I also agree.
I find it very ironic that, compared to the Templar of the books, Roger Moore often played Simon TOO SERIOUS!!! I'm not kidding. And yet, when he was cast as Bond, he refused to ever take it serious (apart from a few exceptions, scenes in THE SPY WHO LOVED ME and FOR YOUR EYES ONLY). It's like he got the 2 characters backwards.
THE SAINT tv series did many of the short stories justice, but not so much the novels. My 2 favorite SAINT novels-- ANGELS OF DOOM and SAINT AT THE THIEVES PICNIC, wound up being 2 of the worst (least) of all the SAINT adaptations ever done (the 1st with George Sanders, the 2nd with Roger Moore-- both done in abouyt an hour, when they should have been at least 2 hours or more).
Moore, with his great talent for light comedy, was an excellent choice to play Templar. Certainly a better fit that George Sanders (who was EXCELLENT in THE SAINT IN LONDON and THE SAINT TAKES OVER, mostly by playing himself), he looked more right than Hugh Sinclair (although THE SAINT'S VACATION gets my vote for one of the best SAINT movies ever), but he wasn't nearly as "right" for the part as Louis Hayward. From the first SAINT book I ever read, I realized the character in the books was so UNIQUE in his personality and behavior, the only actor who ever really captured that was Hayward. A pity RKO had such tiny budgets he decided to move on after only the 1st installment! (THE SAINT IN LONDON is actually a much better film, and is the only one of the RKO features that really, truly captures the feel and ambiance of Templar's world-- so it's ironic it starred the actor least right for the role, but as I said, Sanders was damn good in there despite himself.)
It took me years to catch up with the B&W episodes, and what a shock they were. So well-written and acted, and most of them adaptations of the short stories. When the show went color, like many series at the time, it seemed to get sillier. But the 2nd color season it got more serious again. When I watched my entire SAINT collection in sequence years ago, I was very surprised that the overall "feel" of the final Moore episodes was VERY similar to that in the Ogilvy episodes that followed years later.
Speaking of whom... I always got the impression, somehow, that Ogilvy wasn't supposed to be playing the same character. The few details about his background on that show were completely at odds with every previous version. Many years later, I learned it had started life as "SON OF THE SAINT", but Leslie Charteris nixed the idea. It confirmed my suspicions! Ogilvy is almost a dead ringer for Hayward; I could easily believe his Simon was the son of the original Simon and Patricia Holm.
As for Teal... if memory serves, Moore's series had 4 different actors in the part, and as I recall, the one who "stuck", Ivor Dean, was the LEAST-impressive. If you go back further, however, Gordon McLeod, from 3 of the features (THE SAINT IN LONDON, THE SAINT'S VACATION, THE SAINT MEETS THE TIGER), was THE best Teal ever!! Especially in ...IN LONDON, where we see he's smart enough to know when Templar isn't guilty, and to give him a chance to catch the real baddies. McLeod is the actor I picture as Teal when reading the books, just as Hayward is for Simon. (As for Patricia... definitely Sally Gray. Too bad when she was in 2 of the films, each time she was playing someone else!)
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