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Why Au Hasard Balthazar is one of the greatest films in cinema history


I've been reading the comments and discussion that has been going in these threads, and I don't think some people have quite grasped what Bresson was trying to convey with this film and the important and meaningful things he has to say about life and human nature. Without having correctly grasped the meaning behind the content, I can see why people would think the film is a nothing but a gloomfest of suffering, despair and misery. If you look closer though, you will see that it's anything but a depressing and pessimistic worldview, but actually a trascendent and inspiring meditation about life, fate and will.

In order to fully understand Au Hasard Balthazar one must understand the thematic construction of the film. By being literally a passive, dumb beast who is being passed from owner to owner and being mistreated and shown (little) love throughout his life, Bresson uses Balthazar as a witness and reflection -- or both a window and mirror, if you will -- of human nature in all its facets. There are also the clear parallels Bresson establishes between Balthazar and his owners, especially his first owner, Marie. The purpose of such a thematical tool is for the audience to regard Balthazar as another facet of the human condition, but only in the spiritual sense (Bresson takes extreme care in not anthromorphologize the donkey). So, with Balthazar and these group of characters, the film shows the entire spectrum of humanity: purity (Balthazar), good (Jacques), evil (Gérard), weakness (Arnold), selfishness (Merchant), arrogance (Marie's father) and self-pity (Marie). In one or several of these characters, we can see ourselves since they encapsulate the different ways human beings deal with their existence.

Now this is the most important thing to comprehend about the film: Balthazar is an ignorant, unknowing beast who has no choice but to accept everything that happens to him in his life due to his condition, that of being a donkey, a creature who has no intelligence and who has no free will. He simply lives life the way he knows: he is used as an animal of burden, and he does so. He is mistreated by his owners, he accepts the mistreatment. He is shown love and compassion by Marie, he accepts it. He even shares his state of being with other animals (in times of captivity during his stay in the circus and times of freedom during in his deathbed). If you think about it, within the oportunities (or lack thereof) he has been given, and the circumstances (good and bad) he's gone through, Balthazar has achieved to live life to the fullest (and die with utmost grace). Us human beings have a different condition to Balthazar. Human beings have intelligence, reasoning and have the free will to make choices. Yet with all those gifts and advantages, humans have no peace of mind and keep having and attitude towards life and making choices that more often than not, leads to a life of misery and suffering, and to destroy ourselves and the lives of others.

The simple yet profound question the film basically begs us to ask to ourselves is: "if Balthazar could live life to the fullest, why can't we?". When we realize this reflection on Balthazar's life and reflect it on our own, a sudden feeling of enlightenment, trascendence and spirituality undeniably invades us. Throughout this meaningful revelation, we emerge with a moral clarity (especially concerning the characters in the film) and with a newfound sense of spirituality, hope and a strong will to transform ourselves.

I personally can't think of something more inspiring and life-affirming than that. Au Hasard Balthazar very well might change your life. This is one of the most noble, humane and beautiful works of art, of any medium.

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(spoiler)
Balthazar doesn't always accept the situation he is in - he runs too fast and causes a cart to fall over, in another scene he refuses to move (for Gerard) and in another scene he simply walks away from his owner and joins the circus.

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great interpretation, although I believe we have more in common with Balthazar than your post might suggest. Our own freedom is debatable and many of us are forced to live lives that (at least in some ways) are just as limited as Balthazar's. Another aspect of the film's message that is perhaps only implicit in your post is the idea that the film simply asks its viewer to look toward the good in their own life even if that life tends to lend itself to the negative aspects of humanity (which most of our lives do at some point.) In the end Bresson is saying that life is worth it no matter what and you're right the end is all those things you say it is and more.

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I agree with what you say. Bresson's take on free will vs. the inevitable path of our lives is more ambiguous and doesn't take a definite side, but I think at the end of the film - with Marie finally deciding to run away from her miserable life and Balthazar having such a graceful and dignified death - Bresson is giving us a glimpse of hope and also trying to tell us that no matter what circumstances we are in, there is always a way to try to make our lives better if we put our heart and will into it and if we make the most of what good comes into our lives.

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So, Bresson is saying that we can make our life better by ending it.

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Well sort of, but only metaphorically. He wants you to imagine your life as if it were already over so that you can realize the beauty in it. To quote Fanny Howe "paradise may be the time when we can finally turn to our past and see that its beauty was there despite our being there. In fact, its beauty can finally be seen because we aren't there." The movie is trying to enact a sort of nostalgia for the present moment. It does this by allowing us to die vicariously through balthazar, to look at our life as a finished event rather than as something incomplete. This in turn allows us to find gratitude and put on the old rose colored glasses for a bit. It may seem unsettling or perhaps morbid to imagine your own demise but only if you dwell on the dying and not the living. I believe Bresson is saying something more like--we can make our lives better by realizing how quickly they will end.

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A great post amidst a sea of mindumbingly idiotic remarks made by other users on this board. Thank you very much.

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-You won't forget me now?

-No. I've got nobody else to remember.

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It is quite clearly an achievement in cinema and one of the greatest films I've ever seen along with Lynch's Eraserhead, Tarkovsky's Mirror and Bergman's Persona.

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