Music score
I'm surprised that no one has commented on RCOM ’s magnificent music score by Van Cleave, which adds so much to the film's story and mood. Every now and then I find myself humming the main title theme, a jaunty, John Williams-like march reminiscent of old Saturday-afternoon adventure serials. And the scene in the mining pit where an ash-like substance rains down from an exploding meteor (I know — don't ask), and Friday protects Draper from suffocating by shielding him with his own body, then carries the unconscious Draper out of the pit — the music for that sequence sounds very Bernard Herrmann-esque. They just don't write music like that for films anymore.
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