When Audrey Hepburn passed away I made a point of reading her obits. The Nun's Story was never mentioned. Actually, they made a point of saying that she had starred with most of Hollywood's leading men and never once pointed to her acting.
Audrey could only play an engenue which is probably why she left making movies when she was pretty young. In almost every film she is in, she is either a novice, a child, an innocent or a victim.
This film is very dull and slow moving. More important is trying to figure out her "struggle" with being a nun. We are told over and over that she is unique and doesn't fit the mold of a nun but we are given no clues as to why this is. Also....if you noticed when WWII begins we don't see any shots of people being blown up, or tanks rolling into Amsterdam...what we are shown as are bare tree tops and a rumble of drums.
The only original thing in this movie is the final shot...the long slow shot of her leaving the Nunnery and staying on the walkway she leaves.
Just finished watching this movie for the first time, and I have to say - yes, I agree with you that the movie was slow moving, but that doesn't mean there wasn't good acting in it.
And just because it was a movie that references WWII and does not show "people being blown up, or tanks rolling into Amsterdam" doesn't mean it wasn't good either. Also, I think your geography is off - as Amsterdam is in the Netherlands, where as the convent she was at is in Belgium - two different countries.
I agree with you that a lot of her roles were similar in nature - from Roman Holiday, to Sabrina, to Funny Face - but I think this movie showed she could perform a serious role on her own, without a big name lead actor with her.
As to your point about trying to figure out her "struggle" with being a nun - I don't know how to say this, but you must not have been watching the movie closely. She had many struggles throughout the movie with being a nun - from the pen to remember her former love, wanting to make a name for herself as a nurse, her affection towards the doctor in the Congo, to wanting things for herself instead of for God, and in the end, her desire to help the resistance against the Germans during the war.
Did you pay any attention at all? Audrey states several times, in monologues and in conversations with the other sisters that pride is her hang up. She's brilliant and she knows it and it's the one thing that's standing in the way of her being a good nun, because nuns are supposed to be "selfless." The message is pretty clear.
This is NOT a war movie!!! The war is merely a backdrop to the ending. Sister Luke took the death of her father as the final blow. She could not longer dissociate herself from the world around her and had to leave the cloistered life. It was probably a mistake from the beginning but many people make choices they later regret. Would the sight of tanks and exploding bodies make it a more interesting movie to the first poster? I hope you are not that shallow, but you seem to have missed almost every major plot point.
it is a "slow moving" movie too much talking not enough action and too formal needed a better story/action/energy/characters/acting etc its too long( 2.5 hrs )
I am far from a fan of Audrey Hepburn as an actress. In fact, I agree with Emma Thompson, who finds her "fantasically twee", and not a good actress. I can't get over the speaking voice, which sounds so contrived, even though it was really her.
That said, she was excellent in this film. I give the credit to the director, Fred Zimmerman, who also directed From Here to Eternity. Zimmerman had a talent for intelligent epics. We are in exotic locations with high stakes situations, but he films them in a down to earth way, and he never tries to force anything or amp it up. I always feel I am there, in the day to day, not watching an "epic." I am really experiencing that place.
This was a very smart film. I was impressed with the respectful way it treated nuns; they were all intelligent, fairly worldly women. The relationship between Peter Finch's doctor and Audrey's nun was perfectly done. I understand the Catholic consultants Zimmerman worked with were concerned about that relationship, and never wanted it to be titillating. It never was. It was never inappropriate. Still, the chemistry was clear, and there were times I wished the movie would become cheesy and do something about it between them. The things Hepburn communicated really well were her character's commitment to being a nun, her passion for surgery and her pride in being her father's daughter, her intelligence and talent, and her understanding of her vows, even when it meant disappointment. She was truly wonderful in this.
In fact, I agree with Emma Thompson, who finds her "fantasically twee"
The amusing thing here is that Emma Thompson is a decent actress who can give workmanlike performances in the right vehicles. She's a dab hand at comedy (Nanny McPhee, etc), but in drama she invariably gives almost the exact same performance over and over again. See "Sense and Sensibility" and "Howard's End". Same bloody performance right down to the way she cries.
Her turn as the "Mary Poppins" author in the dreadful "Saving Mr Banks" coupled with interviews I've read and seen, make me think she is a rather outspoken and self-absorbed twat.
Because she was involved in writing a 2010 adaptation of "My Fair Lady" (what ever happened to that project anyway, Emma?- Oh right, it never got off the ground)she felt she had the right to publicly dismiss Audrey's entire career as "twee". It's fine if the great Emma thinks Hepburn was a lousy actress, but who does it serve for her to go around trumpeting her hollow opinion of the woman's talent (or lack of same)?
Acting abilites aside, Emma doesn't have an ounce of the CLASS that Audrey had.
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Audrey Hepburn may not have been Old Vic material but on film she's eternal. I wonder if Emma Thompson's brilliant as she is will be revered in the future as Audrey Hepburn is and I suspect will be for ever and ever.
I wonder if Emma Thompson's brilliant as she is will be revered in the future as Audrey Hepburn is and I suspect will be for ever and ever.
While Audrey is revered as an actress, the sad truth is her image endured strongly for purely superficial reasons, like Marilyn Monroe: mass commercialism. The image Hepburn in a black dress with her hair up and smoking a long cigarette in "Breakfast at Tiffany's" endures stronger than the rest of the entirety of her career put together.
It's not really fair to expect Emma Thompson to compete with something like that. I don't think she would even want to.