No, Europeans cut deals with certain power-hungry Arab leaders & carved out countries in ways that benefitted those leaders & European interests, but did nothing for the actual people living there. None of which Lawrence wanted. It's why he left the Middle East in disgust & despair at the end of WWI.
No, Europeans cut deals with certain power-hungry Arab leaders & carved out countries in ways that benefitted those leaders & European interests, but did nothing for the actual people living there.
Political deals that didn't do anything for the little people? UNHEARD OF! Especially in the 1910s! Wooow I can see why you're on 24 hour alert to pounce on any unbeliever with THAT argument! Damn, dude!
And at no point did you say "they[the power brokers] could have done it without Lawrence..."
And this movie is a masterpiece.
Unlike your plan to be remembered as the smartest man who ever lived by sticking up for poor misunderstood oil-rich Sharia states! It's so brave and admirable of you to sit there singing the song of the POOR MISUNDERSTOOD BILLIONAIRE ARAB MEN!!
"All they're trying to do is finance every radical mosque in the West, and take us over, and meanies like SewerMaintenance are trying to stop them with incredibly obscure internet posts on MOVIE boards! Somebody save these helpless wife-beating terrorist billionaireeeessss!!!!"
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I think I was in my late 20s when I actually began to be able to appreciate classic cinema. Sure, there were a few classics that I grew up watching and liking--It's a Wonderful Life, Wizard of Oz, The Sound of Music and so on--but it wasn't until I was right around 30 that, as an adult, I began to really bite down on films that were made before I was born and that I began to intentionally seek out these movies
Just in the last 10 years or so I've watched so many movies that I had avoided up until that point: Gone with the Wind, Casablanca, Lawrence of Arabia, Cat People, 2001: A Space Odyssey, Citizen Kane, Gun Crazy, Sunset Boulevard, Singin' in the Rain, His Girl Friday, Roman Holiday, North by Northwest, Breakfast at Tiffany's, The Quiet Man, Double Indemnity, Touch of Evil, Rashomon, The Birds. . . The list go on.
I really think most people have to get to a certain point in life before they're able to really appreciate these films.
I agree. Even films that we enjoyed well enough when we were young yield so much more when we're older. An example: I loved Shane as a small boy, but then it was mainly about good guys & bad guys. When I was a little older, I began to see & appreciate the emotional & moral issues between the characters, the bonds & demands of friendship & love, and little Joey's inevitable growing up. As a young boy, I heard Joey's cry of "Mother wants you! I know she does!" simply as an additional plea to make his friend come back. When I was a little older, I saw Joey's face change as the full realization of exactly what "Mother wants you!" really meant & understood it for the first time myself.