Fonda actually overcomes her sexiness to give a powerhouse performance. She can plan anger, frustration, rage, confusion. It's all there. And the scene when she's on the phone with her father is really hysterical. Very funny. Franciosa was good, Hutton looked a little lost, but Jane was dead on great.
This film was made right at the end of an age when dramas were still filmed in black and white. One needs to look no further than The Adventures of Robin Hood (1938) in technicolor to see that the technique had already been mastered then. But this film was considered to be, at least at the time, more of a comedy than a drama, and another Tennessee Williams' play turned film was put to film in color to spectacular results a few years earlier in Cat on a Hot Tin Roof. I've read somewhere that black and white pictures cost less to produce at the time, and that may be your answer right there.
That’s a very interesting mixture of poetry and meanness.
Wikipedia says the budget was close to two million, and the box office over four million. I can only qualify those numbers by saying that around two million was about the average for films of that period. I believe To Kill a Mockingbird was shot on around the same budget. I suppose one could change the question to, would it be better in color? I don't think so.
Thank you for the comment on my signature. I have a feeling you're the one who wrote yours
That’s a very interesting mixture of poetry and meanness.
There's a freshness, a creation in what she was doing in this film, not just reaching on the shelf for a lot of things that other people have used before. If only the same could be said for some of her later work, where she was often coasting.