Since I was told by many friends it was Hitchcock's best film, I had very high expectations. This film falls short of them but doesn't mean this isn't a good film. It is a very good film. It has a fine cast, excellent performances and wonderful production values throughout. I was kinda shocked and intrigued to see a very young Martin Landau. James Mason always delivers a fine performance. But this is Cary Grant's film and it's hard not to enjoy his performance as his character becomes more unwittingly entangled in the plot. I love the architecture of this period. I enjoyed it, I was thoroughly entertained but not quite as good as The Birds, Psycho or Rear Window. 88/100
He made it at his most famous and powerful, so money was budgeted to hire Cary Grant as the hero(not Bob Cummings level as in Saboteur), James Mason as his villain(not Otto Kruger level as in Saboteur) and Oscar winner Eva Marie Saint(not Priscilla Lane level as in Saboteur.) (You might get that I see North by Northwest as an informal remake OF Saboteur.
But the money was also there for three big set pieces: the drunken drive at the beginning; the crop duster sequence in the middle, and the literally monumental cliffhanger climax on Mount Rushmore at the end(my personal favorite set piece in all of Hitchcock.)
With a witty and nicely structured script, between these big action set-pieces are all sorts of inventive sequences: the initial kidnapping ("regular guy" Roger Thornhill is mistaken for Kaplan and from that SECOND, his life is in continual danger); the Glen Cove chit-chat("Games? Must we?") the arrest for drunken driving -- and the big one: the UN murder(with the spectacular overhead shot as Thornhill runs away.)
AND the very sexy for its time banter between Grant and Saint on the train ("I have to hold back from telling a woman that I'd like to make love to her" "Why?" "She might take offense" "Then again...she might not.")
AND the screwball auction scene -- in which Grant bids insanely to save his life("1500 -- for THAT chromo?")
AND his great line to the Professor at the airport: "I've got a job, a secretary, two ex-wives and several bartenders depending on me."
As its screenwriter Ernest Lehman noted, NXNW was a solid hit on release, but only grew and grew and GREW as an influential screen classic as the years rolled on. It is "ground zero for the action movie"(Entertainment Weekly) and begat James Bond, Indy Jones, Die Hard, and The Matrix(among others.)
That the very next year Hitchcock reversed course and gave us the seminal supershocker "Psycho"(his greatest hit and biggest personal payday; it was made cheap and he owned most of the profit) is an incredible achievement in movie history. Put Vertigo before those two movies and The Birds after them and you have what one French critic called "the greatest run of movies by one director in film history."
It was decades ago that I was first introduced to North by Northwest and Psycho , and their Saul Bass credit sequences and their Bernard Herrmann scores, and Hitchcock at the top of his form.
9/10 for me. It's a fun, fast-paced action spy movie and it has good dialogs and several extremely iconic scenes. Very influential. Hitchcock is perhaps best-known for his suspense and psychological thrillers, but he also has good spy thrillers. Cary Grant of course has a great presence, and he does the comedic moments very well. He is not completely convincing as an action hero, but then again that fits the character he is playing. The story itself is a bit thin, but who cares, you just have to go along for the ride, when it's so much fun.