Taming of the Shrew and
Whenever this movie (which I rather like) comes up mention of "The Taming of the Shrew" by Shakespeare is rarely far behind. But how close are the parallels really?
Both pieces are in their different ways about the battle of the sexes but this is such a commonplace theme, the staple of romantic comedy, that it's maybe not that useful a comparison.
"Taming of the Shrew" is about a father who has two daughters and wants to marry them both off. The elder, Katherine, is the shrew so-called and she needs to be married first but he's finding it very difficult to find a husband for her. So the poor younger one, Bianca, is also having to stew in spinsterdom. Enter Petruchio to take Kate off her father's hands.
Maureen O'Hara is the "shrew" figure in "McLintock!". But she is long since married to her husband, the eponymous hero of the film played by John Wayne. Any father and sister to her are quite irrelevant to the plot.
The story has moved on a generation. The conflict bewteen Wayne and O'Hara, though they doubtless have other personal issues betwen them, is really about their only daughter, played by Stefanie Powers.
The plot centres around Stefanie's marriage, and she's no shrew (a bit flighty but no shrew)- there's at least two young men who are more than happy to get romantic with her. The problem here is not finding her a husband but choosing which one.
I would suggest that the origins of "McLintock!" lie not in "The Taming of the Shrew" but in Italian Commedia dell' Arte and the story of Harlequin.
Harlequin is the boy from the wrong side of the tracks who wants to wed the lovely and spirited Columbine. Columbine's father, Pantaloon, wants her to marry his man, known as Fool or Clown.
This is pretty close to the essential "McLintock!" story. Because of the chemistry between Wayne and O'Hara, the role of the disapproving parent is shared between father and mother, but the preferred suitor is a classic Fool from Renaissance times, and Patrick Wayne gets close to the old style roaring Harlequin figure.