MovieChat Forums > Psycho (1960) Discussion > From "Psycho" to ...."Love Actually"?

From "Psycho" to ...."Love Actually"?


This one's weird, but I'm gonna go for it.

I've lived my life in a few different US regions -- Los Angeles certainly one of them, but other cities, too.

And this week, I returned to one of those other cities for a visit and elected to see a "special Christmas screening" of a favorite movie...at a very special place.

The movie was "Love Actually," which I have selected as my favorite movie of 2003 AND of the 2000's for reasons that are at once VERY personal(who I first saw it with and what it meant to HER), and evidently, a bit universal -- this has taken on "cult classic" status for reasons that people never seem to be able to put a finger on. I'll throw out a guess -- unlike the pallid American all-star knock-offs(Valentine's Day, New Year's Day, Mothers' Day) this movie feels eccentric, often off-putting, sometimes very cruel, sometimes very wacky -- there is something to the bizarre unwillingness of the film to adhere to any real notions of narrative that...have charmed a lot of people.

And this: the opening narration by Hugh Grant -- with real footage of real people greeting each other at Heathrow Airport(the greetings are always happy, as opposed to the farewells) as he tells us that none of the "farewell" cell phone messages on the 9/11 planes were of hate, but of love -- well, its profound and means a lot, I think.

Anyway, I like the fact that Psycho is my favorite of the 60's and Love Actually is my favorite of the 2000's because they illustrate to me that "the movies can take you anywhere"(emotionally.)

The theater for this "Love Actually" showing was packed -- fans from everywhere, I guess. Big laughs all the way through, huge applause at the end. And some quiet sniffling in all the right places.

But it was the theater itself that mattered: a great, big giant old Palace theater that had, in 1960(my newspaper research revealed) hosted Psycho for an entire summer into fall and where -- in various decades(80s, 90's...10s), I had seen Psycho MYSELF - the way it was meant to be seen: in a big giant old Palace theater -- with the soundtrack pumped into the restrooms (one time, I listened to Sheriff Chambers talking to Sam and Lila while I took a "break.")

This Palace Theater is a revival house now, but in 1970, it was a "Reserved Seat Showcase Theater" and there I saw Patton and Tora, Tora, Tora!

So those memories flooded in, as well.

And this. As I walked out of the theater into the street I remembered walking out of this same theater in August of 1969(having just seen "Those Daring Young Men in Their Jaunty Jalopies") to see an afternoon edition of the local paper with headline: "Actress Sharon Tate and others murdered in Los Angeles." Yep, that's where I was the day after that event.

And also THIS: on this same street in the summer of 1969 -- at ANOTHER Palace Theater down the street that was now torn down -- I had seen The Wild Bunch for that first, exhilarating, life-changing time...and my father and I walked down the darkened street to our car after seeing THAT movie in a kind of dazed silence.

THIS night, departing the Love Actually theater and walking on that same street at night -- all around me -- homeless people. Sleeping on the street, on benches, in doorways. In the freezing cold. (I don't recall a single homeless person on that street when I saw The Wild Bunch in '69.)

Much has changed in the decades since I first saw movies at this Palace Theater. And note: I never saw Psycho there in 1960 -- I didn't live there and I was way too young then anyway. But I DID see Psycho there many times in later years and its a wonderful experience -- not a multiplex, in the biggest, oldest, most flamboyant theater I could find.

And the memories. Great movies(Psycho, The Wild Bunch....Love, Actually.) Good movies(Patton, Tora, Tora, Tora.) Not so good movies(Those Daring Young Men in Their Jaunty Jalopies.)

I"ve seen 'em all. A nice part of a life.

Happy holidays.

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The theater for this "Love Actually" showing was packed
That's kind of amazing given how easy it is to see LA anywhere, anytime (particularly at this time of year).

Anyhow, this is a *big* LA year for another reason: Mariah Carey's 'All I want for Xmas is You' has at long last gone to #1 on the US Charts. My sense is that LA's rather excellent cover of the tune (with better drums than the tinny, demo-quality drum machine program used on Mariah's record) really did help the song become a standard.

Sadly, however, I'm personally immune to both the film's and the song's charms.

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The theater for this "Love Actually" showing was packed
That's kind of amazing given how easy it is to see LA anywhere, anytime (particularly at this time of year).

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I guess this was kind of a "word of mouth group thing" -- I saw one group of 30-something women, about ten of them, pose for a group picture.

"Love Actually" clearly picked up traction over the years as only true "cult classics" can. I have a love/hate relationship with the movie -- Terms of Endearment (my favorite of 1983) plays the same way. Some characters I don't like, some overdone dialogue I don't like...but somehow(with both movies) a very intense emotion overcomes the faults. They are "messy" movies. They can certainly be called "chick flicks" and they are tearjerkers(big time in TOE, around the edges in Love Actually) -- but do seem to have more going on than that kind of pigeonholing bespeaks. (Both movies have solid male characters -- and there were a lot of men at this screening I noted -- with their women.)

Its been said that the most important part of any movie is the ending; followed(in that order) by the beginning. The emotional "airport greeting" bookends of "Love Actually," are, I believe, the key to the film's huge following. And while "real people at the airport" anchor the beginning, all of our myriad fictional characters at the airport anchor the end(followed by tens, hundreds, THOUSANDS of real people at the airport.) Its that beginning and ending that I think makes Love Actually a classic of sorts.

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And this: one of the reasons I have "charted" all my yearly favorites over the years is to get a read on my own "inner being" and something important: many times, I have no IDEA why a particular movie "got me" that year. Sometimes, its an easy call: The Godfather and Jaws were blockbusters that EVERYBODY wanted to see(and yet, neither Star Wars nor Grease rocked my world.) Hitchcock, QT, Scorsese, and ...Don Siegel!(Dirty Harry, Charley Varrick, The Shootist) almost always deliver the goods for me. (Well, Scoresese and Siegel don't always connect with me...but Hitch and QT do.)

But something like "Love Actually" came outta nowhere and I ended up surprised by how meaningful it was to me -- and then corroborated(this other evening) by how meaningful it was to OTHERS. Who KNOWS why our favorites become our favorites?

I also use "Love Actually"(along with The Music Man and The Great Race) to demonstrate that for all my fixation on the dark savagery of Psycho -- Psycho doesn't rule my movie mind. I like a lot of "nice" movies, too.

By the way, "Love Actually" -- which I recall seeing at the multiplex in 2003 -- didn't really "fit" in a giant old Palace Theater the way "Psycho" in revival does. "Love Actually" isn't from the Palace Theater era.

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Anyhow, this is a *big* LA year for another reason: Mariah Carey's 'All I want for Xmas is You' has at long last gone to #1 on the US Charts.

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Rather like Old Rocker Bill Nighy's "Christmas is All Around" goes to Number One in Love Actually! (And HE is a key tot that movie, the comic relief with the twist surprise of who "the love of his life" turns out to be.)

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My sense is that LA's rather excellent cover of the tune (with better drums than the tinny, demo-quality drum machine program used on Mariah's record) really did help the song become a standard.

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Likely. LA's been playing annually for years now.

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Sadly, however, I'm personally immune to both the film's and the song's charms.

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I know, and I remembered when I posted this. We remain weirdly tossed together by fate here, swanstep -- rather diametrically opposed in "movie taste," sometimes surprisingly shared, but always respectful.

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You talk too much

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Only once a week....

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Seriously doubt that. It’s so obvious you love to hear yourself talk.

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That's not very nice. Hate at Christmas time? How depressing.

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That was way before Christmas time.

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