coloring
When Paul and Camille laid in bed together in the beginning, why did the screen turn blue?
shareWhen Paul and Camille laid in bed together in the beginning, why did the screen turn blue?
shareit's a new wave film...it's godard's way of reminding you that you're watching a movie and that what's happening on screen isn't real. it's to keep you from getting to entranced by the characters and the plot.
shareI think he's also telling us a joke. The film starts with a soft yellow glow which we don't notice as unusual. But then it abruptly switches to "real world" lighting to remind us that the soft yellow was artificial. Then it switches away from reality again as if to say, "ok let's go back to fantasy" but he goes to a totally over-the-top bizarre blue! As if we're not supposed to notice. I think this is Godard's wacky sense of humour at its best.
shareI love how Palance played the smarmy producer when he saw Bardot swimming nude-- he seemed as delighted as a hungry newborn seeing it's mother's breast. I wonder if this was a commentary on Hollywood.
[Correction: It wasn't Bardot swimming, but another woman.]
Yes, because in the crazy colors, you would believe its night.
Maybe I was less shocked by the blue because I watch silent films, and scenes were tinted blue like that to represent night.
black and white movies were better
i don't know... that doesn't seem to fit for me. like in vivre sa vie and une femme est une femme the audience is intentionally pulled very much into the film and story which is one thing i like about those films. it wouldn't make sense for godard to keep the audience out of the film... just my two cents
shareAccording to the Criterion commentary (as well as a few other articles I've read), the use of absurd coloring was one of the films earliest comments on the theme of art vs, commercialism: that Godard's producers demanded that he include a few erotic scenes of Bardot, and in true Godardian whim, the director took a new wave approach to subvert such mainstream Hollywood conventions.
I've also heard that the red and blue represent the colors of both the French flag and the U.S. (the two countries that financed the film). As this film is a critique of international filmmaking, I suppose that analysis also holds some validity.
Lastly, I would also like to concur with a previous poster in that Godard used blue, red, yellow, and white (which I believe is called Mondrian) to remind us of the asthetic of film - as all his films are in some way or another about film itself - and pop art.
A friend and I disagree about how the coloring was done.
I say three different prints of this portion of the film were done, two of them being only of one color and the third being developed normally.
He pretends it's just a fast and well done lighting change.
Anyone knows the truth?
I thought it reflected Bardot's character's paranoia and her confusion of reality and her suspicions.
I wouldn't have it any other way...
http://www.youtube.com/watch?v=pIH6xzL0QBI