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An incredible use of a Psycho Image in a Musician's Auto-Biography


The NY Times today reviewed a new, violinist's auto-biography by Natalie Hodges called (pretentiously) 'UNCOMMON MEASURE: A Journey Through Music, Performance, and the Science of Time'. According to the review, the author recounts her key experiences with performance anxiety. The author drops her violin bow during a recital performance of a notoriously intricate, near-impossible-to-play piece by Paganini.

"Trying to play his compositions, especially under pressure, is reminiscent of the shower scene in Hitchcock’s ‘Psycho’ — high-pitched shrieking sounds and all, where your ego is Janet Leigh and the ghost of Paganini is the shadowy figure with the knife.”

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I saw the article, and from what I gather, the violinist in question is in her twenties, yet she's making a Psycho reference and expecting her readers to get it.

The shower scene still stands as an iconic depiction of a young woman helplessly trapped in a prolonged, agonizing nightmare, in this case, the very relatable feeling of performance anxiety. She even writes about tasting “the sour green smack of vomit” as she steps onstage. And she herself is providing the soundtrack to her own horror through her instrument. Hitchcock could've filmed it.

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Nice....Hitchcock, Janet Leigh AND Paganini in the same sentence.

The world is filled with possibilities.

Those violins also made it into Eleanor Rigby, yes? Well, the credit violins...

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