Could an outsider truly appreciate a film such as 'Written on the Wind'?
I've been quickly skimming the critical consensus on "WotW," and I'm finding a running theme. Apparently this film is extremely ironic, because the mis-en-scene and acting is so over-the-top and shamelessly cinematic, and the plot, in the 1950s, would have been treated much soberly. Sirk is mocking both the society that calls for this film and the devices which formed it. Naturally, only the most sophisticated and astute viewers could truly appreciate this quality to the film.
Now, the problem with this view is that this attitude towards thee film is really only accessible to people who are intimately familiar with the period, because, you know, only they can recognize that the film is 'over the top'. To somebody born in say, 1991 (my birthdate, obviously), 1950s films are always "over the top". The sets are always lush and artificial and the script is always a little implausible. Even if somebody of my cohort were to watch a great deal of films from the period and were to learn a great deal about its society, it would still be very difficult to fairly analyze a film such as this, because the little cultural nuances simply cannot be picked up.
So, with all this in mind, is the audience member who really, sincerely, "gets" this film sophisticated, or simply of the right generation?