I have long been a fan of this film and a giant eagle outdoors, with its wings up, swooping down is frightening. However, a giant eagle indoors, with its wings down and hopping around is not.
I got a similar reaction to the one described by the first poster during the late '70s when I screened a 16mm print for an audience of friends.
The shattering door works, as does the giant shadow of flapping wings at the junction of the corridors. But, in my opinion, the rest of the sequence with the eagle lumbering through the scaled-down model of a college corridor - however well
constructed - does not work. It might have worked better if the set/model had been in near-darkness. As it stands, the scene is carried by a convincingly terrified Peter Wyngarde.
I may be wrong, but I suspect this ineffective footage was left in the final cut because of the expense and trouble it must have taken to achieve it. The editor simply wasn't ruthless enough!
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