MovieChat Forums > The Damned (1965) Discussion > Works - if you look past the cracks

Works - if you look past the cracks


It's amazing isn't it? Where did the Beeb dig this up from? Makes you wonder what else there is in their vaults. I thought I'd seen just about everything of this genre and era, but it's gratifying that small treasures such as this can come to light.

Granted, it's creaky in places and 'of its time' in certain aspects (the age of the lead man is of an era when such roles were prevailingly filled by actors of 40-55 years viz. Bogey, Cooper, et al, and seems very reasonable now that I'm of that maturity myself! Mind you, I can see why he was called 'the king of the 'B' movies'), but the storyline was compelling and some of the dialogue worthy and insightful. The encounter between Reed and the female sculptor was of particular merit and had the weight befitting a two-hander play by an angry young playwright of the time.

I agree, it was reminiscent of 'A Clockwork Orange' and in some ways, the cultish 'Wicker Man' (coastal location and denouement), and, of course,'The Children of the Damned,' and doubtless a few others. I also concur with another poster in that they should have made the kids more sinister. This would have been possible and to still retain their essential-to-the-plot innocence.

A very significant record too, of that era of nuclear tension; especially so for myself as someone who attended CND marches in his pushchair at about that time.

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The BBC didn't do it any favours by enlarging the scope frame to 16:9 and wrecking the the original scene composition but, as it hasn't been on tv for about 30 years we should be grateful.
Some of it grates a bit: Shirley Anne Field trying not to be posh and the dire Black Leather Rock song, but it's still a great story and probably the most downbeat sf tale since On The Beach.
The plight of the kids is genuinely moving and the ending is a bleak as I remember it from my first viewing, eons ago.

England Prevails

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Yes ironjade, that song was execrable and offends the ear but, set in context, is a veritable document of what was considered hip and risque in that era. And I suppose they should have had more bucolic rather than estuary accents, it being set down in that part of Wessex (which I know well). Your contention about scene composition is intriguing - is that a reference to perspective vis-a-vis scope frame? Or something with regard to the storyline continuity?

I saw 'On the Beach' (only found out the title a few months back via these boards) on the box in the 60's and I recall this evocation of a post-nuclear world moved me at even that tender age.

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When the movie starts we see the original "Hammerscope" letterbox but after the titles, the image is slightly enlarged to fill the 16:9 widescreen tv format and eliminate the black bars at the top and bottom. This means that, although still a form of widescreen, enough of the picture is missing to make it seem a bit disorienting to watch, as it's not quite the correct aspect ratio.
When "Scanners" was shown a while ago the effect was even more noticeable and extremely irritating.
I know it's nitpicking but it can make the shots in a movie seem quite clumsy and play havoc with camera movement.
The 16:9 tv screen is a compromise which is meant to allow for the many different widescreen formats but doesn't really suit any of them.


England Prevails

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