MovieChat Forums > Anatomy of a Murder (1959) Discussion > The music was so wrong for this movie

The music was so wrong for this movie


I know, I know, it's Duke Ellington. But the music is so disconnected from the movie and its setting that it is almost funny at some points in the movie. This is big city music in a rural setting. It's energetic music played over slow moving images. For example: At one point, the jazzy score is playing while James Stewart drives through the small town at about 10 miles per hour and pulls up in front of a bunch of kids skipping rope or something. Ridiculous. Did Ellington even get to see this movie when he was composing his music?

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That's the kind of music the lawyer in the book liked and he would sit in on jazz combos. You may not like jazz, but it was a part of the story that Robert Traver wrote, so it was appropriate for the movie. It wasn't a random choice.

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The music was so obnoxious I actually found it to be offensive. At this time (late 50s), jazz music was associated with racy themes and taboo topics. Given the nature of this movie (i.e. a rape trial; lude talk of panties, sperm, and intercourse; course language; etc.), I think Otto was going for the naughty music because it best fit the material at hand. But holy sh!t was it obnoxious.

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The music was so obnoxious I actually found it to be offensive. At this time (late 50s), jazz music was associated with racy themes and taboo topics.


You're not kidding! One of the reasons why I can't take The Wild One or Panic in the Year Zero seriously is the annoying, over the top, shrill jazz music. I mean, nothing says "jazz" like motorcycle outlaws terrorizing a small town or atomic warfare! 

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Yeah, I agree. And I love Duke.

It kinda reminds me of -now- where so many movies have hip-hop soundtracks for no reason other than it's 'what's happening'.

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Otto Preminger always took great care with the score of each of his films. We hear the Ellington score throughout the movie (and Ellington himself even makes an appearance) because we are seeing the story from James Stewart's point of view--and this IS the music that's in his head. He is a jazz guy; he even has a sort of jazz mentality. This is also a film about the effects of reckless sex and desire, hence the score is pretty sexy. What says sex better than jazz--chamber music? Broadway show tunes? Italian opera?

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Most movies produced up until the mid to late 1960's, had some variation of a jazz or classical music score. Any other music would have be unacceptable to the audiences of the period

Rock music was for teenagers. Country music was for poor hillbillies. R&B was for Blacks, and rap hadn't been invented yet. Including such genres of music in mainstream films was largely unheard of.

When modern day viewers find the music annoying in older films, it's usually because they don't have an ear for the particular chosen genre. Mainly because jazz and classical music, have been marginalized in popular culture for the past half century.

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I like jazz a lot (including Duke Ellington, and other greats like Bill Evans, Art Blakey, McCoy Tyner, Grant Green, etc.) but I still thought the music didn't quite work for this film as a score. It was fine, of course, in the roadhouse scene or when the prospective client was playing the lawyer's jazz records.

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