of television series -- and movies and other forms of story -- matters to me.

Thank goodness I do not conform to your "standards" of flinging around shallow opinions I hardly care about in the first place like feces, just to give myself a little thrill.

I gave you an out two posts ago -- and you chose not to take it. At that time, I gave you more credit to take the high road and move on. But, that went over your head the same way Mannix is over your head.

The Web -- and the content of what we watch -- our story -- shape us in ways we seldom bother to even consider, but they shape us in ways that run deep.

Thanks to people like you, both the content of classic series as well as the positive value the Web COULD have are both distorted and abused.

Yep, that matters to me. It surely does.

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Let's cut to the chase:

"I gave you an out two posts ago -- and you chose not to take it. At that time, I gave you more credit to take the high road and move on. But, that went over your head the same way Mannix is over your head."

You gave yourself an out, after posting a series of personal attacks, hoping that I would let them thus go unanswered so you could look like you'd "won" by insult. And when I did not, you broke YOUR word so you could post more attacks, then tried to psych me into letting your attacks go unanswered again.

The following could be conceived of as personal attacks by me against you (I'll let third parties judge whether or not they are):

"I'm sorry, but if you don't see how the time constraints are no excuse for these kind of things, I'm afraid you don't have a real understanding of what makes a show good."

"And to say that the way a show handles its resolutions is of little relevance to its overall value, which you seem to be saying, is....well, I better not say."

"If you want people to only say nice things about the shows you like and not point out the bad, even when the bad needs to be called out strongly, maybe you don't have the stomach for the internet, or should I say, the kitchen, as the saying goes."

"I felt, from your earlier post, that you may be confusing an expert strategy for bringing in viewers, something I'll admit Mannix did have (the hooks of action and beautiful women mentioned above, just to name a few examples), with actual quality..."

"That last statement's ironic, considering. But obviously those last three lines were meant to psychologically manipulate me into not answering. And your "LOVE ITs" are obviously just another method of using the old "that's so stupid I don't need to answer it" dodge."

"But it goes beyond that, because you seem to be taking attacks on your favorite show as a personal attack on you."

"This seems to indicate that you have developed a kind of symbiosis with your favorite show, whereby any criticism of it is criticism of you. If so, you really need to get over this."

"If you must take any criticism of your favorite show as an attack on you personally, you probably need to talk to someone..."


Now, here are the things you've said which could be regarded as personal attacks by you against me (and again, let others be the judge):

"If you are letting the way the series wraps the plot up in this way get in the way, then the real value of series is way, way over your head anyway."

"First, I love the highly educated, argumentative style. I said something was over your head, so you responded with the same, exact style, i.e., "no, it's over YOUR head". (Love it!) The web really does remind one of a big grade-school playground, at times. Unfortunately there is no classroom to walk back into, alas."

"I have no doubt that those other series packed "a lot" in there for you to follow, however."

"Third, bringing in "ratings" as a desperate attempt to seem intelligent sadly backfired."

"My heart is warmed that it requires a certain level of intelligence -- and desire for self-knowledge -- to appreciate Mannix!"

"So, you took at least one literature class? Impressive!"

"Of course Mannix was not perfect. What an absurd and simple-minded notion to suggest anything is."

"This is what makes posts like yours not only asinine, but also mean."

"There is probably a connection between people that make posts like yours and the public not much being concerned with class anymore..."

"Instead, we tend to see the noisy, often anonymous, guy who pulls the word "stinks" out of his posterior and uses the web as a place to try to feel important."

"You may have encountered some discussion of sarcasm in one of your advanced literature classes, if you showed up to class that day (more sarcasm, just FYI)."

"I do not know what is inside a person's head when they feel they can anonymously post such crap -- dung, feces, fertilizer, guano, manure, meadow muffin, poop -- whatever name you want to call it, hey, I'm groping for words here, just trying to be polite by communicating in a way that makes you feel comfortable."

"Maybe there are a few people out there who will read my replies and be inspired to stand up to the kind of insipid posts as you have made herein, or, even better, not be influenced so easily by people with minds not quite strong enough to realize they do not have much of anything to say and yet seem desperate enough to say something -- anything -- in the hopes the dullness they, deep down, know is the dominant characteristic of their minds is just, somehow, some way, everyone else misunderstanding them."

"Post away. The supermarkets sell plenty of air freshener."

"Oh, you are just too much. Let me see if I can get your core argument down, oh, allow me to learn from your wisdom so that I may apply it to my own life experience:"

"Oh, I particularly LOVE this: "I just hope future writers avoid resolutions like this at all costs, if they really want to be taken as seriously good writers." I LOVE it!"

"And, I particularly love it combined with the comparisons to "Gilligan's Island" and Jerry Springer, along with the ultimate -- invocation of "free expression" at the end, which is the fallback of those with nothing of any real substance to say, but who need to defend their right to say it."

"Talk about Jerry Springer -- we are getting a better picture of what you are all about, all the time." (For the record, I never watched Springer but too often my co-workers had it on as I went by).

"If you are focused on the way the ending is resolved, you are seriously -- seriously -- some combination of intellectually and artistically challenged."

"You are making your level of understanding perfectly apparent by bringing this episode up as an example -- in a way, you could not have picked a more perfect episode to illustrate the level at which you are capable of seeing things. The plot was not the point of that episode, and if you are concerned with the way it was wrapped up so quickly at the end, then there isn't much more we need to know about you."

"If you are lumping practically all dramatic series of the 50s, 60s, and 70s together in terms of properties of leading characters, then that is another piece of evidence of your depth -- oh, along with your pointing out of "beautiful women" drawing you in."

"And, I've engaged in numerous, numerous posts elsewhere on the Web, and encountered your type before...But, the self-righteous, largely vacant people who post first, think second (if they are capable of thinking at all), and invoke their right of "free expression" third are creating so much noise that people with substance are largely being driven away."

"Good people are leaving the "freedom" of the web and people like you remain -- full of the sensational and superficial, combined with the self-righteousness to be that way."

"How do writers of these series even have a chance if they think they need to appeal largely to the noisy and superficial out there -- to those like you who want "better writing" to focus on plot resolution and not the substance of an episode like "Death in a Minor Key.""

"You just can't help yourself."

"So, now YOU decide what makes for good arguments as well as good endings of television episodes?"

"And, apparently, you also both have a degree in a mental health field and have the ability to make a proper mental health diagnosis from posts?"

"In the very first place, if you believe there is universal consensus in ANY group of people as broad as the ones you mentioned, you really are quite delusional..."

"Or don't you take personal responsibility for what you post on the Web?" (For what I said about the bad episodes, I'm proud to.)

"Gee, I think that just served to prove my point that people without substance or who do not really care about what they post about are out there spewing mis-leading and mean things just for the sake of feeling some small sense of importance."

"Thank goodness I do not conform to your "standards" of flinging around shallow opinions I hardly care about in the first place like feces, just to give myself a little thrill."

"But, that went over your head the same way Mannix is over your head."


In all this, you have refuted absolutely NOTHING of what I said. And I'm sure you feel the same about me. So really, it is no use continuing, because we're only going in circles.

We DISAGREE about Mannix. We DISAGREE about the importance of good resolutions in television shows. We DISAGREE about whether or not time constraints can justify bad endings. People disagree. Live with it. Agree to disagree and move on. I'll accept that I won't change your mind, with no more personal insults against you. Just do the same about me. Can we then BOTH take the high road out?












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How about if you stop telling me what I'm thinking?

Or, should I take that as some sort of complement -- that I've gotten into your head? (If so, please -- I want the heck out of there before I get lost in the vast emptiness.)

The whole "we agree to disagree" status (the next line of defense of the over-matched following (a) identification of one's opinions with some higher authority (b) invoking freedom of expression and (c) calling the mental health status of one's opposition into question) was true after my very first response to your post. At that time, I simply refuted its contents. I even took some of your initial pushback -- the contents of which I felt stood for itself in the minds of those whose opinions I care about -- and even allowed you to have the last word.

THAT was TWO opportunities for you to simply say "we agree to disagree."

Ah, but each and every time you went too far -- just like with your original post (with the word "stinks" in the subject line), culminating in actually calling my mental health into question!

Was I supposed to give you explicit instructions for how to behave in order to get out of this without your being exposed TOO much?

But, alas, that sort of thing applies only to those who "get it" -- who GET the bigger picture, and do not need things EXPLICITLY SPELLED OUT FOR THEM -- like the ending of the plot of a TV series.

It is curious, the things you take as personal attack, somehow conflating argument of the topic at hand with calling one's mental health into question!

This is a better summary of our "exchange":

You got caught this time by someone who knows more and cares more about the subject matter being discussed. And you pulled out all of the stops you could to try to defend your "point of view" - NOT to simply agree to disagree. But you could not pull that off -- and you did not expect that.

Because, you see, if you gave any respect at all to the people out there who actually read things like the initial post you made, if you thought there was someone out there who would and could engage with you in this way in the first place, you might not have made that post.

You got called on the contents of that post -- and exposed in the process.

In case you have not figured this out yet, I do not care what YOU think about Mannix, or much of anything else. I only hope and pray I am never stuck in an elevator with you.

This is for the benefit of people who might read this exchange -- and perhaps feel more empowered to look behind the person who did the initial vacant and mean-spirited posting. And, I also have some pie in the sky hope that some others might feel less inclined to post their garbage -- just because they can.

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You've already said far more about yourself than you have about me. Goodbye.

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Yes, righteous indignation is truly the very last line of defense of the defeated. It is tantamount to "you won, but you are a bad person, so you really can't win."

Well, at least I got my mental heath status back in the process!

Oh, I should have just left your initial post go! Oh, woe is me, I am such a bad person for taking you on!

Or... maybe... was that initial post you made what was really bad?

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We have nothing to say to each other, jonpaul. You are in my ignore list. Kindly put me in yours as well

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We have nothing to say to each other, jonpaul. You are in my ignore list. Kindly put me in yours as well


Well, in order to actually get me onto your ignore list, you would have to get my username right -- you're off by three whole letters there in a 9 character username.

Perhaps an indication of the way you've paid attention to detail all along?

Well, it will be a BIG sacrifice for me to ignore your posts -- but, well... I'll just have to make it (sigh!).

Ah, who am I kidding, I'm not even going to bother, one way or the other.

One thing that IS important to mention (yes, you screwed up yet ANOTHER opportunity to get the last word by being underhanded and overly aggressive) -- you went in there in just the last few hours and changed the title of this thread!

And you didn't even bother to make ANY mention of that in your previous post!

That's not too nice, since it changes the whole meaning of the discussion -- it also removed the auto-notify when you made this post.

Not so very nice, that!

For the record, here is your initial title, and the one in place during the entire discussion, including our exchange this morning:

"What made so many episodes stink---this typical ending..."

Yes, folks who are enjoying the archive of this discussion -- the word "stinks" was right in there in the title -- coupled right there with "so many episodes." Never was an apology made for it, in fact, the use of that word was strongly defended -- but, alas, it simply disappeared from the title during the past few hours!

Oh, boy, are you ever CLEVER!

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As you may have noticed there is no use arguing with jompaul17. There is a fine line between fan and fanatic and he's clearly crossed it. He is totally obsessed with Mannix. To him, it is the best show ever made (as good as it is that's a ridiculous claim). All shows have flaws (a fan knows this, a fanatic refuses to see it) but if anyone points out a flaw he returns to the "But Mannix had character!" argument (as if no other series had character development or characters that showed...character. For more of his entertaining rants see http://www.hometheaterforum.com/topic/259318-mannix-is-coming-all-things-mannix-wspoilers/

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Youre a arrogant, insecure child .

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Wow. Jompaul17 - not only are you a childish, pompous a$$ - but your pseudo-intellectualism is showing. To wit:

"To Draw the Lightening"


Actually, it's called lightning.

How about if you stop telling me what I'm thinking?

Or, should I take that as some sort of complement


No, you should definitely not take it as a "complement" - but don't take it as a compliment either.

Twit.

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Starting in Season 2, a pair of new and quite talented executive-producers -- Hollywood veterans both -- came on board to supervise the writing. Ivan Goff and Ben Roberts had been plying their trade in the screenwriting trenches since the mid-1940s. They weren't merely good, they were tremendous. Ever see the James Cagney movie WHITE HEAT? It's an American crime classic, and those guys wrote it. And other great pictures besides.

Goff and Roberts were good -- indeed, well above average -- when it came to characterization and dialogue, but their real specialty was plot... story... narrative ingenuity and momentum. And these things they brought to their MANNIX assignment in spades.

They had a hand in the writing of every script for every episode from Season 2 on, and if in their often clever and surprising climaxes they were sometimes guilty of using the "talking killer" trope, I would just remind you that this archetype is a familiar feature of the mystery-suspense genre. Indeed, most of the best Bond pictures employ it... there are variations of it in nearly every Agatha Christie story... and even CHINATOWN (arguably the best private eye movie ever made) uses it for ITS ending (In the movie's penultimate scene; a face-off between Nicholson and Huston).

I'm sorry that, for you, it's such a deal breaker.

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My, youre being quite a dick.

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I loved MANNIX and without reading all these posts I would say, I agree somewhat with the OP: those endings are pretty ridiculous - although they don't ruin the episodes for me.

I can say the same thing about two of my other favorite classic TV shows: WILD WILD WEST and PERRY MASON.

In WILD WILD WEST - the villains always had plenty of opportunity to immediately kill James West and Artemus Gordon, but they would always choose the most difficult, round-a-bout ways ( a device often used in Bond movies too, BTW); thus giving Jim and Artie plenty of time to escape.

And in PERRY MASON of course, he would always get the criminal to confess on the witness stand at the end; another improbable plot device.

Even so - I enjoyed these shows and still love and watch them to this day.



the best that you can do is fall in love

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That type of ending happens in every James Bond movie.

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These endings are bad as is the well worn, "Put your gun down or I'll kill this person." If people put their guns down, then the bad guy is free to kill everybody, but my favorite PI complaint goes to the PI getting hit over the head. If Mannix or Richard Diamond had as many head knocks as they got, they'd be dead or brain damaged. Yet, I still watch these shows.

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I liked Mannix and just sat back en enjoyed it without nit picking too much. I did have a couple. One was that a crime would be committed and Mannix wouldn't have a clue as who did it. Then he would get an anonymous phone call saying "get off the case, Mannix." Then he would be driving his convertible around the hair pen curves in the Angeles Mountains above LA. This would turn into a high speed chase with him being shot at until the bad guys crashed.

Another time someone said being shot was unrealistic on tv. They showed the good guy being shot near the shoulder where it would not be fatal. They would wind up the show with a sling. They showed clips of Mannix being shot 3 or 4 times in the left shoulder in the same place each time.



I don't know everything. Neither does anyone else

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I'm betting a lot of that was due to the Mickey Spillane influence. At the time they were making Mannix, Mickey Spillane was pretty much the biggest writer in the world, and Joe Mannix was definitely influenced by Mike Hammer. And almost every Hammer novel ends with that confronting-the-villain-and-telling-them-how-they-did-it thing. That was actually an old trick of Mickey's - he wrote the last chapter first, and then made the other chapters lead up to it. So, it wouldn't surprise me if Mannix was following that pattern.

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I like that he tells how he figured it out.

Sometimes, in certain shows, I get a bit lost
on who did what and his 'summing up' make it clear.

Shouldn't a bigger complaint be the overuse of 'stock footage'?

(Typically done in Tv back then but no less annoying.)

Go for it or just be a gopher!
(MR.) happipuppi13 šŸ• *arf,man!*

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When I get lost I'd rather catch it again on the rerun.

It wasn't just the telling how he figured it out that bothered me but the cockiness in doing so, from both Mannix and the villain.

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I couldn't agree more. I think part of the reason is the era. There were many shows that followed a format that lead to a lot of ridiculous and completely unrealistic endings and plots. Oh well . . .

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You're right, the late '60s and particularly the '70s relied too much on formula in their scripts and this led to a lot of assembly-line writing.

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