Olivier was more than excited, he admitted in his memoirs that after they met in New York, he was wildly smitten with her. But upon her arrival in England--now a married woman-- he disregarded everything he'd been told about her methods and habits--"let her find her performance and she will be magic"-- and demanded she behave like "the other actors." He loathed The Method. The Miller marriage was already in trouble, she miscarried, and since it was HER production, she felt disrespected by her employee, Olivier, and behaved badly.
Gable was an old hand. He knew all the scuttlebutt about Marilyn and was patient and kind. He also left the set promptly at five, no matter what time MM had arrived. He insisted on doing his own stunts.
Curtis had known MM previously. She was not overly fond of him, but didn't hate him--she felt he was a crude opportunist. (A critique shared by his ex-wives and children.) But even after the "Hitler" remark, she never slammed him. She referenced that comment in her last interview, but called him "some actor..." Clearly it had hurt her. And no matter Curtis said later on, it was no joke. he certainly never apologized to her while she was still alive.
Monroe was difficult to work with; her nerves caused her to vomit before leaving her dressing room, or break out in hives. By the time she cranked up her courage to arrive on set, she was a mess and her director and fellow actors were just as tense, justifiably. Movie-making is tedious and difficult. But nothing could happen unless she was there. She knew it, and suffered more because no doubt she could feel the anger, but that was her only way of working. Her coaching from Paula and Lee acerbated her fears, which was good for them, convincing her she was nothing without their support.
Interestingly, even toward the end, she was relaxed, comfortable and on-time when she had to perform on location in front of a crowd of non-judgmental strangers. Billy Wilder was amazed during "Hot" that all the location sequences--on the beach, the pier, etc., were done without extensive retakes or delays. But, once she was back in the studio...
A man named Gene Allen who worked with George Cukor, said this: "She was not difficult ON the set. She wasn't a prima donna, she joked around with the crew and was a lot of fun." Which was fine, but couldn't make up for the lateness, no matter the reason.
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