MovieChat Forums > Det sjunde inseglet (1958) Discussion > films with a similar vibe to this?

films with a similar vibe to this?


just, this feeling that's sort of meditative and sacred
emphasis on the "sacred"
it's really hard to describe and it just feels... different. it's so rarely found in any medium. just something very specific that i get when i think about them.

the only other that I can come up with off the top of my head is Parajanov's Shadows of Forgotten Ancestors... I think Herzog's Nosferatu may have it as well but I need to watch it again.

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Ordet.

Religious and visually stunning.

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Ah, I've been meaning to watch that for at least a year now. I'll have to do it soon.

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Of course, while we're of the subject of Dreyer, I think that you have to include La Passion de Jeanne D'Arc ("The Passion of Joan of Arc").

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Most of Andrei Tarkovsky's films, especially Andrei Rublev and Nostalghia.

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I watched Stalker recently and loved it. I actually have Nostalghia sitting right next to me and Andrei Rublev arriving tomorrow. I'm looking forward to watching both. Even before watching Takovsky's films in whole, everything I saw or read about him or his work pointed to them fitting in with what I was looking for in this topic.

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Aguirre: The Wrath of God.

"It ain't dying I'm talking about, it's LIVING!"
Captain Augustus McCrae

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[deleted]

Maybe Rashomon?

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Aguirre: The Wrath of God.


I looooooooooooooooooooooooooooove Werner Herzog. I'm ashamed to say though that aside from a few of the recent documentaries I haven't seen anything outside of the Aguirre - Fitzcarraldo range yet.

maybe just maybe Fires On The Plain, but that's reaching, and is pretty esoteric as far as 'sacred' goes.


I haven't heard of this. I'll have to check it out, thanks.

Maybe Rashomon?

I don't think so. I only saw it once well over a year ago though so my mind may change when I watch it again. Kurosawa has made some very special films.

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A film with a similar vibe in its themes of mortality would be the Coen brothers' No Country for Old Men.


Order of Cinema 77

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The Passion of Joan of Arc (Dreyer)
Aguirre, Wrath of God (Herzog)
Metropolis (Lang)
Day of Wrath (Dreyer)
Wild Strawberries (also by Bergman)
Ordet (Dreyer)
No Country for Old Men (Coen brothers)

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- Someone already mentioned 'Ordet' - there are two versions: Dreyer's (1955) and Gustav Molander's (1943).

- I'll mention 'Satyricon' (Fellini), based on fragments of Petronius Arbiter's ancient Roman manuscript.
Why? Because, just like with Bergman, Dreyer and Kurosawa you'll dive into another time, with other morals.
'Satyricon' is the classic mural, where 'Det Sjunde Inseglet' was Bergman's medieval tapestry. When watching it for the first time, 'Satyricon' shocked me because I could not understand the characters's motives for one bit, it was all very barbaric to me.

- I once also saw a 'mystery play' on television, a medieval drama which is always a christian tale about Christ and the Judgement's Day, when all die and every soul goes to either heaven or hell. It's also called 'passion play' or 'miracle play'.


"I don't discriminate between entertainment
and arthouse. A film is a goddam film."

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