I have always thought, had she lived, and had Hitchcock overcome his distaste for her overt display of herself, she would have been wonderful in "Marnie." The fashion shots MM did for Bert Stern show that she certainly could look elegant. However, Marilyn's unwillingness to let go of the sex-symbol image--the nude swim, the nude Stern photos--would likely be a big turn-off for Hitch.
"Marnie" certainly would have far superior to most of what was available to Monroe at that point. And I think she could have conveyed the disturbed woman who Marnie was, very well indeed.
But she would had to have taken excellent care of herself, physically (if the film had proceeded in '64, MM would have been 38) and also somehow overcome her reliance on the constant presence of a drama coach. I don't think Hitch would have indulged her in that or her legendary tardiness to the set.
It's the only film of that era I can see her in, and doing well. Perhaps also role of the Condesa in "Ship of Fools" which Simone Signoret played brilliantly.
Because of her image, and the mostly lousy material she was given, MM had not built a persona to take her into middle age, as Lana and Rita and Ava--and eventually Liz--had. And she knew it. "Marnie" would have helped her transition immeasurably.
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