I love this movie but have always felt there were certain things that needed to be explained. For example, after the death of Sr. Ligouri, Mother Superior makes the announcement in the girls' dorm room. Rachel comments "How can she be so cold?" Is that just an observation? Or, is it that Mother Superior is showing her strength at such a terrible time and is misunderstood by Rachel? (She does cry when she thinks she's alone in the chapel) Also, in which part of the movie do you think Mary first starts to think about becoming a nun? Also, in the senior center, Mary says "I hope I die young - and very wealthy!" Is this a reaction to the fact that the seniors were very old, frail, and forgotten? If anyone has some insight, I would appreciate hearing your thoughts!
well i think that mary first thought of becoming a nun was at the christmas thing where mother superior was tlaking to that upset old lady whos family had abandoned her at xmas, and although mary said that line about dying young and wealthy, i thin kshe was surprise to see mother superior helping and being nice to somebody else and that inspired her. Also,later on at the funeral.
I think you answered your own question regarding Mother Superior's handling of her grief over Sister Ligouri. The Reverend Mother was not about to express any emotion in front of the girls. She chose to grieve privately. I haven't seen this movie in a long time, but I believe it is during one of these private moments, or what Reverend Mother believes is a private moment, because it is,unknown to Mother, witnessed by Mary Clancy, I believe this is when Mary begins seriously considering making St. Francis her permanent home.
I think that it was during the Christmas mass after the party that she started to think about it.
And she was dismayed to learn that Sister Constance was happy about going to the Phillipines.
When she learned from Mother Superior that she was a real person with real dreams of being a famous designer who had given them up because she had "found something better" it made her think that there was something that she was missing.
Mother Superior and Sister Constance were not just washed up souls that had nowhere else to go to becomde nuns out of desperation, but had given up potentially successful careers in other fields to be nuns, and that caused Mary to give thought.
This is what makes the film great. Mary's transformation is accomplished over a long enough period of time and with enough subtlety to make it realistic. There's no 11th hour conversion.
I agree with "whimsical5" Mary's interest in the "nunnery" begins her freshman year.. throughout the movie you see Mary stealing glimpses through her window at Mother Superior walking silently through the grounds .... I think these are the moments that show how her curiosity is peaked. Also, when the girls return their senior year, Mary seems more mature somehow. yes? the pranks that they pull are less mean spirited and even good natured.... that christmas, she stays at the school to be with Marvel Ann, who is sick, and she sneaks into the chapel to listen to the sisters sing.. this also shows her growing curiosity.. also her senior year, when mother superior sews Rachels cocktail dress for her, she allows mary into her life a bit when she tells her her name was Madeline Rouche, and that she had inteded on being a fashion designer... mary asks. "but how could you give it up?" and mother superior replies.. "i found something better" this is when Mary begins to truly consider being a nun I think.. NOT at the funeral of Sister Lagori.. which is at the very end of her senior year... her mind is made up by that point i think.
And I agree with the last comment too.. her change takes place so gradually during the movie that by the end, you are still surprised, but you can then fit the pieces together and understand it had been in her mind all along.. this is a rather obscure movie to most, but it is one of my absolute favorite! obviously! I love that there are people here who love it as much as I do..
This is a film that could only have been directed by a woman. I wish Ida Lupino had had the benefit of today's film industry, where more women (although still proportionalely still small in number) are being given the opportunity to direct. On the other hand, it seems that she thrived on the 50s and 60s studio systems; I don't know if she encountered a tremendous amount of opposition or not in her directing career. I have a picture of her bein self-asssured enough and well-liked enough to be able to get along well with her peers as both an actress and a filmmaker.
I think you state it perfectly. There was also the mention of her trip to the Vatican during one of her breaks. Normally you'd think someone like her would stay as far away from the Church as she could during her vacations. Certainly she would have had to make a special effort, since her uncle wouldn't have gone.
As someone said, this is a "B" movie. But it is also a great work of art in that somebody behind the scenes kept leaving all these clues to the characters and touched on many serious issues. It really is a classic of G-rated movies that has been lost today. Even decades later it still pops into my mind when I've forgotten so many other supposedly better movies.
Yes, the gradual progression is one of my favorite things about the story. In fact, you pick up subtle hints about Mary from the very beginning.
The very first time the new girls eat dinner at the convent, they are told that they will wake up at 6 a.m. every morning. Rachel says, "I'm going to kill myself." and Mary says, "Catholics aren't allowed to".
This showed two things: that Mary knew the rules/dogma of the church and that she took it seriously.
The film also shows that Mary's uncle lives fast and loose. Mary was smart and a keen observer and knew about that lifestyle. Somehow, the film conveys that Mary wasn't attracted to that or found it tawdry.
So yes, there were hints all along the way. It was hard to accept her decision at the end, but it made a lot of sense. And I totally understood Rachel's reaction.
The first indication Mary was observing the life of a nun was in the very beginning when she watched how Rev. Mother so delicately put leaves on St. Francis' statue around his neck. She was watching from the window.
I think the Reverend Mother was putting crusts of bread in St. Francis' collar.
I caught this movie on TCM last night. I don't think I've seen it in about 30 years. I *love* this movie! Always have. This movie and "Heaven Help Us" are two great Catholic coming of age movies. Probably because they remind me of growing up Catholic and attending parochial schools in the 60's and 70's.
The first real indication of her interest in being a nun, when it shows she's really considering it, is when she asks how the sister could give up being a nun; almost as though she's shocked by the idea.
When she says "I hope I die young... and very wealthy" stems from when she's listening to the conversations, and hears some of the women mention losing money (social security and the like), as well as the woman being left by her family.
I love the way that Mary matures, particularly when she and Rachel do the spy work. It's a great example of character development through a film.
I agree they did a terrific job showing the gradual maturation of Mary. Key to it was her struggles with Mother Simplicia, they definitely changed in tone as time went on. Had Mother Simplicia been more strict or kicked her out, I doubt Mary could have resolved in her own mind how she could give up so much to become a nun -- her struggles with Mother Simplicia were really a reflection of her struggles with God.
Yes, St. Francis is the patron saint of animals and Mother Superior is placing bread on his statue for the birds to eat as food is scarce during the frigid winter months. We used to do the same thing when we were children growing up in the cold northeast. This scene shows Mary, witnessing the gentle, loving side of MS. Getting back to the original subject of this thread....another scene that moved me was when Mary and Rachel were caught mocking the German nun's speech. Mother Superior took great umbrage and began angrily telling the story of how the German nun had hidden Jewish children from the Nazis for over two years, then abruptly stops (probably sorry that she lost control of her emotions) and sends the girls on their way. Mary mutters under her breath *I HATE her.* Mary has been shamed and I think at that moment begins to see the complexity of the nuns and their varied backgrounds.
It popped up on TCM again, and it was at least 30 years for me as well. What was really odd was just a few days before it showed up I started thinking about this movie and its sequel, something I hadn't thought about in years. I don't normally watch a lot of TCM these days, but I happened to catch it in the guide. It's weird how these things happen.
In part I think you're right about showing her strength. It would be a difficult dilemma, since she loved the girls almost as daughters but in her position it would be hard to break down as a parent might. In the sequel this issue comes up again when Sister George can't understand why one of the girls didn't come to her for comfort and Mother Simplicia had to spell out why the nuns had to keep a certain distance. Also, people in the Church must still show faith in the circle of life and in the meaning of it all even as they acknowledge their own doubts.
I thought the scene in the old folks home was very real. When you consider that this is a G rated movie, ultimately the issues it brings up about old people coping with old age are very dark. Old people often feel forgotten and have money issues. When I first saw this movie as an youngster in the '60s I saw the old people almost as props, and didn't take any of it seriously. Now that I am much older and have seen my parents age, I realize just how deep these issues run. The statements made by the old people reflect problems for which we have no solution. Finally understanding what this scene was about really about raised my opinion of this movie.
I thought the scene in the old folks home was very real. When you consider that this is a G rated movie, ultimately the issues it brings up about old people coping with old age are very dark. Old people often feel forgotten and have money issues. When I first saw this movie as an youngster in the '60s I saw the old people almost as props, and didn't take any of it seriously. Now that I am much older and have seen my parents age, I realize just how deep these issues run. The statements made by the old people reflect problems for which we have no solution. Finally understanding what this scene was about really about raised my opinion of this movie.
Yes. I thought the scene in the County Home for the Aged was structured very well to show how worldly accomplishments eventually fade. The elderly ladies reminisce about their lives, and their various memories include possessing youth, beauty, wealth, professional success, romantic suitors, and children who needed them. All gone in their old age. Mary Clancy takes all this in and is indignant at the thought that so much worldly treasure can turn to dust. "I hope I die young, and very wealthy." A seed is planted at that moment, along with everything else that people in this thread have pointed out.
I think it may also be because the woman talking about her family not coming made Mary feel bad and she hated herself for it. Mary is an orphan, and Uncle George is not much of a guardian, hence the reason Mother Superior didn't expel her. Mary's put on a devil-may-care shell to cover loneliness and the neglect of her uncle, who's too busy with his "tootsies," and the woman talking made her break that shell. She was embarrassed and angered by losing her control.