Ahead-of-its-time Western with Gary Cooper, set in the Great Northwest, 1873

This was Cooper’s second to last Western. He passed away due to prostate cancer less than three years after it was shot in the summer of ’58. He was 57 during shooting and carries the film with his towering presence, which doesn’t feel like a 50’s Western, but rather one from the mid-60s. The colorful locations and mining town set are as good as you’ll see in any Western, very realistic, while angelic Maria Schell is a highlight, the older sister of Maximilian (by four years).

Not everything in the story is spelled out. The intelligence of the viewer is respected and thus expected to put the pieces together based on clues offered. It’s good, just kind of ambiguous, which explains its failure at the box office and eventual sleeper status. It no doubt plays better on repeat viewings.

This was George C. Scott’s breakout into feature films, but his character isn’t given much screentime and he hams it up a bit too much as the wild-eyed preacher, a one-note loony tune. More dimension was needed in order to ring true.

The film runs 1 hour, 47 minutes, and was shot in the general area of Yakima, Washington, including Nile (the mining town) and Goose Prairie (the opening scene). This region is located about a 2.5-hour drive southeast of Seattle.