John Wayne hated High Noon and did this movie in response TO High Noon. High Noon really bothered him because it was like the marshall was running around, like a chicken with it's head cut off, trying to find people to help him with the bad guys. John Wayne felt that the marshall should be working to solve the problem without pulling everyone else in to the mix. I love this movie and bought a VHS tape years ago for my oldest son (he loves this movie as well). A few years ago I was in a Safeway and my younger son happened to see the DVD for $10 with a set of pictures from the movie set so I purchased it. It was a good buy. I am a big fan of good westerns and this is one of the best. I own 'The Sons of Katie Elder', which is another good western. If you haven't seen this movie, you should. It is an excellent western with solid performances by John Wayne, Dean Martin, Walter Brennan, Ricky Nelson, Angie Dickenson, and Claude Akins (always a convincing villian).
I think Rio Bravo and High Noon are 2 of my favorite westerns of all time. Comparing/contrasting is a bit like deciding between mexican food and pizza, both are great depending on what you crave that day.
Personally, I think HN gets the nod, because of the riveting pacing and depiction of the psyche of those involved. The struggle of values vs the real life demands. Pacifist vs saving the life of the one you love by taking the life of another. It seems deeper in some ways.
You can't go wrong with either, and both should be seen by any serious movie fan.
Well, Druff, if the Academy ever decides to offer an Oscar in the category of "nasty, cruel, and in despicable taste", I, now, have a nominee I'm willing to bet the egg money would win it.
On a more positive note, the rhyming works! But -- the predictable (and, as always, agenda-driven) Leftist vitriol "behind" the rhymes falls into the chasm known to intelligent observers as that "parallel universe" of hate-filled, Orwellian "newspeak", ah, regularly associated with the movement. Hmmm . . . what is the question that that other song asks -- "Is that all there is?"
Btw, What's the name of that stuff reported to help an over-production of "yellow" bile in the "abdominal regions" -- "Tums"? Available anywhere I understand. . . Hey, just tryin' ta help. You're on your own, I'm afraid, when it comes to keeping "yourself" out of the "infernal regions".
I'm ashamed to be White, too, at times "but" for entirely different reasons. Hope you understand . . . eh?
Yeah, those darn cotton-pickin' Leftists. Always sticking up for the wrong people and spouting hatred at others, just because they happen to be evil racist scum. How backwards!
Not bad. Not bad. You got 50% of it right -- the first half, of course. The other 50%, well, a remarkably accurate reiteration of the ever-popular #1 Leftist (and "officially authorized", I might add) ad hominem attack -- "racist scum". "Bravely" spoken, too. The others are, I expect, dependably waiting, in order, 1-10, ("homophobe", xenophobe, "Nazi", etc.) for future posts. What's the expression -- "keeping your powder dry"? The "Soros Politbureau" would be proud. I, too, admire your discretion and restraint. A great big and humbly bestowed -- "Atta boy!" from yours truly.
Please let us know when you receive further instructions from headquarters.
Can't suck me into a bet like that. A slam dunk for you! ALL conservatives and libertarians are homophobes -- even the gay ones. I promise I won't tell Soros you aren't sure. But . . . you better check-in with headquarters, or the NYT, before you say anything more along those lines. (Hey . . . that's what friends are for -- right?)
What's this, digging up a man's body and trying him on charges no one dealt him when he was still living? Bravo! Way to give the benefit of the doubt!
My maternal grandfather reminded me a lot of John Wayne: same generation (Gramps was born in 1905) and a lot of the same "rugged individualist" values. I paid him a two-week visit in the summer of 1975, and here's what he opined to me on the subject of homosexuality: "I don't care what they do behind closed doors." This would have been considered almost liberal in those days, but, with the passage of time, would undoubtedly be considered homophobic, especially by those who share your world view. Nevertheless, I am of the opinion that the Duke's sentiments were little different from my grandfather's, and if that qualifies him as a homophobe by 21st Century standards, then so be it, I guess. What can you do? Dig up his body and--oh, wait, I already said that...
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When someone told him Montgomery Clift was gay on the set of Red River, his response was, "I don't care, he's a fine actor." He also helped cast and became friends with Rock Hudson during filming of The Undefeated.
While I'm sure that John Wayne didn't like HIGH NOON either, it was director Howard Hawks' dislike of it that generated this particular movie project. You can see the theme of "professionals doing a tough job well" in many of his movies: TO HAVE AND HAVE NOT, ONLY ANGELS HAVE WINGS, even THE THING FROM ANOTHER WORLD.
RIO BRAVO is probably the greatest example of this theme in all of his movies though. Top notch film.
Spineless? I always thought "High Noon" was about a heroic man standing up to his enemies even though no one would help him. It's about doing what's right regardless of the odds, or what the consequences might be. How is that spineless?
"Humour is just common sense moving at high speed." - Derek Robinson
Zinnemann and Carl Foreman understood that the dark side of the radical individualism of the far right was the kind of "every man for himself" attitude that can be manifested as pure cowardice. Sometimes a man can solve a problem alone, at other times it takes a village. A sheriff shouldn't be embarrassed to assemble at least as many deputies as there are gunmen in a criminal gang invading the town. Cooper was acting in the interests of all (he'd have left town otherwise). Those who wouldn't help him were pretending they had no shared responsibility. John Wayne was a draft dodger. When the U.S. was "running around" trying to get people to fight the Germans and the Japanese, he was busy being a movie star. He should have played the Lloyd Bridges role.
The Republican Plan: repeal all reform; collect payoffs; go yachting (but not in the Gulf).
Cleverly worded post. However, it contains some "facts" not in evidence and a non sequitur or two, making it less an observation than something more like a partisan mini-sermon:
Wayne's lack of service was not "draft dodging". There would have been legal consequences. It "may" have been less than noble if he wasn't, as has been alleged, physically exempt (bad knees). But the contrarian view is, also, an allegation -- except in the eyes of liberals like you with their retributive sites set upon Republican offenders exclusively who've been dead for 20 or 30 years. Now, an example of "real" draft dodging, in a more contemporary offender, can be found in the currently breathing William Jefferson Clinton.
"radical individualism"? What IS "radical individualism" (as compared to just plain ol' individualism, I mean), bearing in mind "individualism", accurately defined, isn't a precept of the "right" in general (excluding, perhaps, objectivists)-- while individual liberty "is". Two very different concepts, wouldn't you agree? Nor is the, misused in this case, maxim -- "every man for himself". Neither is, come to think of it, Wayne's and Hawk's "Rio Bravo".
Differentiate, if you please, between the "far right" and the "right". Just curious.
"Sometimes a man can solve a problem alone, at other times it takes a village."
(Did you get Hillary's permission to use the term, "it takes a village"?) Nevermind. I can't think of anyone on the right or the left who would disagree with such an assertion, which, in any case, has nothing to do with messages to be found in either film. The themes of both run a little deeper than a bumper sticker-like slogan may assign . . . or a book title.
William Jefferson Clinton and John Wayne did exactly the same thing, the only difference being that John Wayne did so in the midst of a global conflict on the outcome of which the existence of this country depended.
There were no "legal consequences" to obtaining a student deferment either.
And William Jefferson Clinton, unlike John Wayne, was not a hawk in the aftermath, nor did he pose as the soul of the military man and the gun-toting pioneer in real life.
The only foreign conflict in which we engaged during his administration was a peacekeeping mission in Kossovo, which thwarted a genocide and resulted in not a single American casualty.
It's interesting that you use "cleverly worded" as an insult, when your entire post is purely an exercise in uncooperative semantics and alternative syntax. As such, it is not worthy of any more serious response than this one.
The Republican Plan: repeal all reform; collect payoffs; go yachting (but not in the Gulf).
Wow!!! I guess I been told! (I know -- it was them damn uncooperative semantics what done it!)
Ah, I know you're not reading this, so I suppose I'm wasting my time here but . . . I don't think you CAN answer any of my questions. So . . . a scolding will suffice in lieu?
Typical ultra-lib response, cwente. Let it go, and let the exchanges stand between you and him for others' discernment.
As for John Wayne, regardless of his own personal nobility or the lack thereof, he had legal prerogatives at his disposal, some medical problems and a family to support, probably none of which would have kept him from volunteering, but all of which worked together to be sufficiently satisfactory to the draft board for them to not press the issue re: putting Wayne in uniform. We still needed able-bodied men at home to do the work not taken by all the "Rosie the Riveters" who had joined the work force, so Wayne's own choice to not serve is not necessarily worthy of condemnation. As you implied, if he had broken any laws, he would have, consequntly, found himself wearing one uniform or the other: military or a prison inmate's set of duds!
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Nobody said he broke any laws. That's a straw man. Clinton broke no laws either, but your bud floated over that detail when he used the fact that no illegalities occurred to prove that Wayne wasn't a draft dodger. But Wayne was a draft dodger. As was Dick Cheney, by the way. What this boils down to is two more conservatives saying it's all right when we do it. I am far more prepared to forgive Wayne his wartime decisions than I am to forgive his brazen hypocrisy later on. Same with Cheney. And the suggestion that Wayne was needed at home, like a dame on an assembly line, is funny. Being a movie star was essential war work? We managed to find actors to replace Gable, Stewart, Power, et al. for the duration.
The Republican Plan: repeal all reform; collect payoffs; go yachting (but not in the Gulf).
So, Wayne broke no laws? To be a draft dodger you "have" to have broken the law, as opposed to being exempted from service for lawful reasons. Yet you say -- "Wayne 'was' a draft dodger." Sounds like an oxymoron to me. And, ah, "same with Cheney". Hmmm, so what law did he break?
"What this boils down to is two more conservatives saying it's all right when we do it."
Nope. It's two more conservatives saying neither Wayne nor Cheney did it.
"I am far more prepared to forgive Wayne his wartime decisions ..."
I'm sure the Wayne family will be forever grateful to you, ducdebrabant, for your magnanimity and condescension.
"... than I am to forgive his brazen hypocrisy later on."
I see. You'd prefer that a man who's raped and killed your wife, been to prison, gets out and hits the lecture circuit to speak of the rightness of the act than to condemn it, thus avoiding the epithet - "hypocrite". In case you haven't noticed . . . we're "all" hypocrites.
"Being a movie star was essential war work?"
Yup. I, for one, agree with FDR, the Army, the Navy, and the Army Air Corps in that opinion.
You're right, vinidici, I think I'll move on to more profitable postings. We've learned from experience, haven't we? Whew!
We managed to find actors to replace Gable, Stewart, Power, et al. for the duration.
Yep! And Wayne was one of the "replacees."
Anyway, ducdebrabant, I think I'll mosey along myself, don't much care for your tone, though I leave you with a certain modicum of respect for your opinions while not sharing them all. In short, it's been real, it's been fun, but it ain't been REAL FUN!
Have a nice day.
Whatever you do, DO NOT read this sig--ACKKK!!! TOO LATE!!!
Your post is several years before this one, but just to keep the record straight:
John Wayne was a 34 year old married father of three when he requested a draft deferment on that basis. He was excused based on being the only basis of support for his wife and children. In addition, he was working in a career field that the federal government identified as vital to the national interest. Had he been drafted the war department would have sent him to work where he worked anyway. That's what they did with other actors, including Clark Gable after he had finished his dangerous stint of publicity operations, five bombing raids as the only officer gunner in the US Army Air Forces. Jimmy Stewart had to fight the system all the way to Hap Arnold to fly bombers and go into actual combat.
William Jefferson Clinton petitioned to become a Rhodes Scholar after he graduated and ran out his college draft deferment. He was a 22 year old jobless single man. During his residency at King's College, Cambridge University he took time off to go march in an anit-America peace rally in Moscow.
Our air campaign in Kosovo is believed by some, and very possibly did, result directly in the deaths of more Kosovar Serbians (Serbian Kosovars?) than were killed by the 'right wing terrorists' that we were trying to defend them from. We killed (certainly by accident) more than 250 of the population we were trying to defend because President Clinton ordered our aircraft to remain above ten thousand feet altitude. That order was issued because his stated number one goal of the campaign was to avoid US casualties. It was, to the best of my knowledge, the only time up to then or since that our first goal was to eliminate our warriors casualties even if it compromised the mission and got civilians killed.
I will let others consider how much alike they were. I will also let persons on the left choose the type of people they want as heroes, while I will stick with the kind of heroes I learned to respect.
The best diplomat I know is a fully charged phaser bank.
The very fact that Hawks had such a knee-jerk macho response to High Noon is laughable. As if being a big bad fearless lawman is a basis to judge a film as good as High Noon. Another clue to his outsize ego: he actually cut Harey Carey Jr's part in this film because he dared to address him as "Howard" on the set.(see trivia) I love both films and I don't get the persona mixed up with the real man. Wayne was usually spot on in his character acting. But he was often a dimwitted dullard, who had no use for horses, Native Americans or anyone who protested the Vietnam War. And Cwente, your responses sound like something from an SNL takeoff on an anal film school professor. But as Hopalong Cassidy once quipped: "He shore did talk purty."
I don't know about the specific claims in the trivia section for this film that you cite. I did not know Harey Carey Jr. or Howard Hawks. But I do know that many of the entries in the IMDB trivia section for many films are nonsense. They do no fact checking and allow members of good standing to enter anything. I will agree that there are many stories of Howard Hawks's ego.
I like (I won't go so far as to say love) both films, too. But I find Rio Bravo more satisfying from a moral view.
It is easily demonstrated that John Wayne was neither dimwitted nor a dullard. He was well educated and well read. He was a bit narrow minded on some issues, but he had cogent points to argue about some of the indigenous tribal people, the leftist idiots who always believe that anyone who complained about America in the 1960s and 1970s was right, and Vietnam war protesters. Ultimately, it is the responsibility of our political leaders to convince us of the correctness of their foreign policy. It is our responsibility to understand the arguments by educating ourselves. Both our leaders and we the people often fail in those responsibilities.
You go, Cwente.
The best diplomat I know is a fully charged phaser bank.
The part that Hawks found stupid in HIGH NOON was the idea of a "professional" like Gary Cooper's sheriff going to "amateurs" like the townspeople for help. When something's of life or death importance, you want to rely on a professional. An amateur will just get you killed.
There have been many westerns where the whole town has come out in support of the lone sheriff in the showdown, the difference in High Noon is that notwithstanding Marshall Kane's requests for help they didn't come out to support him. So I'm not quite sure why Hawks singled out High Noon and I don't understand why asking the town for assistance is regarded as wrong in any way. In the end Kane was left depending on one friend who dropped out, "Go back to your kids Herb." Chance was not alone so the comparison that people make is spurious. If Chance was alone and refused help and took on the gang single handedly then a fair critique/comparison could be made, although I think politicising this is utterly daft. High Noon had the most fundamental element in western mythology, a man alone standing up for right.
Trouble is, from an historical point of view, High Noon's plot is crap. An entire Western town is so terrified of 4 outlaws that they desert their beloved sheriff and let him face the bad guys alone? Poppycock! On the rare occasions that gangs tried to take on a Western town, the gangs got their @$$e$ shot off by citizens who grabbed whatever guns they could find and started blazing away. Two excellent examples of this are Northfield Minn. and Coffeyville, Kansas. There are also examples of outlaws surrendering to lawmen to escape the wrath of irate townies. High Noon is based on an idiot premise- that a town full of Civil War veterans and Indian fighters would allow itself to be "treed" by 4 lowlife gunmen. Hawks and Wayne were bang-on right about High Noon- it was and remains a flawed film at its very core.
Don't get me wrong. I think "High Noon" a fine motion picture. Very well done. But, you're right. Even as a kid I wondered why Kane didn't propose that 10 or 12 hearty citizens climb onto rooftops with rifles and back him up from a healthy (and safe) distance. Just an announcement of their presence would have, I think, stopped the assassins in their tracks. . . But, hey, we're not supposed to think of things like that -- for our own enjoyment's sake.
Well of course. And also how were the gun men to know that they wouldn't face a posse on the roof tops? I'd like to see one single movie where you didn't have to suspend belief.
Threads like this crack me up! He isnt a liberal, he is a nut job. I am a liberal and a veteran of two armed conflicts and I LOVE Rio Bravo!
It is one of my favorite westerns and John Wayne is the MAN!
I could care less about the man's personal views off screen, on screen he was entertaining as hell. As an American Liberal who has fought for the rights of my fellow countrymen, Wayne has the right to believe whatever the heck he wants as long as he doesnt directly hurt anyone and Ive never heard of the man doing any such thing.
I liked High Noon for what it was, but for me Rio Bravo is just hands down a better and much more entertaining movie. I loved Stumpy and Dude and Ricky Nelson and all of the great personal interaction that makes a solid Hawkes film.
My fav of his is The Thing From Another World, I've watch that movie every Halloween since I was a kid.
Being a liberal is not a bad thing any more than being conservative. Now being a On the Pulpit Liberal/Conservative and shooting your mouth off for no reason surely is.
This film speaks to both mindsets and it is what it is, a hands down real man's action western.
Left or Right is just a con job to get people to not notice the rich are getting richer and the middle class and lower class is the one's getting shafted. Sorry folks the dice are loaded. It's like the magician saying "pick a card", you make the wrong choice no matter what card you take.
High Noon and Rio Bravo are both excellent movies. In fact I would say Rio Bravo is John Wayne's best movie. They are similar stories told from a different perspective. Both are entertaining. People see what they want to see. John Wayne made "The Green Berets" which was nothing like the war raging in Vietnam. It doesn't make it bad movie, it's a movie not a documentary.
High Noon illustrated people paralyzed by fear. Rio Bravo shows a town that's scared but stands up to do the right thing. Humanity falls into one of the two categories. That's not a belief, that's fact of the duality of human nature.
Both stand on their own and both are good in their own way. Stop with the posturing and the hate. Use your head, and don't get blinded by rhetoric.
It sounds to me like the two directors were caught up in whatever political white noise was going on in the 1950s. I found High Noon and Rio Bravo to be very similar films and very good ones.
However IF I had to choose between these two films it would be High Noon by far over this one.
High Noon in my opinion was cutting edge for it's time. Not the typical Good Guy/Bad Guy Western of the day. (Everyone had faults)
Both of these films though took things to extremes.
Where (once again my opinion) in 'Real Life' there would be middle ground. Meaning some people would want to defend their town and some would be too scared and not help.
I truly enjoy John Wayne in most of his westerns but, this one was not one of his best. Nothing like 'The Searchers' for example. (The Searchers to me is one of the best westerns ever made...)
This film was made so Wayne and Hawks could ram their POV down our throats.
I tend to agree with you. High Noon is a more complicated film. It was unrealistic, but it wasn't striving for realism. I've always thought of it as a meditation on duty and what a man owes to himself.
I enjoy Rio Bravo very much, but if they really made it as an answer to High Noon I think they were responding to what was only a supporting element in that movie.
I think they are both good. But comparing the two just because Rio Bravo was made as a respone to High Noon doesn't really work out for me. Mostly because High Noon while unrealistic in some manners reflects many problems from the real world perfectly while Rio Bravo seems almost more like a super hero flick.
Is Rio Bravo entertaining? Yes. Does it leave you to think about something afterwards? Not for me at least. It portrays the American dream while High Noon portrays American life.
Both good, very different, Wayne's arguments are nonsense. If you read the IMDB stuff the Duke comes out with in the quotes section they really don't stand up very well. He says a lot of things but really who cares? He was an ok actor- major star. Do you care what he says really?
Two things that that surprised me (somewhat) was Duke throwing the Mitchum kid out of the Wayne stock Co. for having an opinion. Not a nice thing to do.
The other was brushing off an overture from Eastwood to do a film together. Now I can see why Wayne would be threatened by Clint and maybe he didn't like the material Clint did. And maybe he felt he was too old and wasn't feeling well at the time. But he had an attitude that anything that wasn't done the way the Wayne Co. did things was either bad or somehow disrespectful (like "High Noon") which was rubbish.
Notwithstanding the political views of the films and their stars and directors, the most important thing to me is that Rio Bravo is simply the better film. I've watched it about 30 times, whereas High Noon about 3. Howard Hawks was the far superior filmmaker and it shows.
I am a rabid fan of John Wayne movies but, his political views are despicable. The part he played in the Hollywood blacklist is about as vile as a human can be. So bad that Burt Lancaster refused to take part in any movie he was a part of. But I can separate the movie persona from the real human. He was as anti American as a person can be for the simple fact that he was completely against the first amendment of the Constitution. FREE SPEECH.
The part he played in the Hollywood blacklist is about as vile as a human can be
The part he played in that has always been exaggerated by his haters. You also choose to ignore that he got involved in that because writers like Maury Riskin was being blacklisted by people at the opposite end of the spectrum so that's why Wayne got involved. It was case of a lot of people losing their jobs because of politics.
So bad that Lancaster refused to take part in any movie he was part of
Of course he wouldn't because Lancaster was a very Liberal activist.
He was anti-American as a person can be for the simple fact that he was completely against the first amendment of the constitution. FREE SPEECH
A load of crap. Wayne was friends with the likes of Henry Fonda, Jane Fonda, Kirk Douglas and many more people who had different views from him.
He also refused to take part in the blacklisting of Larry Parks which got him criticized, as did speaking out against the banning of pornography because he didn't believe in censorship even though Conservatives were supporting it.
On Jane Fonda - "I don't believe in what she says but I will defend her right to say it"
My life fades... the vision dims... all that remains are memories
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I have never been a big fan of John Wayne, even though I absolutely love the Western genre. That being said, I've really been enjoying the time I've spent watching John Wayne westerns lately. So far, I think Rio Bravo is by far the best. I love everything about this movie, and can really find nothing negative to say about it. I especially like the 2 hour and 20 minute run time.
One thing I'm certain of, is that Rio Bravo is 10x better than High Noon. High Noon is the most boring, uninteresting Western movie I've ever seen. It took me three separate viewings just to finish it, because I got sick of waiting for something interesting to happen. I honestly can't believe that it is considered one of the best westerns of all time. Every Clint Eastwood western ever made, and damn near every John Wayne western ever made is miles ahead of High Noon. I get that Gary Cooper was very ill during the filming of the movie, but his performance alone was nowhere near capable of making that movie enjoyable to watch. About the only thing High Noon was good for was bringing Lee Van Cleef into the "spotlight" so to speak (even though he only had a minor role). Considering the fact that he would later go on to star in two of the greatest (and my two favorite) westerns of all time (For a Few Dollars More & The Good, The Bad, and The Ugly), we should all be grateful that High Noon was made, regardless of how overrated it is.